Irene v small (28 Ergebnisse)

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 152 pages. Hardcover. Texts in English. Faint degree of shelfwear to the edges and corners. The binding is tight, the interior clean and unmarked. Bound in printed cardboard covers with cloth spine. Issued without a dustjacket and published on the occasion of the exhibition presented from January 25-March 31, 2013 in Urbana-Champaign, and subsequently at the Eli and Edythe Broad Art Museum at Michigan State University. Book.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Used-Very Good. 4to. Pictorial boards, no dj. as issued. Profusely illus. 224 pp. Top forecorners bumped. Else clean copy.

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Zustand: New. In English.

Hardcover. Zustand: Fine. 1st Edition. Cardboard hardcover, 152 pages : color illustrations ; 24 cm. Fine/as new.

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Hardcover. Zustand: Brand New. 448 pages. 9.25x6.25x1.50 inches. In Stock.

Zustand: New. Documents an exhibition that examines Brazil from the perspective of blindness as a critical category Num Pages: 148 pages, 50 color illus. BIC Classification: 1KL; ACXJ; JFC. Category: (P) Professional & Vocational. Dimension: 241 x 181 x 17. Weight in Grams: 658. . 2013. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: NEW.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 264 pages. 10.25x8.75x1.00 inches. In Stock.

Zustand: New. &Uumlber den AutorIrene V. Small is associate professor of contemporary art and criticism in the Department of Art and Archaeology at Princeton University, where she is affiliated with the Program in Media and Modernity, the Prog.

Buch. Zustand: Neu. Neuware - A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia ClarkWhat would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark's discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small's innovative readings of canonical modernist works such as Kazimir Malevich's Black Square, John Cage's 4'33", and Le Corbusier's machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line's remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user's guide and manifesto for reimagining modern and contemporary art for the present.…

Zustand: NEW.

Zustand: New. Num Pages: 304 pages. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 230 x 264 x 27. Weight in Grams: 1408. . 2016. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. Documents an exhibition that examines Brazil from the perspective of blindness as a critical categoryKlappentextrnrnDocuments an exhibition that examines Brazil from the perspective of blindness as a critical categoryDocum.

Buch. Zustand: Neu. Neuware -A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia ClarkWhat would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark's discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small's innovative readings of canonical modernist works such as Kazimir Malevich's Black Square, John Cage's 4'33", and Le Corbusier's machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line's remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user's guide and manifesto for reimagining modern and contemporary art for the present.Product Safety Contact, Easy Access System Europe, 462 pp. Englisch.…

Buch. Zustand: Neu. Neuware - Hélio Oiticica (1937-80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. He was a forerunner of participatory art, and his melding of geometric abstraction and bodily engagement has influenced contemporary artists from Cildo Meireles and Ricardo Basbaum to Gabriel Orozco, Dominique Gonzalez-Foerster, and Olafur Eliasson. This book examines Oiticica's impressive works against the backdrop of Brazil's dramatic postwar push for modernization. From Oiticica's late 1950s experiments with painting and color to his mid-1960s wearable Parangolés, Small traces a series of artistic procedures that foreground the activation of the spectator. Analyzing works, propositions, and a wealth of archival material, she shows how Oiticica's practice recast--in a sense 'folded'--Brazil's utopian vision of progress as well as the legacy of European constructive art. Ultimately, the book argues that the effectiveness of Oiticica's participatory works stems not from a renunciation of art, but rather from their ability to produce epistemological models that reimagine the traditional boundaries between art and life.…

Buch. Zustand: Neu. The Organic Line | Toward a Topology of Modernism | Irene V. Small | Buch | Einband - fest (Hardcover) | Englisch | 2024 | Zone Books | EAN 9781890951993 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Hélio Oiticica - Folding the Frame | Folding the Frame | Irene V. Small | Buch | Englisch | 2016 | The University of Chicago Press | EAN 9780226260167 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware -A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia ClarkWhat would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark's discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small's innovative readings of canonical modernist works such as Kazimir Malevich's Black Square, John Cage's 4'33", and Le Corbusier's machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line's remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user's guide and manifesto for reimagining modern and contemporary art for the present. 462 pp. Englisch.…

Chicago & London, 2016. 294 pp. Col. ills. Hardcover, d./j.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.