Scott george stanley (10 Ergebnisse)

Zustand: VERY GOOD. First printing. An anthology of the 'year's best' from Ellery Queen's Mystery Magazine. Contributors include Stanley Ellin, George Harmon Coxe, Hugh Pentecost, Charlotte Armstrong, Frances and Richard Lockridge, Poul Anderson, Rufus King and more. Included is a special bonus story: the first book appearance of F Scott Fitzgerald's first story, published originally in a school paper when he was 13. While not much of a mystery, this certainly indicates a precocious young writer. 248 pp. Very good in a very good dustjacket (some light toning or foxing to the endpapers, the flaps and interior of the dj) - overall a nice tight straight copy in a lightly soiled but still attractive dustjacket.…

Taschenbuch. Zustand: Gut. 128 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: Good. 12 pp., original stapled paper covers, minor ownership handstamps, good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Zustand: FINE. First printing. An anthology of the 'year's best' from Ellery Queen's Mystery Magazine. Contributors include Stanley Ellin, George Harmon Coxe, Hugh Pentecost, Charlotte Armstrong, Frances and Richard Lockridge, Poul Anderson, Rufus King and more. Included is a special bonus story: the first book appearance of F Scott Fitzgerald's first story, published originally in a school paper when he was 13. While not much of a mystery, this certainly indicates a precocious young writer. 248 pp. Very near fine in a like dustjacket. …

Bluray. Zustand: Sehr gut. FSK 16, 95 Min., Sehr gut erh. ISBN: 4030521714434 Sprache: Deutsch Gewicht in Gramm: 550.

DVD. Zustand: Sehr gut. Special Edition. B4046-130 4030521100350 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 100.

Paperback. Zustand: Good. First Edition. 120 pages. Features: Telstar - Giant step into the future; Build this all-transistor FM tuner; SW propatagion forecast; Noise limiter for the HE-20A; Traffic Jam ahead on short waves; Tube Changing in the color receiver; TV Nonocle gives extra eye to wearer; Tube layouts in TV sets; Service clinic; More on reverberation units; Understanding the microphone; Counting with the Dekatron; Measure atomic radiation; There's more to calibrating the signal gen; Equipment report; Simplified metal locator; Transverter powers mobile gear; and more. Average wear. Unmarked. A sound copy of this great vintage issue. …

Single Issue Magazine. Zustand: Good. First Edition. 74 pages. Articles: Troubles of College Deans; The Germans Wait Only For a Leader - argues we must make a fresh start toward stopping the rise of old-line Nazis - with color photo of John J. McCloy, High Commissioner for U.S. Occupied Germany; Lover with a Ball Bat - actor Paul (Dreamboat) Douglas - article with colour photos of Douglas and Linda Darnell; Saturday Afternoon Meat Grinders; The Christian Science Monitor - Gentleman of the Press (part 2 of 3); Always Heading for Salt Water - Bob Lane has been making boats since he was five; Fabulous Jacques Fath - article and color photo of fashion's most talked about designer; Fiction: Any Friend of Sam's; Man in the House; Where Else in the World?; The Case of the Negligent Nymph (part 3 of 6); The Black Pearl; Cat's Cradle. Nice vintage ads include: Springmaid Fabrics; Ipana toothpaste; Botany Sportswear (very attractive ad); Chevrolet trucks; Span (color photos); Borden mild products - featuring Elsie the Cow; Nunn-Bush shoes; Willys "Jeep" Station Wagon; Lucky Strike cigarettes (featuring LG. Griffin); Ford cars; General Motors - nice centerfold color ad featuring the GM proving ground near Milford, Michigan; Fisher Body; 2-page Dodge car ad; Great Northern Railway; Winthrop shoes; Schlitz beer; Awesome back cover colour ad for Chesterfield cigarettes features Glenn Ford, with inset illustration of tobacco farmer Herbert L. Lupo of Tabor City, N.C. Average wear. Unmarked. A sound vintage copy.; Folio - over 12" - 15" tall; Collier's, The National Weekly Magazine, October 1, 1949 Denazification Ivy League Troubles of College Deans; The Germans Wait Only For a Leader - argues we must make a fresh start toward stopping the rise of old-line Nazis - with color photo of John J. Illustrated by Kaufman, Joe; Fransioli, Thomas; Gilbert, Lionel; Mullin,Willard; Baumgartner, Warren; Morris, Nelson; Valentine, S.B.; Royle,Ralph; Brackett, Ward; Reusswig, William; Coster, Roger; Grohe, Glen; (illustrator). …

