sass herbert r (4 Ergebnisse)

Single Issue Magazine. Zustand: Good. Illustrated by Kaiser, Charles (illustrator). First Edition. Features: The Downfall of Prince Mike - Prince Michael Romanoff, America's leading imposter, is now an honest businessman; The Citadel - American Epic - article with nice color photos of this military college; Good-by, Bootleggers - the pact that halted Pennsylvania's anthracite (coal) war; What Does Russia Want? - Will the Soviets help us fight the Japanese?; How to be Healthy Though Shipwrecked - how to make ends meet on a South East isle; Major General Lloyd R. Fredendall - the hero of Oran is a solitaire devotee; Soldiers Get Service! - the story and pictures of the Army's Special Services; I Saw Hitler's 1923 Putsch; Mrs. America Takes Up Home Nursing - how to make the best of the doctor shortage. Stories: The Sands Street Blues The Road to Tripoli; Auld Acquaintance; Lady Bountiful (part 3 of 4); Jungle Harvest (conclusion). Nice one-page color-illustrated ad for White trucks shows shipbuilding scene. Half-page two-color Royal Crown Cola ad features three photos of Dorothy Lamour. One-page black and white photo ad for the Hudson Motor Car Company features H.A. Kluge, Louis Gortz, Miss Victoria Greteman, and Frank M. Archer. Many more ads with military themes. 112 pages. Complete and unmarked with moderate wear. A pleasing example of this excelllent vintage issue.; Cover Illustration; Folio.

Hard Cover. Zustand: Very Good+ binding. First Edition. Signed. 4to; in the publisher's grey cloth; with burgundy decorations on the upper board and tilting on the spine in burgundy; xii, 97 pages, complete with 30 paintings in watercolor by Alice R. Huger Smith; the boards have a bit of soiling and there is a small previous owner signature on the front end paper, otherwise a fine copy.~~A historical glimpse into life on a Carolina rice plantation. With a narrative The Rice Coast by Herbert Ravenel Sass, and an unpublished memoir of D. E. Huger Smith, A Plantation Boyhood.~~Signed on the front end paper by the illustrator Alice Ravenel Huger Smith. Very Good+ binding.

Hardcover. Zustand: Very Good. First Edition. William Morrow and Company 1936. 30 paintings in water-colour. Binding firm. Pages clean and bright, no markings. Fine illustrations. Inscribed "M. Bachelor" by previous owner on flyleaf. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Zustand: Good+. First Edition; First Printing. Hardcover. 4to. Published by William Morrow and Company, New York. 1936. 97 pgs. Illustrated with 30 watercolor plates. Signed by Alice Ravenal Huger Smith and Herbert Ravenal Sass on the Table of Contents page. First Edition/First Printing. Bound in grey cloth boards with red titles present to the spine. Boards have shelf-wear present to the extremities (faint stain present to the rear board near the spine). No ownership marks present. Text is clean and free of marks. Binding tight and solid. Alice Ravenel Huger Smith (July 14, 1876 February 3, 1958) was an American painter. She was one of the leading figures in the so-called Charleston Renaissance, along with Elizabeth O'Neill Verner, Alfred Hutty, and Anna Heyward Taylor. Smith was a native of Charleston, South Carolina, and had been born into one of the most prominent and genteel families of the city. She received some basic training, early in her career, at the Carolina Art Association, but otherwise remained largely self-taught throughout her life. She traveled rarely, never going abroad, and hated change; she disliked the automobile intensely, and preferred to walk. She began her career as a portraitist, copying old family images and painting friends and relations; during this time she also painted fans and dance cards. In 1910 she began experimenting with woodblock printing and etching, seeing limited success in the latter field but much in the former due to her sense of color; even so she would teach etching during the 1920s, with Elizabeth O'Neill Verner becoming a notable pupil. After experimenting with oil paints and printmaking Smith eventually settled on watercolor as her preferred medium, in which she would work for the rest of her life. [2] Smith was also deeply involved in Charleston's artistic community; a founding member of the Charleston Etcher's Club and the Southern States Art League, she was also involved in the Historic Charleston Foundation, Carolina Art Association, and Music and Poetry Society. EB; 4to 11" - 13" tall; 97 pages; Signed by Author.