saret alan (13 Ergebnisse)

Paper. Zustand: VG. Alan Saret (illustrator). Large-format, folded, unbound, exhibition brochure. Companion to the exhibition at the Drawing Center, New York, November 2007 through February 2008. The "Gang Drawings" are, at the very least, formally noteworthy in their breathtaking grace and clarity of process. From the collection of Sanje (Frank) Elliott, Buddhist mentor, artist, and friend to many. Condition notes: unnumbered pp; TPB. Pages: clean, bright, tight. Cover: white wraps, color artwork all surfaces, gray titles front; mild edge/shelfwear.

27:27 cm. 95 S. mit unzhligen tw. farb. Abb. Fab. OBr. Ex. leicht berieben, Katne etw. gestaucht. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

No Binding. Zustand: Good. 1st Edition. Köln, Germany: Galerie Ricke, 1969. Announcement Card. 4 2/16 x 5 13/16 . Good. Creasing and minor edge wear. Postage stamp, hand-applied rubber stamp and type-written address of the noted Fluxus collector T. Deelstra. Galerie Ricke announcement card for the release of 7 multiples by David Bradshaw, Eva Hesse, Stephen Kaltenbach, Bruce Nauman, Alan Saret, Richard Serra, and Keith Sonnier.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.

Zustand: Good. [Exhibition brochure]. 12mo. [6 pp]. Single color illustrated card, folded into thirds. Very good. 2 color plates. Includes artist bio and bibliography. Brochure created to announce exhibition "Alan Saret" at Charles Cowles Gallery in New York, NY from May 10 through May 31, 1980. Scarce, From the Collection of the Art Historian Peter Selz.

[2] pp.; 8.9 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with show held January 6 - February 10, 1979. Organized by Donald Sultan, artists included Tom Martin, Auste Peciura, Alan Saret, Patti Smith, and Nancy Spero. Very Good / Fine. Clean and unmarked with minimal bumping to corners.

114 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 2 of the quarterly periodical "Avalanche", published Winter 1971. Cover features Bruce Nauman. Contents: "Rumbles," featuring Bas Jan Ader, John Perreault, Vito Acconci, and Paul Kos; "Interview: Bruce Nauman"; "Interview: Terry Fox"; "Klaus Rinke Retrospective"; "Documents: John Van Saun"; "Documents: Dennis Oppenheim"; "Documents: Richard Serra"; "Yves Klein," by Shunk-Kender; "King for a Day," by Bruce McLean; "112 Greene Street," by Alan Saret and Jeffrey Lew; "Mrs. Burke, I Thought You Were Dead," by William Wegman; "Drifts and Conversions," by Vito Acconci "A Discussion with Acconci, Fox, and Oppenheim," by Vito Acconci, Terry Fox, and Dennis Oppenheim. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [a pseudonym for Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. Rubbing of covers and edgewear. 2 cm. scratch on recto at spine with some surrounding creasing. Contents clean and unmarked.

68 pp.; 27 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 - 1976 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh; "The Gospel of Mary Magdalene," by Elaine Pàgels; "A Transcript of Patti Smith," by Patti Smith; "Rhymes Getting Even," by Edit deAk; "Pencil Moustache Makes Up," by Edit deAk; "How Very Bicentennial," by Walter Robinson; "Junk Politics," by Walter Robinson; "Trans - Atlantic Crossing," by Gregory Battcock; "Henry Pearson: Black Icons Into An Outer Space," by Lucy R. Lippard; "The Regiomantrine Decision," by Alan Saret "The Ghosthouse of @L@EL at Artpark," by Alan Saret. Cover: Edward Ruscha. References : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. No. A1975.09 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 140. Good / Very Good. 1.8 cm. tear to top edge of recto with additional 1 mm. tears to top edges of recto. Yellowing of covers and pages. Contents clean and unmarked.

