Singerman david (27 Ergebnisse)

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Soft cover. Zustand: Fine. 1st Edition. ix, 246 p., [4] leaves of plates : illus. (some col.) ; 27 cm. ; ISBN 0517515881 ; LCCN 74077482 ; LOC no TT879.B3 M44 1974 ; Dewey 746.4/1 ; OCLC 1092698 ; color photographic stiff paper wrappers ; "Dona Z. Meilach has an uncanny ability for selecting and presenting iron so that people ca…n better appreciate what they are viewing. She has written over fifty-five inspirational art books, scores of articles on sculpture in many media, and lives in Carlsbad, California. " ; Views basket weaving as an art form and details the use of coiling, twining, macrame, and crochet to create various containers. ; Contents: Basketry A modern art form -- Materials -- Sources and ideas for basketry forms and designs -- Coiling : The sampler -- Lady squaw stitch -- Figure eight stitch -- Lace stitch -- Adding beads -- Adding weft and splicing core -- Adding colors -- Adding feathers -- Finishing end of coil -- Shaping -- More wrapoping methods -- More ways to begin a coil -- Imbrication -- The Buttonhole or blanket stitch -- Double split stitch -- Embroidery -- Knotless netting or looping -- Exposed core -- Added elements -- Assembling parts -- Additional ideas for basket coiling for sculptural and other forms -- A gallery of basketry examples -- Coiled jewelry -- Twining -- Simple twining and variations -- How to develop a twined basket -- Weaving -- Basic weaving procedures -- Macrame -- The clove hitch -- Verticle clove hitsch -- Square knotting -- Crochet -- For your information -- Suppliers -- Index. ; artwork: Gayle Luchessa, Eileen Barnard, Steve Brixner, marie Waters, Louise Robbins, Royce Zimon, Linda Ann Valeri, Geoff Welch, Lew Gilchrist, Joan Austin, Gary Trentham, Jean Lamon, Bonnie Zimmer, Gyongy Laky, Kathryn McCardle, Budd Stainaker, Suellen Glashausser, Lucy Traber, Molly Baross, kathy Malec, Helen Hennessey, Helen Gilling, Joan Sterrenberg, Julie Connell, Renie Adams, Pat Malarchar, Mary Lou Higgins, Ferne Jacobs, I. Richard Daehnert, Pat Williams, Budd Stainaker, Gladamay Henrikson, David F. Silverman, Mary Baughn, Doris Hoover, Gwynne Lott, Stana Coleman, Barbara Kincaid, Jan Cohen, Lucy H. Traber, Debbie F. Dunn, Jean Singerman-Weiss, Carol Danley, Lucele Counts, Virginia H. Barber, Frank Kong, Ruby Conaway, Gloria Bornstein, Jan Mjelde Wader, Libby Platus, Lucelle Coutts, Wolfram Krank, Joyce Barnes, Dee Nemeth, Lillian Donald, Theo Ho, Diane Sheehan, Diane Itter, Rubin Steinberg, Lori Kratovil, Teri Holdcraft, Esther Gotthoeffer, Judith I. Kleinberg, Pamela Stearn ; FINE. Book.

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Hardcover. Zustand: Brand New. 352 pages. 9.00x6.00x9.00 inches. In Stock.

Remembrances of Things Past
Howard Singerman, Lydia Davis, Bernand Welt, Amy Gerstler, T.S. Martin, Anne Turyn, Bob Fiengo, Lane Relyea, Connie Fitzsimons, Douglas Blau, David Antin, Komar & Melamid, Laurie Simmons, Douglas Huebler, Richard Baim, Barbara Ess, Marina Abramovic, Ulay, Marcel Odenbach, Dara Birnbaum, Jochen Gerz, Alexis Smith
Verlag: Long Beach Museum of Art Long Beach, CA, 1986
- Softcover
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In den Warenkorb[94] pp.; 18.7 x 12 cm.; glue bound; other special feature[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Collection of essays published in conjunction with show held November 23, 1986 - January 18, 1987. Includes texts by Howard Singerman, Lydia Davis, Bernand Welt, Amy Gerstler, T.S. Ma…rtin, Anne Turyn, Bob Fiengo, Lane Relyea, Connie Fitzsimons, Douglas Blau, and David Antin. Artists include Komar & Melamid, Laurie Simmons, Douglas Huebler, Richard Baim, Barbara Ess, Marina Abramovic, Ulay, Marcel Odenbach, Dara Birnbaum, Jochen Gerz, and Alexis Smith. Includes color reproductions of works from the exhibition. Very Good. Minor wear to binding of cover. Clean and unmarked.

