spinatsch jules (47 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

hardcover. Zustand: Very Good. Davos Is a Verb: A World in Disruption This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: As New. 1st Edition. Light wear to the dust jacket. Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.

Zustand: NEW.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:3907078284.

Gebundene Ausgabe, Gr.8°. Zustand: Gut. 223 S. Das Buch ist in gutem, sauberen Zustand. Einband etwas berieben. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783907078280 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 771.

Hardcover. Zustand: Very Good. Illustrated boards (hardcover), 221 p. : colour photos ; 25 cm. Very good, minimal shelf wear to boards. Text in German and English.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 30 cm, 9 ½ x 11 ¾ in, 186 Seiten/pages, 115 Abbildungen/illustrations - Jules Spinatsch was at the World Economic Forum and also attended the G8 summits at Davos and Evian. But rather than street fighting and handshakes, Jules Spinatsch shows winter nights in Davos, complete with floodlighted barbed wire, containers being used as barricades in Genoa, lonely TV reporters outside broadcast vehicles and sleepy guards in New York. Temporary Discomfort shows people waiting for the big event, which is revealed as meticulously planned down to the last detail. Winner of the Prix du Livre, Rencontres d Arles 2005 Best Photography Book.

Softcover. Zustand: Sehr gut. Z : 21 x 30 cm, 352 Seiten zahlreiche Farbfotografien fadengeheftete Broschur - Jules Spinatsch begann vor 15 Jahren seine Arbeit mit automatischen Kameras, wie sie im Bereich der Überwachung öffentlicher Räume genutzt werden. Damals entstand ein aus 2.176 Einzelbildern bestehendes 180°-Panorama des Weltwirtschaftsforums in Davos. Die Werkgruppe, die den Titel Semiautomatic Photography trägt, setzte er u.a. mit Aufnahmen eines Fußballstadions, des Wiener Opernballs, eines Gefängnisses und der SAP-Zentrale fort. Das Buch Semiautomatic Photography zeigt nun erstmals den kompletten Zyklus. In ihm stellt Spinatsch ausgewählte Einzelbilder, die sonst ein winziges Element in den Bildpanoramen sind, in den Vordergrund. Ähnlich wie bei William S. Burroughs Cut-ups führt dieses »Herausschneiden« der Einzelfotos zu einer subversiven Bildstrategie, zur Reflexion der Funktion des Visuellen in einer Gesellschaft der Kontrolle.

Hardcover. Zustand: Brand New. bilingual edition. 242 pages. 13.50x9.50x0.75 inches. In Stock.

First Edition. First edition. Oblong softcover. Published in an edition of 700 copies. A collection of color images by Spinatsch taken throughout the world and capturing lights. A fine copy. Signed by Spinatsch on the verso of the front cover. A nicely printed book. Signed.

Paperback. Zustand: Brand New. 302 pages. 11.75x9.00x0.75 inches. In Stock.

Zustand: New. 2021. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Fine. From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.

Hardcover. Zustand: Near Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Near Fine (small bump to the crown of the spine, not affecting any pages, else Fine). From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.

Hardcover. Zustand: Near Fine. 1st Edition. First edition, first printing. Signed in black marker on the last page by Spinatsch. Hardcover. Black leatherette-covered boards, with title stamped in white on front cover and spine and a four-color plate tipped in debossed rear cover, no dust jacket as issued. Photographs and notes (in English and German) by Jules Spinatsch. Texts (in English and German) by Jamie Shea and Martin Jaeggi. Includes a list of exhibitions of Temporary Discomfort, and a list of selected publication and awards. Also includes descriptions of the works and an installation (Live - Panorama Installation Pulver Gut, 2003). 192 pp. total (80 pages comprise the primary section of the book with color plates, including four 2-page gatefolds, and 32 additional pages of texts bound in the rear of the book), with numerous four-color plates and additional black and white reproductions (in the texts section of the book), printed by Ast & Jakob, Vetsch AG, CH-Köniz. The texts section is printed on heavy newsprint stock paper, in contrast to the glossy color plate section of the book. 13-1/8 x 9-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (very small bump to boards at one corner, not affecting any pages, else As New, opened only for signature). Jules Spinatsch's recent installation in "New Photography 2006" at The Museum of Modern Art, New York, included a wall of photographs, with multiple video monitors (with looped video made at 2001-2003 WEF and G8 global economic summits) separating the viewers from the photographs, successfully capturing the essence of "surveillance" concurrently from the outsider and insider perspectives. a brilliant effect in addressing issues of political and economic power! From the publisher: "Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones." Signed by Author.

