Jules spinatsch (48 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Gebundene Ausgabe, Gr.8°. Zustand: Gut. 223 S. Das Buch ist in gutem, sauberen Zustand. Einband etwas berieben. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783907078280 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 771.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: As New. 1st Edition. Light wear to the dust jacket. Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.…

Zustand: NEW.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:3907078284.…

Hardcover. Zustand: Very Good. Illustrated boards (hardcover), 221 p. : colour photos ; 25 cm. Very good, minimal shelf wear to boards. Text in German and English.

Hardcover. Zustand: Brand New. bilingual edition. 242 pages. 13.50x9.50x0.75 inches. In Stock.

First Edition. First edition. Oblong softcover. Published in an edition of 700 copies. A collection of color images by Spinatsch taken throughout the world and capturing lights. A fine copy. Signed by Spinatsch on the verso of the front cover. A nicely printed book. Signed.

Paperback. Zustand: Brand New. 302 pages. 11.75x9.00x0.75 inches. In Stock.

Softcover. Zustand: Sehr gut. Z : 21 x 30 cm, 352 Seiten zahlreiche Farbfotografien fadengeheftete Broschur - Jules Spinatsch begann vor 15 Jahren seine Arbeit mit automatischen Kameras, wie sie im Bereich der Überwachung öffentlicher Räume genutzt werden. Damals entstand ein aus 2.176 Einzelbildern bestehendes 180°-Panorama des Weltwirtschaftsforums in Davos. Die Werkgruppe, die den Titel Semiautomatic Photography trägt, setzte er u.a. mit Aufnahmen eines Fußballstadions, des Wiener Opernballs, eines Gefängnisses und der SAP-Zentrale fort. Das Buch Semiautomatic Photography zeigt nun erstmals den kompletten Zyklus. In ihm stellt Spinatsch ausgewählte Einzelbilder, die sonst ein winziges Element in den Bildpanoramen sind, in den Vordergrund. Ähnlich wie bei William S. Burroughs Cut-ups führt dieses »Herausschneiden« der Einzelfotos zu einer subversiven Bildstrategie, zur Reflexion der Funktion des Visuellen in einer Gesellschaft der Kontrolle.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 30 cm, 9 ½ x 11 ¾ in, 186 Seiten/pages, 115 Abbildungen/illustrations - Jules Spinatsch was at the World Economic Forum and also attended the G8 summits at Davos and Evian. But rather than street fighting and handshakes, Jules Spinatsch shows winter nights in Davos, complete with floodlighted barbed wire, containers being used as barricades in Genoa, lonely TV reporters outside broadcast vehicles and sleepy guards in New York. Temporary Discomfort shows people waiting for the big event, which is revealed as meticulously planned down to the last detail. Winner of the Prix du Livre, Rencontres d Arles 2005 Best Photography Book.…

Buch. Zustand: Neu. Neuware - Jules Spinatsch begann vor 15 Jahren seine Arbeit mit automatischen Kameras, wie sie im Bereich der Überwachungöffentlicher Räume genutzt werden. Damals entstand ein aus 2.176 Einzelbildern bestehendes180°-Panorama des Weltwirtschaftsforums in Davos. Die Werkgruppe, die den Titel Semiautomatic Photographyträgt, setzte er u.a. mit Aufnahmen eines Fußballstadions, des Wiener Opernballs, eines Gefängnissesund der SAP-Zentrale fort. Das Buch Semiautomatic Photography zeigt nun erstmals den komplettenZyklus. In ihm stellt Spinatsch ausgewählte Einzelbilder, die sonst ein winziges Element in den Bildpanoramensind, in den Vordergrund. Ähnlich wie bei William S. Burroughs Cut-ups führt dieses »Herausschneiden« der Einzelfotos zu einer subversiven Bildstrategie, zur Reflexion der Funktion des Visuellen in einerGesellschaft der Kontrolle. Das Buch erscheint anlässlich der Ausstellung Semiautomatic Photography imCentre de la Photographie Genève, 12. Dezember 2018 bis 2. Februar 2019.…

Zustand: New. 2021. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

1. ed. 8°. 349 S., überw. Ill. OKart. mit Transparentumschlag.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Fine. From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Near Fine (small bump to the crown of the spine, not affecting any pages, else Fine). From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black marker on the last page by Spinatsch. Hardcover. Black leatherette-covered boards, with title stamped in white on front cover and spine and a four-color plate tipped in debossed rear cover, no dust jacket as issued. Photographs and notes (in English and German) by Jules Spinatsch. Texts (in English and German) by Jamie Shea and Martin Jaeggi. Includes a list of exhibitions of Temporary Discomfort, and a list of selected publication and awards. Also includes descriptions of the works and an installation (Live - Panorama Installation Pulver Gut, 2003). 192 pp. total (80 pages comprise the primary section of the book with color plates, including four 2-page gatefolds, and 32 additional pages of texts bound in the rear of the book), with numerous four-color plates and additional black and white reproductions (in the texts section of the book), printed by Ast & Jakob, Vetsch AG, CH-Köniz. The texts section is printed on heavy newsprint stock paper, in contrast to the glossy color plate section of the book. 13-1/8 x 9-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (very small bump to boards at one corner, not affecting any pages, else As New, opened only for signature). Jules Spinatsch's recent installation in "New Photography 2006" at The Museum of Modern Art, New York, included a wall of photographs, with multiple video monitors (with looped video made at 2001-2003 WEF and G8 global economic summits) separating the viewers from the photographs, successfully capturing the essence of "surveillance" concurrently from the outsider and insider perspectives. a brilliant effect in addressing issues of political and economic power! From the publisher: "Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones." Signed by Author.…

Taschenbuch. Zustand: Gut. 3... 200 Seiten Anderes Cover. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 200.