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Buch. Zustand: Neu. Neuware - A surprising look at how modern capitalism changed sugar from a natural food to a scientific commodity. Sugar is everywhere in the western diet, blamed for epidemics of obesity, diabetes, and other modern maladies. Our addiction to sweetness has a long and unsavory history. Over the past five hundre…d years, sugar has shaped empires, made fortunes for a few, and brought misery for millions of workers both enslaved and free. How did sugar become a defining modern food and an essential global commodity In Unrefined, David Singerman recasts our thinking about this crucial substance in the history of capitalism. Before the nineteenth century, sugar's value depended on natural qualities: its color, its taste, where it was grown, and who had made it. But beginning around 1850, a combination of plantation owners, industrialists, and scientists set out to redefine sugar itself. Deploying the tools and rhetoric of science, they transformed not just how sugar was produced or traded but even how people thought about it. By changing sugar into a pure chemical object, these forces stripped power from workers and enabled--and obscured--new kinds of fraud, corruption, and monopoly. Taking us to unexplored spaces in the world of sugar, from laboratories and docks to refineries and the halls of Congress, Singerman illuminates dark intersections of the histories of corruption, science, and capitalism.

- Hardcover
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Leiden, Brill, 2001. X, 245 pp. Fine copy. Hardcover. `This work identifies and describes over 3000 books, essays in books, and articles on Jewish given names and family names throughout history, spanning the Biblical period to modern times'. Reference. Judaism.

- Hardcover
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Buch. Zustand: Neu. Unrefined | How Capitalism Reinvented Sugar | David Singerman | Buch | Synthesis | Einband - fest (Hardcover) | Englisch | 2025 | The University of Chicago Press | EAN 9780226837376 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Sprache: Englisch
Verlag: MIT List Visual Arts Center / Bank of Boston Art Gallery Cambridge /, MA, 1987
- Softcover
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72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gall…ery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

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Hardcover. Zustand: New.

Verlag: Los Angeles Institute of Contemporary Art Los Angles, CA, 1982
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In den Warenkorb67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gi…lbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Good. Dusting and rubbing of covers with light edgewear. 1 cm. area of dark rust soiling around staple binding on recto. Very light and sparse yellow spotting throughout pages. Contents otherwise clean and unmarked.

Verlag: Los Angeles Institute of Contemporary Art Los Angles, CA, 1980
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In den Warenkorb56 pp.; 27.3 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Ed Moses," by Susan C. Larsen; "Monographs on: 'John Eden,' by Frances Colpitt; 'Tom Engel,' by Howard Singerman;…'Dennis Farber,' by Merle Schipper; 'Joe Fay,' by Constance Mallinson; 'Kyoko Asano Foley,' by Constance Mallinson; 'Kathy Halbower,' by Fred Hoffman; 'Gary Hal,' by Suzanne Muchnic; 'Kathy Hall,' by Melinda Wortz; 'Steve Heino,' by Al Aguilar; 'Marc Pally,' by Constance Mallinson; 'Jay Phillips,' by Merle Schipper; 'Jeff Price,' by David S. Rubin; 'Bill Quinn,' by Susan C. Larsen; and 'Don Suggs,' by David S. Rubin;" "Images That Understand Us: A Conversation with David Salle and James Welling," by David Salle; "Paintings by Plagens," by Howard Singerman; "At Last Real Movies: Super-8 Cinema from New York," by Tony Conrad; "Style Is Feeling: Pat O'Neill's Selections," by Norman Yonemoto and "Washington Portraits Sold," by Dr. Lawn Mower. Cover by Ed Moses. Very Good. Dust soiling and yellowing of covers with light foxing and fingerprint soiling. Light handling wear and edge-wear. 4.2 cm. dog-ear totop left corner of verso. Contents clean and unmarked.