[18] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held December 7 - January 25, 1981. Watercolors selected by Brooks Adams, Martha Beck, Jack Boulton, Paul Cummings, Donald Droll, Klaus Kertess, Beatrix Medinger and Roberta Smith. Artists included Alan Saret, Gary Bower, William Allan, Mimmo Paladino, Barbara Novak, Richard Tuttle, Robin Bruch, Stephen Mueller, Michael Tetherow, Robert Kushner, George Sugarman, Judy Pfaff, Carroll Dunham, Stephen Ellis, Nancy Mitchnick, John Torreano, Nancy Spero, Judith Linhares, Wes Disney, Ellen Phelan, Lucio Pozzi, Edith Gauthmey, Frank Moore, Gioia Timpanelli, Sondra Freckelton, Saul Steinberg, Jack Youngerman, Robert Kitchen, William Garbe and Thomas Lo Cicero. Fair. Significant wear to bottom edges of publication including yellowing, soiling and bumping. 4 mm. tear to right side recto edge. 4 mm. tear to left side edge of verso. 7 mm. dog-ear to upper right corner of recto and 1.2 cm. dog-ear to bottom left corner of recto. 3.3 cm. of yellow to bottom edge of verso, continuing through to interior pages. Additional handling wear and rubbing.

68 pp.; 27 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 - 1976 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh; "The Gospel of Mary Magdalene," by Elaine Pàgels; "A Transcript of Patti Smith," by Patti Smith; "Rhymes Getting Even," by Edit deAk; "Pencil Moustache Makes Up," by Edit deAk; "How Very Bicentennial," by Walter Robinson; "Junk Politics," by Walter Robinson; "Trans - Atlantic Crossing," by Gregory Battcock; "Henry Pearson: Black Icons Into An Outer Space," by Lucy R. Lippard; "The Regiomantrine Decision," by Alan Saret "The Ghosthouse of @L@EL at Artpark," by Alan Saret. Cover: Edward Ruscha. References : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. No. A1975.09 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 140. Very Good / Fine. Yellowing of covers and pages with a 6.2 cm. crease and a 2 mm. tear to verso edge. Contents clean and unmarked. A very well preserved copy.

pp. (70), including 30 blank pages and 40 xeroxed pages. A xeroxed artist book documenting the construction of one of Alan Saret?s most notable habitable sculptures, the Ghosthouse. The project, executed at the Lewiston, NY Artpark in 1975, was Saret?s attempt to align his interest in architecture and sculpture by exploring the possibilities of developing malleable, light-weight architectural systems. He was specifically concerned with the problem of shelter as a basic material need of human life, and aesthetic questions became inseparable from social and ecological ones. Saret worked with a variety of common, flexible materials which he manipulated for specific locations. Dominant among these materials are various forms of wire, particularly galvanised farm and chicken wire.The wigwam-style Ghosthouse was a large, hand-formed architectural structure made exclusively of wire-mesh which the artist inhabited for several months. Its name was derived, in part, from the fact that structure is more absent than present, made using non-rigid, flexible substances, approximating an almost organic translucent form. The first 32 pages of this book illustrate construction of the Ghosthouse, using xeroxed images of photographs, some with descriptive text, as well as xeroxed reproductions of artist drawings. The remainder of the book is a reprint of an article on the Ghosthouse first published in issue 11-12 of Art-Rite magazine (Winter/Spring 1975/76). This copy still in the padded mailing envelope which Saret used for posting - it was mailed to Ira Licht, then Director of the Lowe Art Museum in Coral Gables, Florida. [Rare. Only two copies located on WorldCat, at MoMA NY and at Seattle Art Museum]. Original card wrappers with xeroxed front cover. White plastic comb binding.

[2] pp.; 10 x 10 cm.; die-cut; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Double sided circular announcement published in conjunction with show held November 2 - 28, 1968. Very Good. Scattered very light colored stains on verso. Recto clean and unmarred.