seitz anne (18 Ergebnisse)

9 x 8 cm, Pappband. Zustand: Gut. [26] S. mit Illustrationen Mit Bildern von Anne Grenadine und Texten von Angelika Seitz / (= Die kleine Freude) / Leichte Lese- und Lagerspuren / Gutes Exemplar / H222 56489 222 ISBN 9783760735412 Sprache: Deutsch Gewicht in Gramm: 150.

Zustand: New. pp. 256 150 Illus. (Col).

Hardcover. Zustand: Brand New. 255 pages. 12.00x10.00x0.75 inches. In Stock.

hardcover. Zustand: Gut. 48 Seiten; 7876x Sprache: Deutsch Gewicht in Gramm: 500.

Campus-Verlag, broschiert, wie neu, weltweiter Sofortversand, Rechnung, h4.

Hardcover. Zustand: Brand New. 255 pages. 12.00x10.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 255 pages. 12.00x10.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 255 pages. 12.00x10.00x0.75 inches. In Stock.

Zustand: New. Acclaimed critic Matt Zoller Seitz goes behind the scenes of Wes Anderson s The Grand Budapest HotelThis companion to the bestselling The Wes Anderson Collection is the only book to take readers behind the scenes of The Grand Budapest Hotel. Through a s.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume answers the question: Why do we believe what we believe It examines current research on the concept of beliefs, and the development in our understanding of the process of believing. It takes into account empirical findings in the field of neuroscience regarding the processes that underlie beliefs, and discusses the notion that beyond the interactive exploratory analysis of sensory information from the complex outside world, humans engage in an evaluative analysis by which they attribute personal meaning and relevance to the probabilistic representations of objects and events.Beliefs exert a strong influence on behaviour, decision-making, and identifying and solving problems. Despite their importance, beliefs have until recently not been at the centre of scientific interest. In fact, 'belief' is an ill-defined phenomenon. From a transdisciplinary perspective the actual approaches to understanding belief seem incompatible as they attempt to highlight such different topics as 'belief - religion', 'belief - spirituality', 'belief - faith', 'belief - knowledge', 'belief - attitude', 'belief - disbelief', 'belief - illusion', and 'believing - brain function'. This situation contradicts the idea that belief is close to pathological phenomena and that it should be eliminated from scientific discussions. Rather, believing is fundamental for understanding the many problems of every-day life. In fact, the book shows that beliefs are relevant for politics, international affairs, economy, law, or religions also in modern societies. This book presents the increasing scientific interest in beliefs and believing, and reflects the change in focus from the content aspect of belief towards the fluid nature ofbelieving.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume answers the question: Why do we believe what we believe It examines current research on the concept of beliefs, and the development in our understanding of the process of believing. It takes into account empirical findings in the field of neuroscience regarding the processes that underlie beliefs, and discusses the notion that beyond the interactive exploratory analysis of sensory information from the complex outside world, humans engage in an evaluative analysis by which they attribute personal meaning and relevance to the probabilistic representations of objects and events.Beliefs exert a strong influence on behaviour, decision-making, and identifying and solving problems. Despite their importance, beliefs have until recently not been at the centre of scientific interest. In fact, 'belief' is an ill-defined phenomenon. From a transdisciplinary perspective the actual approaches to understanding belief seem incompatible as they attempt to highlight such different topics as 'belief - religion', 'belief - spirituality', 'belief - faith', 'belief - knowledge', 'belief - attitude', 'belief - disbelief', 'belief - illusion', and 'believing - brain function'. This situation contradicts the idea that belief is close to pathological phenomena and that it should be eliminated from scientific discussions. Rather, believing is fundamental for understanding the many problems of every-day life. In fact, the book shows that beliefs are relevant for politics, international affairs, economy, law, or religions also in modern societies. This book presents the increasing scientific interest in beliefs and believing, and reflects the change in focus from the content aspect of belief towards the fluid nature ofbelieving.

Hardcover. Zustand: Brand New. 2013 edition. 2656 pages. 10.00x7.25x6.00 inches. In Stock.

Gebundene Ausgabe. Zustand: Gut. 38 Seiten Artikel stammt aus Nichtraucherhaushalt! R14330 Sprache: Deutsch Gewicht in Gramm: 449.

Gebundene Ausgabe. Zustand: Gut. 38 Seiten; Artikel stammt aus Nichtraucherhaushalt! BH7676 Sprache: Deutsch Gewicht in Gramm: 450.

Softcover. Zustand: Gut. 123 Seiten Eine Sammlung erotischer Geschichten von weiblichen Autoren, die von Liebe, Lust und Leidenschaft berichten. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-682-2/8-00452307 Sprache: Deutsch Gewicht in Gramm: 262.

Kartoniert / Broschiert. Zustand: New. Vom Gutachten der Fuenf Weisen bis zur Schaetzung des Bevoelkerungswachstums - Prognosen sind ein wichtiger Bestandteil unseres taeglichen Lebens, in Krisenzeiten mehr denn je. In diesem Band diskutieren Autorinnen und Autoren verschiedener Disziplinen Grenze.

194 pp.; 30.3 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. Additional texts by Seitz, Robert Goldwater, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Martica Sawin, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Bruce Glaser, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene, Jacqueline Barnitz, Margaret Buhler. Contains commentary and illustrations of works by David Smith, Alexander Calder, Jacques Lipchitz, Reuben Nakian, Louise Nevelson, Richard Hunt, James Rosati, Raoul Hague, Edward Higgins, Fritz Bultman, Isamu Noguchi, Gabriel Kohn, Naum Gabo, Peter Agostini, Louise Bourgeois, Peter Grippe, Mark di Suvero, Mike Nevelson, George Spaventa, Dimitri Hadzi, Paul von Ringelheim, Jason Seley, Frederick Kiesler, Lyman E. Kipp, Wilfrid Zogbaum, Paul Granlund, Jack Squier, Italo Scanga, Anthony Caro, Fritz Wotruba, Costantino Nivola, Miguel Berrocal, William King, Etienne Hajdu, Manuel Neri, Eduardo Chillida, Pablo Serrano, Anne Arnold, Mary Frank, Alvin Light, Henry Moore, Barbara Hepworth, Hans Arp, Rudolf Hoflehner, Robert Jacobsen, Etienne-Martin, Alberto Giacometti, Giacomo Manzu, William Turnbull, Kenneth Armitage, Max Bill, Robert Müller, Lynn Chadwick, Shamai, Haber, Reg Butler, Hubert Dalwood, Robert Adams, Eugene Dodeigne, Elizabeth Frink, Emil Cimiotti, Yitzchak Danziger, jean Ipoustéguy, Lee Bontecou, James Wines, Ronald Bladen. Judd's "Specific Objects" is illustrated with works by Claes Oldenburg, Bontecou, Robert Rauschenberg, George Ortman, Yves Klein, Jasper Johns, Frank Stella, Phillip King, Richard Smith, John Anderson, Tony Delap, Robert Watts, H.C. Westermann, Robert Morris, Dan Flavin, Richard Artschwager, Lucas Samaras, Yayoi Kusama, John Chamberlain. Good. Former library copy. Moderate rubbing to covers and bumping to edges and corners. "1965" written in blue pen on spine and on recto. 2 cm. tear to spine. "3339" written in blue pen twice on title page and once on inside of recto which also has a name plate for the Library of the San Francisco Museum of Art. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

8° (21 x 14 cm). 303 S. mit graphischen Darstellungen. Photoillustrierter Original-Karton. Erste Ausgabe. Aufsatzsammlung. - Sehr gutes Exemplar.