Zustand: New.

Broschiert. Zustand: Sehr gut. 304 Seiten Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1450.

1 Bl., 143 S. mit Farbfotos. Schönes Künstlerbuch zum Thema `Lichterketten`. Gesamtauflage 700 Exemplare (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 750 Qu.8°. 14,5 x 23,5 cm. Orig.-Karton.

Zustand: New. During the WEF, Davos becomes a modern Potemkin village. The photo artist Jules Spinatsch grew up in Davos and documents the paradoxical transformation of the city during the WEF.Since the last financial crisis, a new practice has emerged in Davos: Du.

Gebunden. Zustand: New. Temporary Discomfort dokumentiert die Staedte Davos und New York waehrend des World Economic Forum WEF und Genua und Evian waehrend der G8 Gipfel. Ein wichtiger Beitrag zur zeitgenoessichen Fotografie Temporary Discomfort enstand von Januar 2001 bis Juni 2.

Couverture souple. Zustand: Comme neuf. Edition originale.

Buch. Zustand: Neu. Semiautomatic Photography | Jules Spinatsch | Buch | 351 S. | Deutsch | 2019 | Spector Books | EAN 9783959052924 | Verantwortliche Person für die EU: Spector Books OHG, Jan Wenzel, Harkortstr. 10, 04107 Leipzig, wenzel[at]spectorbooks[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.; 'Temporary Discomfort' enstand von Januar 2001 bis Juni 2003 in Davos und New York während des World Economic Forum WEF, und während der G8 Gipfel in Genua und Evian/Genf.Doch anstelle von Strassenschlachten und Gruppenbildern mit staatsmännischem Händedrücken, zeigt Jules Spinatsch das Warten auf das grosse Ereignis. Es ensteht eine bewusst spekulative Rekonstruktion der Situation. …

Buch. Zustand: Neu. Temporary Discomfort | Chapter I-V. Davos, Genoa, New York, Evian, Geneva. Dtsch.-Engl. Ausgezeichnet mit dem Deutschen Fotobuchpreis 2005, Kategorie Fotobildbände | Jules Spinatsch | Buch | 186 S. | Englisch | 2005 | Lars Müller Publishers, Zürich | EAN 9783037780473 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Buch. Zustand: Neu. Neuware - Since the last financial crisis, a new practice has emerged in Davos: During to the World Economic Forum WEF, the main street is being temporarily rebuilt almost throughout. Freestanding pavilions are being constructed for events organized by companies, corporations and organizations, wall-filling banners are changing the Street scene, and business premises are being converted into communication spaces for the realization of the respective agenda - at horrendous rents.In his new work, Jules Spinatsch applies strategies of photo essays, concept photography and investigative journalism. Davos Is a Verb shows the aesthetics and behavior of the financial, technology and new media industries as well as politics: in shops, bars, clubs, hotels and even in museums and churches, where roundtable discussions, press conferences, but also parties and esoteric sessions take place. In this way, a parallel world beyond the official WEF zones becomes visible, where WEF participants, lobbyists, locals and tourists meet. Spinatsch also looks at vacant business premises, which are often only rented out during these few days. He sheds light on a practice that changes Davos not only in January, but permanently - whether out of greed, need, or a supposed lack of alternatives. Simultaneously insider and outsider, and with ironic distance, Spinatsch introduces us to this practice of disruptive pop-ups and puts it up for discussion.; Seit der letzten Finanzkrise ist in Davos eine neue Praxis entstanden: Parallel zum Weltwirtschaftsforum WEF wird die Hauptstrasse fast durchgehend temporär umgebaut. Für Veranstaltungen von Firmen, Konzernen und Organisationen entstehen freistehende Pavillons, wandfüllende Transparente verändern das Strassenbild und existierende Geschäftslokale werden zu Kommunikationsräumen für die Verwirklichung der jeweiligen Agenda umgestaltet - zu horrenden Mietpreisen.Jules Spinatsch wendet in seiner neuen Arbeit Strategien des Fotoessays, der Konzeptfotografie und des Investigativjournalismus an. Davos Is a Verb zeigt die Ästhetik und das Verhalten der Finanz-, Technologie- und New-Media-Industrie sowie der Politik: In Geschäftslokalen, Bars, Clubs, Hotels und sogar in Museen und Kirchen, wo Gesprächsrunden, Pressekonferenzen, aber auch esoterische Sessions und Partys stattfinden. So wird eine Parallelwelt jenseits der abgesperrten, offiziellen WEF-Zonen sichtbar, wo sich neben WEF-Teilnehmern und Lobbyisten auch Einheimische und Touristen treffen. Spinatsch richtet seinen Blick auch auf leerstehende Geschäftslokale, die oft nur noch während diesen wenigen Tagen vermietet werden. Er beleuchtet eine Praxis, die Davos nicht nur im Januar, sondern permanent verändert - ob aus Gier, Not oder vermeintlicher Alternativlosigkeit entstanden. Zugleich In- wie Outsider und mit ironischer Distanz führt uns Spinatsch diese Praxis der disruptiven Pop Ups vor und stellt sie zur Disposition.…

Hardcover. Zustand: Sehr gut. 1. Auflage. 24,5 x 17 cm, spine made from recycled canvas, 460 unpaginated p., numerous (3000) illustrations. Cover with minor signs of wear, dedication on flyleaf, good copy of the cult book on urban lifestyle at the beginning of the century.