solomon telingater (15 Ergebnisse)

Zustand: Good. 12mo. 4pp. Announcement for 'Fotomontage'; European & Russian Collage 1920-1950 exhibition. Card-stock with Dream #3, 1935 by Marta Hoepffner printed in black and white on front cover.

Soft cover. Zustand: Good. 1st Edition. Original illustrated wrappers. Cover and Design by Solomon Telingater [1903-1963]. Printed in red and black. Catalogue of periodicals published in the leading cities of the USSR. Rare example of the typographic work of Telingater including two pages with photomontages. Wrappers show wear and creasing, contents are very good with light creasing. Pieces of spine missing. 25x18 cm. Text in English and Russian. With a separate folded advertising leaf printed in orange and black. 32,5x23,5 cm. (fine).

31 S. Mit Abb. Gr.-4°, illustr. Orig.-Umschlag (Solomon Telingater). Die bedeutende Architektur-Zeitschrift Moskau im Bau erschien von 1924 bis 1941 und zeigt mit ihrer Covergestaltung exemplarisch die Entwicklung der visuellen Kommunikation während der zwanziger und dreißiger Jahre. Sie richtete sich an ein Fachpublikum von Stadtplanern und Architekten; in den Artikeln wurde die Neuplanung Moskaus diskutiert, Beispiele von Städte- und Siedlungbau aus dem Ausland sowie Konzepte der Rationalisierung des Alltagslebens und kollektive Wohnformen vorgestellt. (Hierzu u. zum Folgenden vgl. Monica Rüthers: Moskau bauen von Lenin bis Chruscev. Wien, 2007. S. 63f.) Ab 1928 gestalteten verschiedene konstruktivistische Künstler wie Gustav Klucis, El Lissitzky, V. Popos und Vladimir Stenberg die Umschläge und setzten die Plangrafik der Projekte in grafische Zeichen um. Die Titelblätter hatten eine narrative Struktur, sie erzählten von Planungsprozessen und von der Überlegenheit der Neubauten über die Älteren Gebäude (ebenda S. 64). Zwischen 1929 und 1932 dominierten bei der Gestaltung Montagetechniken wie von Telingater, bis es dann ab 1933 nur noch ein rein formales einheitliches Design gab. - Heft dreimal gelocht u. etwas gebräunt. - Kat. MoMa 839. - Rüthers, Moskau Bauen S. 249 (Abb.). 400 gr.

First edition, slim 8vo (20.4 x 9.2 cm); text by Kirsanov and design by Telingater; original printed wrappers with photomontage and typographic design by Telingater, small repairs to spine, otherwise a very good copy. An attractive copy of one of the most striking books of the Russian avant-garde, rarely found in such fresh condition. A student of El Lissitzky, Telingater was awarded the Gutenberg Prize for his achievements and design of books and typefaces. This work combines typographic and photomontage design for the covers as well as inventive layout for the text. Rowell and Wye, 913.

Soft cover. Zustand: Near Fine. 1st Edition. Octavo 20x14 cm., wrappers, (4) pp. A brochure issued by the Magazine and Newspaper Association addressed to Bolsheviks titled, For the Bolshevik, Ideology and High Skills in All Types of Art, with a list of open subscriptions for recommended reading in Soviet art, theater, film, literary gazettes, and literary heritage. --- All in a classic Constructivist page format designed by Solomon Telingater. Quite rare, no institutional holdings found.

Soft cover. Zustand: Near Fine. 1st Edition. Quarto 26.5x18.5 cm., wrappers, 28pp., with insert. 5000 copies; includes corrigenda slip. Designed by the October group members Telingater, Gutnov, and Spirov. October was a Constructivist artist collective organized through the efforts of Aleksandr Rodchenko, Aleksei Gan, El Lissitzky. The elite of Soviet modernism, including Dmitri Moor, Sergei Eisenstein, Boris Ignatovich, the brothers Vesnin, Gustav Klutsis, came together under an aegis of excellence in the visual arts and design. The group was inaugurated in 1928. Rodchenko displayed many of his classic photos in an exhibition in 1931.This manifesto followed, in which the collective called for the consolidation of the proletarian art forces and announced a campaign in aggressive language. Solomon Telingater supported this with a highly dynamic visual design throughout. Authoritarian pressure led to expelling Rodchenko with charges of formalism later that year, and the pressures from above increased steadily to disband the group in 1932. Two holdings found in North American institutions (Yale, Art Gallery Ontario). A near fine copy.