Verlag: Los Angeles Institute of Contemporary Art Los Angles, CA, 1979
- Softcover
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In den Warenkorb72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner;… "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.

Verlag: Artforum, 2003
- Softcover
- Magazin / Zeitschrift
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In den WarenkorbEncuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Chrissie Iles on Jack Goldstein," by Chrissie Lles; "Slant: Rhonda Lieberman on Madonna," by Rhonda Lieberman; "Film: Geoffrey O'Brien on 'The Man Without a Past,'" by Geoffrey O'Brien; "Music: Matthew Higgs on Throbbing Gristle,"…by Matthew Higgs; "Top Ten," by Guy Richard Smit; "10-20-30-40: Jennifer Liese on Artforum, May 1973," by jennifer Liese; "Summer Exhibitions: 40 Shows Worldwide"; "US News: Carter Ratcliff on John Elderfield," by Carter Ratcliff; "Travel Brief: Exhibitions on the Road"; "From the Vault: Thomas Crow on 'The Age of Watteau, Chardin, and Fragonard,'" by Thomas Crow; "World Report: Steven Henry Madoff on the Venice Biennale," by Steven Henry; "Telling Tales: Philip Guston in Retrospect," by David Anfram; "A Thousand Words: Simon Starling," by Tom Vanderbilt; "Feast for the Eyes: The Art of Rivane Neuenschwander," by Daniel Birnbaum; "Portfolio: Stephen Shore," by Walead Beshty; "Louder Than Words: The Films of Johnnie To," by David Bordwell; "Openings: Urs Fischer," by Alison M. Gingeras. Reviews by Barry Schwabsky, Roberta Smith, Tim Griffin, Howard Singerman, Lane Relyea, Katy Siegel, Margaret Sundell, Gregory Williams, Frances Richard, David Frankel, Nico Israel, Nell McClister, Michael Wilson, Meghan Dailey, Donald Kuspit, Barry Schwabsky, Francine Koslow Miller, Miles Unger, Philip Auslander, Patricia Briggs, Glen Helfand, Christopher Miles, Alexandre Melo, Alessandra Pioselli, Francesca Pasini, Guitemie Maldonado, Sabine B. Vogel, Brigitte Huck, Noemi Smolik, Harald Fricke, Liutauras Psibilskis, Michael Archer, and Caoimhín Mac Giolla Léith. Cover: Philip Guston.

Verlag: Artforum, 1984
- Softcover
- Magazin / Zeitschrift
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In den WarenkorbEncuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A.More Store"; "Litt…le Richard from A to Zeeza," by Greil Marcus. Book reviews by Alexandra Anderson, Jack Flam, Anthony Korner, Donald Kuspit, Lisa Liebmann, Greil Marcus, Nicholas Moufarrege, Amy Baker Sandback, Frederic Tuten, Martha Wilson, John Yau, and Stuart Morgan. Reviews by Glenn O'Brien, Donald Kuspit, Kate Linker, Stuart Morgan, Jeanne Silverthorne, Patricia C. Phillips, Ronny Cohen, Charles Hagen, Jean Fisher, John Howell, David Carrier, Judith Russi Kirshner, Howard Singerman, Susan C. Larsen, Suzaan Boettger, Luciana Rogozinski, Ida Panicelli, Max Wechsler, and Denys Zacharopoulos. Cover: Max Beckmann.

Verlag: Los Angeles Institute of Contemporary Art Los Angles, CA, 1982
- Softcover
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In den Warenkorb67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gi…lbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Very Good. Dusting and rubbing of covers with light edgewear. Light yellow spotting/soiling along recto spine edge. Contents clean and unmarked.

