Chaim soutine (92 Ergebnisse)

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Zustand: Very good. London: Arts Council of Great Britain, (1982)., (1982). Very good. - Quarto, 10-5/8 inches high by 8-1/4 inches wide. Softcover, bound in color pictorial cream wraps. The covers are slightly rubbed & creased. 255 & [4] pages, profusely illustrated in color and black & white. Very good.…

paperback. Zustand: fine. First. 32 color illustrations, 84 in black-and-white, plus a photo essay. 207 pages. glossy pictorial wrappers. New York: Prestel Jewish Museum, (1998). First softcover edition. A fine copy. With contributions by Romy Golan, Donald Kuspit, Colette Giraudon, et al. Soutine, Chaim (illustrator). …

[36] pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 8 - February 1, 1969. Artists include Jean Arp, Pierre Bonnard, Constantin Brancusi, Georges Braque, Victor Brauner, Salvador Dalí, Giorgio de Chirico, Robert Delaunay, Andre Derain, Nicholas de Stael, Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Juan Gris, Auguste Herbin, Alexei Jawlensky, Wassily Kandinsky, Paul Klee, Fernand Leger, El Lissitsky, Rene Magritte, Kasimir Malevich, Henri Matisse, Jean Metzinger, Joan Miro, Piet Mondrian, Francis Picabia, Pablo Picasso, Kurt Schwitters, Gino Severini, Chaim Soutine, Jose Torres-Garcia, Theo van Doesburg, Victor Vasarely, and Maurice de Vlaminck. Includes exhibition checklist. Good. Rubbing and scratching of covers with light edge wear and handling wear. Contents clean and unmarked.…

Soft cover. Zustand: Very Good. Lovely copy of this uncommon title which investigates 3 crucial figures in the history of paintings movement away from direct figuration. 184 pages with black and white reproductions. Well bound, tight, square. Bright and clean interior with no marks or damage. Covers have light shelfwear, mostly just some very negligible rubbing at one or two of the edges. Excellent copy . Jackson Pollock; Chaim Soutine; Earl Kerkam (illustrator).…

First Edition. Poor paperback copy. Edges somewhat dulled and rubbed as with age. Corners bumped. Rear wrappers stained. Text block unglued from wrappers, but present. Text and images remain clear and unblemished. Physical description; 107 pages : illustrations (some color) ; 30 cm. Notes; Catalog of a exhibition held at the Organgerie des Tuileries, Apr. 27-Sept. 17, 1973. Includes bibliographical references (pages 105-106). Subjects; Soutine, Chaim 1893-1943 ; Exhibitions. Soutine, Chaim 1893-1943. 1900-1999. Art, Modern 20th century ; Exhibitions. Painting France 20th century ; Exhibitions. 1 Kg.…

257 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken und Kanten minimal berieben. Sonst gut erhalten. Sprache: deu.

First edition, first printing. Fine paperback exhibition catalogue.

relié. Zustand: Bon. Musée de Chartres, 1989. in-4 relié toile avec jaquette, 355 pp. petits frottements à la jaquette, bon état par ailleurs. Livres.

36 pp.; 25.3 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The Museum of Modern Art Bulletin documenting MoMA's 25th Anniversary Exhibition "Paintings From Private Collections with Six Important Gifts." Introduction by Alfred H. Barr Jr. "Six Important Gifts" includes works by Paul Cezanne (from David Rockefeller), Henri Matisse (from Mr. and Mrs. Samuel A Marx, and Mr. and Mrs. John Hay Whitney), Joan Miro (from Armand G. Erpf), Jack Levine (from Joseph H. Hirshhorn), and Paul Klee (from Mr. and Mrs. Stanley Resor). "Paintings From Private Collections" includes works by Balthus, Max Beckmann, Pierre Bonnard, Georges Braque, Charles Burchfield, Giorgio de Chirico, Henri-Edmond Cross, Edgar Degas, Robert Delaunay, Andre Derain, Raoul Dufy, Thomas Eakins, Lyonel Feininger, Paul Gauguin, Vincent van Gogh, Juan Gris, Marsden Hartley, Winslow Homer, Roger de la Fresnaye, Wifredo Lam, Fernand Leger, Kasimir Malevich, Edouard Manet, John Marin, Albert Marquet, Amedeo Modigliani, Piet Mondrian, Pablo Picasso, Jackson Pollock, Pierre-Auguste Renoir, Georges Rouault, Henri Rousseau, Albert Pinkham Ryder, Georges Seurat, Ben Shahn, Paul Signac, Chaim Soutine, Rufino Tamayo, Bradley Walker Tomlin, Henri de Toulouse-Lautrec, Maurice Utrillo, Jacques Villon, Maurice de Vlaminck, Edouard Vuillard, and Max Weber. These works lent by Hay Whitney, Nelson A. Rockefeller, David Thompson, A. Conger Goodyear, Laurance Rockefeller, William Paley, Edsel Ford, Jame Thrall Soby, Armand Bartos, among others. Includes installation images and checklist. Fair / Good. Wear to covers and spine. Contents clean and unmarked.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. Los Angeles County Museum of Art, (1968). First Edition. 11" x 8.75". 152pp. Cloth. Book in fine condition, dj very good (moderately worn, creases at fold). Catalogue of a comprehensive exhibition, with 19 color plates, 97 b&w illustrations, and a "penetrating analysis of influences, techniques and development of style" (dj). ; 8vo 8" - 9" tall; 152 pages. …