Moskau/Leningrad, Neuerscheinungen der proletarischen Literatur, 1931. 12 Seiten. OBroschur. Mit Fotomontagen von Solomon Telingater auf beiden Außen- und Innendeckeln (geringe Läsuren). Erste Ausgabe dieser Fassung. - Majakowskis berühmtestes Gedicht erschien erst in der zweiten Auflage mit der bekannten Einbandgestaltung von Solomon Telingater. - Bowlt-H. 115 mit Abbildung; Leclanche-Boule Nr. 173 mit Abbildung. Vgl. Paris-Moskau-Kat. Nr. 222. - Ränder etwas gestaucht. - Kein Exemplar auf einer deutschen Nachkriegsauktion. - Second edition with Majakowskis famous poem with cover-illustration by Solomon Telingater. Near fine copy. Rare. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

GIZ Moskau. 1930. 20,5 x 9,5 cm. 42 nn. Bl. Farbig illustrierter Originaleinband. Original illustrated publisher's wrappers. Very good copy. Some signy of use. Otherwise a very attractive copy which is always in this state. - Nicht ganz frisch, insgesamt aber wohlerhalten. Sprache: Russisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. Zustand: g to g+. First edition. Folio (12 x 9"). 79, [1]pp. Original silver-lettered burgundy cloth, with round-shape photomontage pasted to front cover. Title page in red and black lettering. This scarce Soviet monograph is entirely dedicated to the art of John Heartfield (1891-1968), a German artist whose anti-Nazi and anti-Fascist photomontages made him a pioneer in the use of art as a political weapon. Heartfield also created book jackets for authors such as Upton Sinclair, as well as stage sets for such noted playwrights as Bertolt Brecht and Erwin Piscator. Designed by Solomon Telingater (1903-1969), a Soviet graphic artist and a founding member of the October group (a collective of Constructivist artists formed in 1928), the book is lavishly illustrated throughout with numerous b/w, duo-tone and color photographic reproductions, dadaist works, posters, color reproductions of eight Upton Sinclair book jackets and other art. Of course, his political photomontages for the weekly Arbeiter-Illustrierte-Zeitung (AIZ) are well represented, along with art for a variety of publications, among them a cover for the daily "Die Rote Fahne," an elaborate piece for Vereingung Internationaler Verlagsonstalten (a German anti-war publication), art for Der Cicerone (a magazine for artists and art collectors) and covers and interiors from Kurt Tucholsky's book "Deutschland Deutschland über alles." Includes a tipped in photographic portrait of Heartfield by Alexander Rodchenko, and a tipped-in photomontage showing Lenin leading the way to new housing construction in Moscow. Scarce paper errata sheet tipped in at rear. Some soiling to front cover. Previous owner's inscription in German "In Erinnerung an den Ostfeldzug (In Memory of the Eastern Campagne)", dated 'Zhitomir, Herbst 1941' on front free endpaper. "Feindspropaganda" (enemy propaganda) in red pencil reproduced on inside of each cover. Ex-library copy, with Russian stamp at inner gutter of title page, at bottom of page 21 and at bottom of last page (not affecting lettering). Text in Russian. Binding in overall good, interior in good to good+ condition. "Heartfield himself regarded Tretjakov's study as the best exposition of his work." (John Heartfield AIZ: Arbeiter-Illustrierte Zeitung, Volks Illustrierte 1930-38 by David Evans; Anna Lundgren (ed), New York, 1992, Kent Fine Art, Inc. page 36).