Verlag: Real Life Magazine New York, NY, 1981
- Softcover
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In den Warenkorb36 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue six of Real Life Magazine, edited by Thomas Lawson. Contents include: "Brigitte Bardot," an interview by Hervé Guibert; "Post-Modernism: A Symposium," Christian Hubert, Sherrie Levine, Craig Owens, David S…alle, and Julian Schnabel; "Bow Wow Wow (the Age of Piracy)," by Dan Graham; "The Artist as Adolescent," by Howard Singerman; "Excerpts," by Richard Baim; "A Young German Gallery Introduces Itself," about Galerie Grunert Müller, Stuttgart; "Amos Poe," an interview by David Robbins; "Your Everyday Critic," by Elsa Bulgari; "Something About Art," by Joan Wallace; "Building Conventions," by Judith Barry and "Belmondo is Belmondo," by Michael Oblowitz. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 291. Very Good. Light dusting of covers with light yellowing along spine and top edge of verso and a 3.5 cm. area of darker yellowing to verso at spine. Additional light handling wear. Contents clean and unmarked.
Weitere BilderDI LIEBE: A FILOZOFISHE BETRAKHTUNG IBER DI VIRKLIKHE GEFIHLE FUN LIEBE UND NATUR'S TSVEKMESIGKAYT: ??? ????? : ? ?????????? ?????????? ????? ??? ????????? ??????? ??? ????? ???? ?????'? ??????????????
16. [Rare, Only 2 Copies in OCLC & Singerman] Hermalin, D. M. [David Moyshe]
Verlag: Nyu York (New York): Ferlag fun Meyer Hinski [Chinsky], 1899
- Softcover
- Erstausgabe
Anbieter: Dan Wyman Books, LLC, Brooklyn, NY, USADan Wyman Books, LLC
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In den WarenkorbPaper Wrappers. 1st edition. Original publisher's printed paper wrappers (English side only), 8vo, 61 pages ; 20 cm. In Yiddish. Title translates as, "Love: A Philosophical Reflection on the Real Feeling of Love and Nature's Reciprocity." Singerman Supplement 0765. Vol I, No. 11 (December 1899) of "The Classical Library: A Month…ly Magazine of Select Literature." Not to be confused with the more common Hebrew Publishing Company edition from a year later. The author, David Moses Hermalin (1865-1921) was a Romanian-born Jewish American Yiddish writer, journalist, newspaper editor, and playwright.He worked as a journalist for Romanian newspapers in Bucharest, but was compelled to leave for protesting against Jewish persecution. He immigrated to America in 1885 and began writing for the Nyu Yorker Yudishe Folkstsaytung when it was founded in 1886. He spent a year working as a Hebrew teacher in Montreal, Canada, after which he returned to New York City and worked as a journalist full-time. He became an important contributor and co-editor of various Yiddish newspapers like Folks Advokat, Idishe Herald, Varhayt, and Der Tog.One source described him as the most important family page editor in Yiddish for many years. Hermalin wrote novels and treatises on popular philosophy. He made a number of loose Yiddish translations of European literature, including the works of Leo Tolstoy, Émile Zola, Guy de Maupassant, Boccaccio, Arthur Conan Doyle, and Jonathan Swift. In 1895, he rewrote the Shakespearean plays Julius Caesar and Macbeth into Yiddish, which were then staged as Yiddish plays" (Wikipedia). For more on the publisher, Meyer Chinksy [Moyshe Chenchinski] see Lederhandler, "Stories My Grandfather Never Told Me: The Memoirs of Moishe Chinsky (Chenchinski)," in The American Jewish Archives Journal LXIX, no. 1 (2017). SUBJECT(S): Love. OCLC: 667629903. OCLC and Singerman together list only 2 copies worldwide (Yale & NLI). Lacks Front cover (probably identical to Yiddish title page, which is present), paper browning as expected but solid, Good Condition thus. Rare. (AMR-67-23-'dex).