david singerman (22 Ergebnisse)

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paperback. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 352 pages. 9.00x6.00x9.00 inches. In Stock.

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Zustand: New.

[94] pp.; 18.7 x 12 cm.; glue bound; other special feature[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Collection of essays published in conjunction with show held November 23, 1986 - January 18, 1987. Includes texts by Howard Singerman, Lydia Davis, Bernand Welt, Amy Gerstler, T.S. Martin, Anne Turyn, Bob Fiengo, Lane Relyea, Connie Fitzsimons, Douglas Blau, and David Antin. Artists include Komar & Melamid, Laurie Simmons, Douglas Huebler, Richard Baim, Barbara Ess, Marina Abramovic, Ulay, Marcel Odenbach, Dara Birnbaum, Jochen Gerz, and Alexis Smith. Includes color reproductions of works from the exhibition. Very Good. Minor wear to binding of cover. Clean and unmarked.

Zustand: NEW.

Tapa blanda. Zustand: Nuevo.

Carton. Zustand: Nuevo.

Hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware - 'Just what is sugar This question tormented nineteenth-century planters, scientists, and governments. Sugar was powerful: It colonized and enslaved people, held consumers in thrall, spurred new technologies, and was colossally profitable. David Singerman shows that sugar's grip over the world had as much to do with how knowledge about sugar was created and transmitted as it did with how it was grown and traded. Taking us to the laboratories where it was taxonomized, the docks where it was appraised, and the congressional sessions where tariffs on it were levied, Singerman threads together a novel, multifaceted history of this staple good'-- Provided by publisher.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Good. Dusting and rubbing of covers with light edgewear. 1 cm. area of dark rust soiling around staple binding on recto. Very light and sparse yellow spotting throughout pages. Contents otherwise clean and unmarked.

56 pp.; 27.3 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Ed Moses," by Susan C. Larsen; "Monographs on: 'John Eden,' by Frances Colpitt; 'Tom Engel,' by Howard Singerman; 'Dennis Farber,' by Merle Schipper; 'Joe Fay,' by Constance Mallinson; 'Kyoko Asano Foley,' by Constance Mallinson; 'Kathy Halbower,' by Fred Hoffman; 'Gary Hal,' by Suzanne Muchnic; 'Kathy Hall,' by Melinda Wortz; 'Steve Heino,' by Al Aguilar; 'Marc Pally,' by Constance Mallinson; 'Jay Phillips,' by Merle Schipper; 'Jeff Price,' by David S. Rubin; 'Bill Quinn,' by Susan C. Larsen; and 'Don Suggs,' by David S. Rubin;" "Images That Understand Us: A Conversation with David Salle and James Welling," by David Salle; "Paintings by Plagens," by Howard Singerman; "At Last Real Movies: Super-8 Cinema from New York," by Tony Conrad; "Style Is Feeling: Pat O'Neill's Selections," by Norman Yonemoto and "Washington Portraits Sold," by Dr. Lawn Mower. Cover by Ed Moses. Very Good. Dust soiling and yellowing of covers with light foxing and fingerprint soiling. Light handling wear and edge-wear. 4.2 cm. dog-ear totop left corner of verso. Contents clean and unmarked.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Chrissie Iles on Jack Goldstein," by Chrissie Lles; "Slant: Rhonda Lieberman on Madonna," by Rhonda Lieberman; "Film: Geoffrey O'Brien on 'The Man Without a Past,'" by Geoffrey O'Brien; "Music: Matthew Higgs on Throbbing Gristle," by Matthew Higgs; "Top Ten," by Guy Richard Smit; "10-20-30-40: Jennifer Liese on Artforum, May 1973," by jennifer Liese; "Summer Exhibitions: 40 Shows Worldwide"; "US News: Carter Ratcliff on John Elderfield," by Carter Ratcliff; "Travel Brief: Exhibitions on the Road"; "From the Vault: Thomas Crow on 'The Age of Watteau, Chardin, and Fragonard,'" by Thomas Crow; "World Report: Steven Henry Madoff on the Venice Biennale," by Steven Henry; "Telling Tales: Philip Guston in Retrospect," by David Anfram; "A Thousand Words: Simon Starling," by Tom Vanderbilt; "Feast for the Eyes: The Art of Rivane Neuenschwander," by Daniel Birnbaum; "Portfolio: Stephen Shore," by Walead Beshty; "Louder Than Words: The Films of Johnnie To," by David Bordwell; "Openings: Urs Fischer," by Alison M. Gingeras. Reviews by Barry Schwabsky, Roberta Smith, Tim Griffin, Howard Singerman, Lane Relyea, Katy Siegel, Margaret Sundell, Gregory Williams, Frances Richard, David Frankel, Nico Israel, Nell McClister, Michael Wilson, Meghan Dailey, Donald Kuspit, Barry Schwabsky, Francine Koslow Miller, Miles Unger, Philip Auslander, Patricia Briggs, Glen Helfand, Christopher Miles, Alexandre Melo, Alessandra Pioselli, Francesca Pasini, Guitemie Maldonado, Sabine B. Vogel, Brigitte Huck, Noemi Smolik, Harald Fricke, Liutauras Psibilskis, Michael Archer, and Caoimhín Mac Giolla Léith. Cover: Philip Guston.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A.More Store"; "Little Richard from A to Zeeza," by Greil Marcus. Book reviews by Alexandra Anderson, Jack Flam, Anthony Korner, Donald Kuspit, Lisa Liebmann, Greil Marcus, Nicholas Moufarrege, Amy Baker Sandback, Frederic Tuten, Martha Wilson, John Yau, and Stuart Morgan. Reviews by Glenn O'Brien, Donald Kuspit, Kate Linker, Stuart Morgan, Jeanne Silverthorne, Patricia C. Phillips, Ronny Cohen, Charles Hagen, Jean Fisher, John Howell, David Carrier, Judith Russi Kirshner, Howard Singerman, Susan C. Larsen, Suzaan Boettger, Luciana Rogozinski, Ida Panicelli, Max Wechsler, and Denys Zacharopoulos. Cover: Max Beckmann.

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Very Good. Dusting and rubbing of covers with light edgewear. Light yellow spotting/soiling along recto spine edge. Contents clean and unmarked.

36 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue six of Real Life Magazine, edited by Thomas Lawson. Contents include: "Brigitte Bardot," an interview by Hervé Guibert; "Post-Modernism: A Symposium," Christian Hubert, Sherrie Levine, Craig Owens, David Salle, and Julian Schnabel; "Bow Wow Wow (the Age of Piracy)," by Dan Graham; "The Artist as Adolescent," by Howard Singerman; "Excerpts," by Richard Baim; "A Young German Gallery Introduces Itself," about Galerie Grunert Müller, Stuttgart; "Amos Poe," an interview by David Robbins; "Your Everyday Critic," by Elsa Bulgari; "Something About Art," by Joan Wallace; "Building Conventions," by Judith Barry and "Belmondo is Belmondo," by Michael Oblowitz. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 291. Very Good. Light dusting of covers with light yellowing along spine and top edge of verso and a 3.5 cm. area of darker yellowing to verso at spine. Additional light handling wear. Contents clean and unmarked.