Small irene v (43 Ergebnisse)

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Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 152 pages. Hardcover. Texts in English. Faint degree of shelfwear to the edges and corners. The binding is tight, the interior clean and unmarked. Bound in printed cardboard covers with cloth spine. Issued without a dustjacket and published on the occasion of the exhibition presented from January 25-March 31, 2013 in Urbana-Champaign, and subsequently at the Eli and Edythe Broad Art Museum at Michigan State University. Book.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2024. hardcover. . . . . .

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Zustand: New.

Zustand: new.

Zustand: New.

Zustand: New.

Zustand: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Zustand: New. Special order direct from the distributor.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Used-Very Good. 4to. Pictorial boards, no dj. as issued. Profusely illus. 224 pp. Top forecorners bumped. Else clean copy.

Hardcover. Zustand: New.

Zustand: New. In English.

Zustand: New. Documents an exhibition that examines Brazil from the perspective of blindness as a critical category Num Pages: 148 pages, 50 color illus. BIC Classification: 1KL; ACXJ; JFC. Category: (P) Professional & Vocational. Dimension: 241 x 181 x 17. Weight in Grams: 658. . 2013. Paperback. . . . . …

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Hardcover. Zustand: Fine. 1st Edition. Cardboard hardcover, 152 pages : color illustrations ; 24 cm. Fine/as new.

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Zustand: New. Documents an exhibition that examines Brazil from the perspective of blindness as a critical category Num Pages: 148 pages, 50 color illus. BIC Classification: 1KL; ACXJ; JFC. Category: (P) Professional & Vocational. Dimension: 241 x 181 x 17. Weight in Grams: 658. . 2013. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New.

Hardback. Zustand: New. Helio Oiticica (1937-80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. His unique melding of geometric abstraction with works that directly engage viewers' bodies has influenced contemporary artists from Gabriel Orozco and Cildo Meireles to Rirkrit Tiravanija and Nick Cave. This is the first book to examine Oiticica's impressive works against the backdrop of Brazil's dramatic postwar push for modernization. From Oiticica's late-'50s experiments with painting and color to his mid-'60s wearable Parangoles, Irene V. Small traces a series of artistic procedures that foreground his later inclusion of the spectator. Analyzing artworks and a wealth of archival material, she shows how Oiticica's work recast-in a sense "folded"-Brazil's utopian vision of progress and the legacy of European constructive art. Ultimately, Helio Oiticica argues that the effectiveness of Oiticica's participatory works stems not from a renunciation of art, but rather from their ability to dialogue with their surroundings and reimagine the traditional boundaries between art and life.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: NEW.

Hardcover. Zustand: new. Hardcover. What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things?In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called 'the organic line'. For much of the history of art, Clarks discovery, much like the organic line, has escaped legibility. Once recognised, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.These fragile, oblique, and transversal ties have their own efficacy, and Smalls innovative readings of canonical modernist works such as Kazimir Malevichs Black Square, John Cages 433, and Le Corbusiers machine-a-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic lines remarkable potential as an analytic instrument. Mobilising a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilising tensions.More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a users guide and manifesto for reimagining modern and contemporary art for the present. "This book mobilizes the Brazilian artist Lygia Clark's notion of the organic line-an interval of space between material elements-as a conceptual instrument for reimagining the field of modernism as a topological surface capable of formation and deformation through critical description and artistic practice alike"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Zustand: Brand New. 264 pages. 10.25x8.75x1.00 inches. In Stock.

Zustand: New. &Uumlber den AutorIrene V. Small is associate professor of contemporary art and criticism in the Department of Art and Archaeology at Princeton University, where she is affiliated with the Program in Media and Modernity, the Prog.