Moscow-Leningrad: OGIZ-IZOGIZ, 1932. Quarto (28.5 × 22.3 cm). Original photo-illustrated card wrappers by Solomon Telingater; [58] pp of illustrations and [19] half-leaves of text, with one large foldout photographic plate. Light soil to wrappers, professional restoration to spine extremities. Small stain to rear wrapper, with lower card corner spliting. Overall about very good, with the front wrapper and entire text block in exceptionally crisp and bright state. A richly-illustrated overview of Soviet holiday decorations and mass processions in 1917-1932, the period of most active avant-garde experimentation, from photographs of the Futurist designs for the May 1st 1917 celebrations in Petrograd (St. Petersburg), to the large fold-out poster of the 1931 celebrations of the October Revolution in Moscow. Nathan Altman's cubist banner designs for the 1st anniversary of the Revolution in 1918 are discussed alongside Meyerkhold's staging of "Mystery-Bouffe," written especially for the festivities by Mayakovsky. The author provides a detailed analysis of the Futurist works, and declares them incomprehensible to the masses. The album also includes photographs of "mass actions" such as "The Overthrow of Autocracy" performed by the Red Army soldiers in 1919 (directed by Nikolai Vinogradov) and the more famous 1920 "The Storming of the Winter Palace" directed by Nikolai Evreinov. The author notes that of the 10,000 people expected to take part, only 6,000 were actually present. The album also includes photos of a procession bus painted by Kazimir Malevich, street decorations, light designs, banners, drawings, and posters by artists such as Vladimir Tatlin, Kuzma Petrov-Vodkin, and Isaak Brodsky, among many others. The text by the Soviet art historian Aleksandr Gushchin (1902-1950), a specialist in folk art and artists of the Paris Commune, appears on half-leaves, an element of constructivist design. The photomontage illustrations and Constructivist design of the album was done by the team of graphic artists and typographers Solomon Telingater (1903-1969) and Nikolai Sedelnikov (1905-1994). Both artists studied at VKhUTEMAS in the early 1920s, often dubbed the Bauhaus of the Soviet Union for its experimental edge. In addition to working on books, Telingater did layout design for the Constructivist architecture periodical "CA" (Contemporary Architecture), as well as architectural periodicals "SSSR na stroike" (USSR in Construction) and "Stroitel'stvo Moskvy" (Construction of Moscow). Sedelnikov also designed numerous art and architecture periodicals such as "Stroitel'stvo Moskvy" [Construction of Moscow] and "Brigada khudozhnikov" [Artist brigade]. This album is not in Rowell/Wye, The Russian Avant-Garde Book, which shows over a dozen Constructivist publications designed by Solomon Telingater including his collaboration with El Lissitzky on the exhibition catalog on typography "All-Union Printing trades exhibition: guidebook" (1927) and with Gustav Klutsis' "Brigada Khudozhnikov" (1931). Not in Karasik, The Soviet Photobook 1920-1941. As of February 2025, KVK, OCLC show two copies worldwide, one in North America.

Moscow: Gosudarstvennoe izdatel'stvo, 1929. Octavo (19.8 × 13.5 cm). Original decorative wrappers; 106 pp. with four sections of different width, forming a tabbed structure. Signed and inscribed by Aleksandra Miroliubova to Galina Chichagova on title. Light soil to wrappers; wrapper corners scuffed; still about very good. A Constructivist time capsule, this catalog of fiction and memoir publications compiled by Gosizdat (the Soviet State Publisher), with original typographic design by the graphic artist Solomon Telingater (1903-1969), is inscribed by fellow Constructivist artist Aleksandra Miroliubova: "To the famous Constructivist Galina Dmitrievna Chichagova as a sign of great and everlasting friendship, from your best friend. 1917-1963". The tabbed sections of the catalog are reminiscent of Telingater and El Lissitzky's collaborative projects, such as the 1927 exhibition catalog on typography "All-Union Printing Trades Exhibition: Guidebook". As Rowell and Wye write: "Despite the content that was far from seductive, these volumes show a remarkable graphic invention, sometimes imaginatively inspired by this very content, and designed for popular appeal" (See: MoMA: The Russian Avant-Garde Book 1910-1934, p. 222). Born in Tiflis (Georgia), Telingater studied at VKhUTEMAS in 1920-1921, often dubbed the Bauhaus of the Soviet Union for its experimental edge. In addition to working on books and catalogs such as this one, Telingater did layout design for the Constructivist architecture periodical "CA" (Contemporary Architecture), as well as architectural periodicals "SSSR na stroike" (USSR in Construction) and "Stroitel'stvo Moskvy" (Construction of Moscow). The author of the inscription, Aleksandra Miroliubova (1898-1987), and the addressee Galina Chichagova (1891-1967) also studied at VKhUTEMAS with artists such as Aleksandr Rodchenko and Liubov Popova. Galina Chichagova, and her sister Olga Chichagova, were part of the first working group of Constructivists headed by Rodchenko, and would go on to incorporate Constructivist design into Soviet children's books. They also famously experimented with typography, turning letters into design elements, with the present volume by Telingater engaging in similar graphic play. This volume is no. 838 in Rowell/Wye, The Russian Avant-Garde Book (pictured on p. 230). As of March 2025, KVK, OCLC show five copies worldwide, of which two in North America.