Taschenbuch. Zustand: Gut. 3.,. 200 Seiten Anderes Cover. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 200.

Gebunden. Zustand: New.

Broschiert. Zustand: Sehr gut. 304 Seiten Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1450.

1 Bl., 143 S. mit Farbfotos. Schönes Künstlerbuch zum Thema `Lichterketten`. Gesamtauflage 700 Exemplare (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 750 Qu.8°. 14,5 x 23,5 cm. Orig.-Karton.

1. ed. 8°. 349 S., überw. Ill. OKart. mit Transparentumschlag. Sprache: englisch.

Zustand: New. During the WEF, Davos becomes a modern Potemkin village. The photo artist Jules Spinatsch grew up in Davos and documents the paradoxical transformation of the city during the WEF.Since the last financial crisis, a new practice has emerged in Davos: Du.

Gebunden. Zustand: New. Temporary Discomfort dokumentiert die Staedte Davos und New York waehrend des World Economic Forum WEF und Genua und Evian waehrend der G8 Gipfel. Ein wichtiger Beitrag zur zeitgenoessichen Fotografie Temporary Discomfort enstand von Januar 2001 bis Juni 2.

Buch. Zustand: Neu. Neuware - Jules Spinatsch begann vor 15 Jahren seine Arbeit mit automatischen Kameras, wie sie im Bereich der Überwachungöffentlicher Räume genutzt werden. Damals entstand ein aus 2.176 Einzelbildern bestehendes180°-Panorama des Weltwirtschaftsforums in Davos. Die Werkgruppe, die den Titel Semiautomatic Photographyträgt, setzte er u.a. mit Aufnahmen eines Fußballstadions, des Wiener Opernballs, eines Gefängnissesund der SAP-Zentrale fort. Das Buch Semiautomatic Photography zeigt nun erstmals den komplettenZyklus. In ihm stellt Spinatsch ausgewählte Einzelbilder, die sonst ein winziges Element in den Bildpanoramensind, in den Vordergrund. Ähnlich wie bei William S. Burroughs Cut-ups führt dieses »Herausschneiden« der Einzelfotos zu einer subversiven Bildstrategie, zur Reflexion der Funktion des Visuellen in einerGesellschaft der Kontrolle. Das Buch erscheint anlässlich der Ausstellung Semiautomatic Photography imCentre de la Photographie Genève, 12. Dezember 2018 bis 2. Februar 2019.

Buch. Zustand: Neu. Semiautomatic Photography | Jules Spinatsch | Buch | 351 S. | Deutsch | 2019 | Spector Books | EAN 9783959052924 | Verantwortliche Person für die EU: Spector Books OHG, Jan Wenzel, Harkortstr. 10, 04107 Leipzig, wenzel[at]spectorbooks[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Davos Is a Verb | Jules Spinatsch | Buch | 304 S. | Englisch | 2021 | Lars Müller Publishers, Zürich | EAN 9783037786482 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.; 'Temporary Discomfort' enstand von Januar 2001 bis Juni 2003 in Davos und New York während des World Economic Forum WEF, und während der G8 Gipfel in Genua und Evian/Genf.Doch anstelle von Strassenschlachten und Gruppenbildern mit staatsmännischem Händedrücken, zeigt Jules Spinatsch das Warten auf das grosse Ereignis. Es ensteht eine bewusst spekulative Rekonstruktion der Situation.

Buch. Zustand: Neu. Temporary Discomfort | Chapter I-V. Davos, Genoa, New York, Evian, Geneva. Dtsch.-Engl. Ausgezeichnet mit dem Deutschen Fotobuchpreis 2005, Kategorie Fotobildbände | Jules Spinatsch | Buch | 186 S. | Englisch | 2005 | Lars Müller Publishers, Zürich | EAN 9783037780473 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.