Zustand: Good. 18 pp. 38.2x38.2 cm (15x15"). Three pressbook inserts laid in. Covers and leaves curling, edges toned and worn, some separation along binding.The film opens with a title card that reads: "It is the stated position of the U.S. Air Force that their safeguards would prevent the occurence [sic] of such events as are depicted in this film. Furthermore, it should be noted that none of the characters portrayed in this film are meant to represent any real persons living or dead.". According to articles in the 9 Feb 1964 LAT and 21 Apr 1963 NYT, filmmaker Stanley Kubrick heeded a "pre-conceived interest" in the subject of the atomic bomb, and had amassed a large collection of books, magazines, and newspaper clippings over several years. Although he felt the topic would be well suited for a motion picture, Kubrick had no clear ambitions to develop a project until Alastair Buchan, the director of the International Institute for Strategic Studies in the U.K., recommended the 1958 novel, Two Hours of Doom, written by former Royal Air Force (RAF) lieutenant Peter George. The book was published under George's pen name, Peter Bryant, and released a year later in the U.S. under the title Red Alert. After purchasing the rights for $3,000, Kubrick began adapting the novel with George at his Central Park West apartment in New York City. While the source material provided a serious depiction of what would happen if the U.S. accidentally instigated a nuclear war, the director envisioned the scenario as what many contemporary sources referred to as a "nightmare comedy.". By 6 May 1962, NYT claimed that the duo had already spent two years working on the script. A 16 Jan 1966 NYT article reported that near the start of production, renowned satirist Terry Southern was assigned to write an Esquire magazine article on the film when Kubrick asked him to make some last-minute additions to the finished screenplay. Southern worked with the director from 16 Nov?28 Dec 1962. Although Southern shares a co-screenwriting credit, Kubrick maintained that the comedic tone had already been well established before Southern's involvement, and that significant changes were later made by Kubrick, George, and the actors during filming. A 7 May 1962 DV item revealed the film's title as Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The project was intended as the second collaboration between Kubrick; his producing partner, James B. Harris; and Seven Arts Productions, who worked together on Lolita (1962, see entry). However, neither Harris nor Seven Arts receive further mention in contemporary sources beyond 1962, and the 16 Jan 1966 NYT indicated the relationship between Harris and Kubrick "dissolved" as Harris went on to pursue a directing career. Kubrick told the 6 May 1962 NYT that he hoped to bring in the picture for a "reasonable" budget comparable to that of Lolita, which cost roughly $1.7 million. Actor Peter Sellers, who played "Clare Quilty" in Lolita, had agreed to reteam with the director for Dr. Strangelove. According to a 23 Jun 1963 NYT article, Kubrick hoped to take advantage of Sellers's comedic talents and signed him to play four roles, including the titular scientist, insisting he "wanted all the parts to be played straight, and still be funny." A 10 Oct 1962 DV brief included Mickey Rooney among the cast, but he does not appear in the final film. Despite earlier claims that filming was to take place in New York City, production was moved to England, where Kubrick previously worked on Lolita. According to the 21 Apr 1963 NYT, the change was made to accommodate Sellers, who was prohibited from leaving the country for "domestic reasons," which a 29 Mar 1964 LAT article identified as the divorce from his first wife, Anne Howe. A 29 Jan 1963 DV item stated shooting began that day at Shepperton Studios. The Pentagon "War Room" set was constructed on Stage A, and comprised of 13,000 feet of black Laconite and a twenty-two-foot table covered in green baize cloth. Scenes featuring the 7090 data processor were shot at International Business Machines (IBM) headquarters in London. The 20 Mar 1964 LAT stated that aerial footage of the B-52 bomber plane was filmed over the Arctic region, including Greenland and Iceland, Northwest Canada, and the Rocky Mountains, using a specially equipped World War II B-17. On 22 Mar 1963, DV reported that production had been temporarily shut down when Sellers and co-star George C. Scott both contracted the flu. A month later, the 29 Apr 1963 issue announced that Sellers was forced to relinquish his fourth and final role in the picture?"Major T. J. 'King' Kong"?due to a broken ankle, at which point he was replaced by Slim Pickens. A 6 Aug 1963 DV brief indicated that principal photography was nearing completion. According to a 2 May 1963 LAT article, Kubrick ordered 3,000 custard pies for the production, which were used in an alternate end sequence depicting a pie fight between the Russians and Americans. In a 1969 interview published in Joseph Gelmis's The Film Director as Superstar (1970), Kubrick explained that he removed the ending after a preview screening because the sudden farce was inconsistent with the rest of the movie. Early in the production, Kubrick learned that Columbia Pictures had agreed to release Fail Safe (1964, see entry), a suspense drama about the inadvertent launching of the atomic bomb. The rival project, directed by Sidney Lumet, was based on Eugene Burdick and Harvey Wheeler's 1962 novel, Fail-Safe, and contained enough similarities to Red Alert that Peter George, together with Kubrick's Hawk Films, Ltd., Polaris Productions, and Columbia, filed a plagiarism lawsuit against Burdick, Wheeler, and the Fail Safe producers at Entertainment Corporation of America (ECA). According to the 12 Feb 1963 DV, the comparisons created "unfair competition" and would likely cause "irreparable damages" to the artistic and commercial value of Dr. Strangelove. On 6.…

Zustand: Gut. 13 Seiten Ehem. Bibliotheksexemplar (Literarische Abteilung der Metallgesellschaft A.G., Frankfurt). Etikettierung am Buchrücken, Stempel und Vermerke auf dem Titelblatt Sprache: Deutsch Gewicht in Gramm: 540.