TELINGATER, Solomon. 1914-i. Dokumental'nyi pamflet. By Ilya Feinberg. 92, [20] pp., illustrated throughout with photomontage, and 9 full page plates including 2 foldout plates. 8vo, 250 x 180 mm., publisher's bound in black cloth, front board embossed and printed with metallic red and silver ink, preserved in a new cloth folding box. Moscow: MTP, 1934. This stunning book was published to mark the 20th anniversary of the start of the First World War. A splendid example of Telingater's skill as a book designer, combing photomontages with dramatic layout and strips of red paper with white type, tipped in throughout the book. An elaborately constructed book that is an analysis of the Great War and the international and domestic issues and events that coincided and inspired the Russian Revolution. Intricately designed with two concertina foldouts, one depicting dinosaurs. Front inner hinge repaired, otherwise very good condition.

TELINGATER, Solomon. O Lenine. O komsomole. [On Lenin. On the Komsomol]. 7 volumes. 8vo, 190 x 130 mm., each volume bound in publisher's photographically illustrated wrappers, preserved in publisher's red slip case with photograph of Lenin, designed by Telingater, preserved in a new cloth box. Moscow: Molodaia gvardiia, 1932. A classic example of Telingater's genius as a book designer. This particular work was banned and withdrawn from circulation after Pavel Postyshev, the author of part 5 was jailed, as an enemy of the USSR, and subsequently the complete set in its original box is extremely rare, with OCLC listing only NYPL and U. of Chicago in the U.S. The set is made up as follows: 1. Lenin, V. Zadachi soiuzov molodezhi [i.e. Tasks of Youth Unions]. 32 pp.: ill. 2. Stalin, I. O Lenine [i.e. On Lenin]. 32 pp. 3. Stalin, I. O komsomole [i.e. On the Komsomol]. 64 pp. 4. Kaganovich, L. Mezhdunarodnoe i vnutrennee polozhenie i zadachi komsomola [i.e. International and internal situation and tasks of the Komsomol]. 108 pp. 5. Postyshev, P. Za bol'shevistskoe vospitanie novyh kadrov komsomola [i.e. For the Bolshevik Education of New Komsomol Cadres]. 64 pp. 6. Krupskaya, N. Vospominaniia o Lenine [i.e. Memories of Lenin]. 248 pp.: ill. 7. Ul'ianova-Elizarova, A. Vospominaniia ob Il'iche [i.e. Memories of Ilyich]. 96 pp.: ill.

Moscow and Leningrad; State Art Publishers, 1939. Facsimile of the Russian log book: 26x20,5 cm. 32 pp. Publisher's red cloth with printed paper-label on front board & the log book in English translation: 30, (1, 1 blank) pp. + (36, 4 blanks) pp. + folding map, and with a prospectus for the book loosely inserted. Original printed wrappers. Housed in a brown cloth portfolio. The portfolio is slightly worn at extremities. The oversized wrappers on the English volume is a little creased in margins. Front wrapper has a few light marks in red chalk, and rear wrapper is a bit toned. A fine copy. The facsimile was published as a celebration of the first flight via the North Pole, June 18-20, 1937. The English translation also contains a preface by one of the three pilots, Alexander Belyakov, photos and a map. Book design by Russian graphic artist, typographer and printer Solomon Telingater (1903-1967).

8°,Kl.8°, 27, 4 Bl., 1 Bl., 22, 3 Bl., 1 Bl., 25, 1 Bl., 1 Bl., 32 , 1 Bl., 2 Bl., 10, 1 Bl. 1 Bl., 1 Bl., 25, 1 Bl., 4 Bl., 1 Bl., 11 Bl., 1 Bl., 8 Bl., 3 Tafeln, 8 Bl., Lasche. die Deckblätter der einzelnen abgestuften Lagen mit Abbildungen der Ausstellungsräumlichkeiten, nach den Textblättern jeweils ein leeres Blatt, am Ende Firmenanzeigen. Zustand 3, Umschlag stärker best0ßen, knittrig, Titel im unbedruckten Teil 5 mm angerissen ohne Papierverlust, Buchblock in sehr guter Erhaltung. Die Erste Unionsweite Typographische Ausstellung (?????????? ??????????????? ????????) fand 1927 in Moskau statt. El Lissitzky fungierte als Hauptgestalter und entwarf zusammen mit Solomon Telingater den offiziellen Ausstellungsführer. Die Ausstellung präsentierte die Fortschritte der Sowjetunion im Druck- und Verlagswesen anlässlich des 10. Jahrestags der Oktoberrevolution. Farbig illustrierter Original-Kartonband.