Gaensheimer, Susanne. CHAIM SOUTINE: Against the Current. 160 pages, including 155 color plates. Folio, cloth. Berlin, Hatje Cantz, 2023. Inspired by Rembrandt, Chardin and Courbet, Chaïm Soutine forged a new Expressionist idiom that bridged art history and modernity in its articulation of human vulnerability and existence on society's margins. This catalog focuses on his early masterpieces and series created between 1919 and 1925. Addressing the overarching theme of emigration and dislocation, essays reveal the traces of Soutine's Jewish origins in his work; illuminate the significance of his motifs and the metaphorical resonances of his animal carcasses; and show the influences of Soutine's art up to the present day.…

First Edition. Presentation copy. Very good paperback copy in a glassine wrapper; slightly dust-dulled and edge-bumped. Remains well-preserved overall. Physical description; 95 pages including 76 plates (some color) 30 cm. Notes; Catalogue of exhibition held at the Marlborough Gallery, Inc. 11 October-3 November 1973. Opening exhibition at the new gallery for the benefit of the Memorial Sloan-Kettering Cancer Center. Subjects; Soutine, Chaim 1893-1943. 1900-1999. Painting, French 20th century ; Exhibitions. Painting, French. Art Political aspects. 1 Kg.…

Pictorial wrappers, fine. On pp. 149-59, 160-68, 169-194, 195-209, 210-22 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 60 (1991):3-4. Stockholm 1991. 4to. Pp. 149-232. Illustrated. "Felicitas. On the identification of a Dürer drawing" in German, "Architecture in Nancy at the turn of the century. With the Lorraine nature as a model book" in Swedish with Summary in English.…

Hardcover. Zustand: Brand New. 160 pages. 11.00x8.75x0.79 inches. In Stock.

paperback. Zustand: good. Malou Wedel Bruun / Kirsten Degel (Red.): Chaim Soutine: Mod stroemmen (Louisiana Revy 64. Argang Nr. 2, 2024). Eigenverlag Louisiana Museum of Modern Art, Humlebaek / Dänemark 2024. Broschur, 104 Seiten mit zahlreichen farbigen Abbildungen; ordentlicher Zustand. - Text nur in Dänisch / in Danish only / dansk. Soutine, Chaim (illustrator).…

paperback. Zustand: acceptable. Ernst-Gerhard Güse (Hrsg.): Chaim Soutine 1893 - 1943. Begleitband zur Ausstellung 1981/82. Verlag Gerd Hatje, Stuttgart 1981. Broschur, Format 21 x 28 cm, 257 Seiten mit Abbildungen; Knickstellen, etw. gebrauchsspurig. - Volumina. Soutine, Chaim (illustrator).

First Edition. First Edition. Catalog for the November 2 to December 5, 1953 exhibition at Perls Galleries, New York. 9 x 6 inches. Faint toning at the extremities, else Near Fine in saddle-stapled illustrated card wrappers.

4° (27x21), 257, (3) S., mit zahlr. WerkAbb. und dokumentarischen Aufnahmen, zahlr. Essays, ill OKart (Brosch), Umschlag lichtverfärbt, winziger Name auf Titel, sauber und wohlerhalten, (Softcover-Museums-Ausgabe).- * * * EU-AUSLAND: Wir versenden nach Österreich und nach Frankreich - kein Versand in die restlichen EU-Länder möglich ** due to EPR-Restrictions NO SHIPPING within the EU except to France and to Austria * * * BTC on-chain & lightning accepted * * *.…

First Edition. Very good paperback copy; edges slightly dust-dulled and -toned, with minor bumps to corners. Remains well-preserved; tight, bright, clean and especially sharp-cornered. Series; Arts Council exhibition catalogues ; 364. Physical description; 257 pages : illustrations (some color) ; 27 cm. Notes; "Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster 13.12.1981-28.2.1982, Kunsthalle Tübingen 26.3.1982-31.5.1982, Hayward Gallery, London (Arts Council of Great Britain) 14.7.1982-22.8.1982, Kunstmuseum Luzern 31.8.1982-31.10.1982"--Page 1. Includes bibliographical references and index. Translation from the German. Subjects; Soutine, Chaim (1894-1943) ; Exhibitions. Soutine, Chaim (1893-1943) ; Catalogues. Soutine, Chaim (1893-1943) Criticism and interpretation. Soutine, Chaim (1893-1943) ; Exhibitions. Hayward Gallery, (London) 1982. Painting, Russian. Painting, French ; Exhibitions. Painters France 20th century ; Exhibitions. Jewish painters France 20th century ; Exhibitions. Chaim Soutine (1893-1943). Painters - [Early 20th Century - France]. French paintings Soutine, Chaim Catalogues. Soutine, Chaim Exhibitions. Soutine Chaim Russian painting. Genres; Bibliography. Catalogue. Exhibition catalogs. Exhibitions. Illustrated. 2 Kg.…

Zustand: Good. 4to. Soft Cover. 152pp. Good, cover detached from book, some foxing on inside covers. Black and White and Color Plates. Ex libris, barcoded to Robert Diebenkorn Foundation.

Zustand: Good. 8vo. [circa 30 pp]. Soft cover. Very Good. Color plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Zustand: Good. 4to. 151pp. Soft cover. Black and white and color plates. Poor. From the collection of Peter Selz, Art History Professor at UC.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…