soutine chaim (87 Ergebnisse)

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Soft cover. Zustand: Very Good. 1st Edition. Exhibition catalogue: At the Tate Gallery, London, 28 September - 3 November. 1st printing (1963). 28pp + 32 plates. Stapled paper covers. VG+ copy but for small stain to front cover.

Zustand: Very good. London: Arts Council of Great Britain, (1982)., (1982). Very good. - Quarto, 10-5/8 inches high by 8-1/4 inches wide. Softcover, bound in color pictorial cream wraps. The covers are slightly rubbed & creased. 255 & [4] pages, profusely illustrated in color and black & white. Very good.

Paperback. Zustand: Very Good-. Card covers are age-toned and shelf-marked, corners and spine bumped; binding is tight; pages are age-toned but unmarked, edges foxed. ; 8.25 x 0.75 x 10.7 inches; 255 pages.

paperback. Zustand: good. Soutine, Chaim (illustrator). Malou Wedel Bruun / Kirsten Degel (Red.): Chaim Soutine: Mod stroemmen (Louisiana Revy 64. Argang Nr. 2, 2024). Eigenverlag Louisiana Museum of Modern Art, Humlebaek / Dänemark 2024. Broschur, 104 Seiten mit zahlreichen farbigen Abbildungen; ordentlicher Zustand. - Text nur in Dänisch / in Danish only / dansk.

Softcover. 103 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 9788793659742 Sprache: Französisch Gewicht in Gramm: 450.

paperback. Zustand: fine. Chaim Soutine (illustrator). Illustrated in color and some b/w photos. Unpaginated. Tall slim 4to, stiff pictorial wrappers. New York: Cheim & Read, 2006. A fine copy.

hardcover. Zustand: New. Brand New.

paperback. Zustand: acceptable. Soutine, Chaim (illustrator). Ernst-Gerhard Güse (Hrsg.): Chaim Soutine 1893 - 1943. Begleitband zur Ausstellung 1981/82. Verlag Gerd Hatje, Stuttgart 1981. Broschur, Format 21 x 28 cm, 257 Seiten mit Abbildungen; Knickstellen, etw. gebrauchsspurig. - Volumina.

Paperback. Zustand: Good. No Jacket. Jackson Pollock; Chaim Soutine; Earl Kerkam (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

OLnbd., 25 x 20 cm. Zustand: Gut. 116 Seiten, Second Reprint 1969. - Nachdruck eines Kataloges zu einer Ausstellung im Museum of Modern Art New York. - Mit zahlreichen Abbildungen. - Einige wenige Seiten mit Anstreichungen in zartem Bleistift. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780714623405 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 585.

[36] pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 8 - February 1, 1969. Artists include Jean Arp, Pierre Bonnard, Constantin Brancusi, Georges Braque, Victor Brauner, Salvador Dalí, Giorgio de Chirico, Robert Delaunay, Andre Derain, Nicholas de Stael, Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Juan Gris, Auguste Herbin, Alexei Jawlensky, Wassily Kandinsky, Paul Klee, Fernand Leger, El Lissitsky, Rene Magritte, Kasimir Malevich, Henri Matisse, Jean Metzinger, Joan Miro, Piet Mondrian, Francis Picabia, Pablo Picasso, Kurt Schwitters, Gino Severini, Chaim Soutine, Jose Torres-Garcia, Theo van Doesburg, Victor Vasarely, and Maurice de Vlaminck. Includes exhibition checklist. Good. Rubbing and scratching of covers with light edge wear and handling wear. Contents clean and unmarked.

paperback. Zustand: near fine. Soutine, Chaim (illustrator). 32 color illustrations, 84 in black-and-white, plus a photo essay. 207 pages. glossy pictorial wrappers. New York: Prestel Jewish Museum, (1998). First softcover edition. A very near fine copy. With contributions by Romy Golan, Donald Kuspit, Colette Giraudon, et al.

First edition, first printing. Fine paperback exhibition catalogue.

36 pp.; 25.3 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The Museum of Modern Art Bulletin documenting MoMA's 25th Anniversary Exhibition "Paintings From Private Collections with Six Important Gifts." Introduction by Alfred H. Barr Jr. "Six Important Gifts" includes works by Paul Cezanne (from David Rockefeller), Henri Matisse (from Mr. and Mrs. Samuel A Marx, and Mr. and Mrs. John Hay Whitney), Joan Miro (from Armand G. Erpf), Jack Levine (from Joseph H. Hirshhorn), and Paul Klee (from Mr. and Mrs. Stanley Resor). "Paintings From Private Collections" includes works by Balthus, Max Beckmann, Pierre Bonnard, Georges Braque, Charles Burchfield, Giorgio de Chirico, Henri-Edmond Cross, Edgar Degas, Robert Delaunay, Andre Derain, Raoul Dufy, Thomas Eakins, Lyonel Feininger, Paul Gauguin, Vincent van Gogh, Juan Gris, Marsden Hartley, Winslow Homer, Roger de la Fresnaye, Wifredo Lam, Fernand Leger, Kasimir Malevich, Edouard Manet, John Marin, Albert Marquet, Amedeo Modigliani, Piet Mondrian, Pablo Picasso, Jackson Pollock, Pierre-Auguste Renoir, Georges Rouault, Henri Rousseau, Albert Pinkham Ryder, Georges Seurat, Ben Shahn, Paul Signac, Chaim Soutine, Rufino Tamayo, Bradley Walker Tomlin, Henri de Toulouse-Lautrec, Maurice Utrillo, Jacques Villon, Maurice de Vlaminck, Edouard Vuillard, and Max Weber. These works lent by Hay Whitney, Nelson A. Rockefeller, David Thompson, A. Conger Goodyear, Laurance Rockefeller, William Paley, Edsel Ford, Jame Thrall Soby, Armand Bartos, among others. Includes installation images and checklist. Fair / Good. Wear to covers and spine. Contents clean and unmarked.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. Los Angeles County Museum of Art, (1968). First Edition. 11" x 8.75". 152pp. Cloth. Book in fine condition, dj very good (moderately worn, creases at fold). Catalogue of a comprehensive exhibition, with 19 color plates, 97 b&w illustrations, and a "penetrating analysis of influences, techniques and development of style" (dj). ; 8vo 8" - 9" tall; 152 pages.

257 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken und Kanten minimal berieben. Sonst gut erhalten. Sprache: deu.

Hardcover. Zustand: Brand New. 160 pages. 11.00x8.75x0.79 inches. In Stock.

4°. 107 S. mit vielen, meist farbigen Abbildungen. OBrosch. Sprache: deutsch.

Hardcover. Zustand: Brand New. 160 pages. 11.00x8.75x0.79 inches. In Stock.

Zustand: Good. 8vo. [circa 30 pp]. Soft cover. Very Good. Color plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Zustand: Good. 4to. 151pp. Soft cover. Black and white and color plates. Poor. From the collection of Peter Selz, Art History Professor at UC.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.