Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: The Haunted Bookshop, LLC, Iowa City, IA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Printing. Crisp, clean pages except for a thin yellowish line in the margin of the copyright page; no other owners' marks; square, tight binding, hard cover showing only a tiny wrinkle at the spine head; dust jacket has a pair of pressure marks at the upper front, and one of these has caused shallow surface rippling at the upper right front, otherwise sound and now protected in a clear, removable sleeve. 269pp + full-page plates at front and rear; color throughout. Published in conjunction with an exhibition at the Jewish Museum, New York, in 2021.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 42,41
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 44,43
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In den WarenkorbHardcover. Zustand: Brand New. 280 pages. 11.00x8.00x0.10 inches. In Stock.
Sprache: Englisch
Verlag: Museum of Modern Art / Museo Nacional Centro de Arte Reina Sofia New York / Madrid, NY / Spain, 2016
ISBN 10: 0870709623 ISBN 13: 9780870709623
Anbieter: Specific Object / David Platzker, New York, NY, USA
351 pp.; 31.1 x 24.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Museum of Modern Art, New York, February 14 - May 15, 2016. Traveled to Museo Nacional Centro de Arte Reina Sofia, Madrid, October 4, 2016 - January 9, 2017. Organized by Christophe Cherix and Manuel J. Borja-Villel, with assistance by Francesca Wilmott. Texts by Christophe Cherix, Benjamin H.D. Buchloh, Cathleen Chaffee, Jean-François Chevrier, Kim Conaty, Thierry de Duve, Rafael Garcia, Doris Krystof, Christian Rattemeyer, Sam Sackeroff, Teresa Velázquez and Francesca Wilmott. With a conversation between Maria Gilissen Broodthaers and Yola Minatchy. Includes exhibition history, selected bibliography, catalogue of the exhibition, and illustrated works. New / Fine. In publisher's issued shrink wrap as issued. Due to size and weight of this publication additional shipping charges will be required for international orders.
EUR 57,00
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In den WarenkorbZustand: NEW.
EUR 53,95
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.
EUR 63,23
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
Zustand: New. Über den AutorrnrnGermano Celant (1940-2020), widely influential Italian art historian, critic, and curator who coined the term Arte Povera, wrote more than one hundred publications, including both books and catalogues and curated hundreds .
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
Taschenbuch. Zustand: Neu. Neuware - The radical changes that occurred in the three years between January 1962 and December 1964 had a profound effect on creative life in the city and around the world, altering not only the fine arts but everything from performance to music to design. Together with these creative innovations, the period from 1962 through 1964 saw a shift in the centre of artistic gravity from Europe to the United States and the rise of a new leadership in the arts, centred on a number of New York-based curators, gallerists, and other impresarios. Inspired by the scale and format of the widely read, image-forward magazines of the time such as Life and Look, this lavishly illustrated oversize paperback traces a detailed itinerary of artists and curators, experimental exhibitions and groundbreaking happenings, as well as historical and political events that transformed society during this explosive moment. From the important 'New Realists' exhibition at Sidney Janis Gallery in 1962 to the award of the International Grand Prize in Painting to the New York-based artist Robert Rauschenberg at the Venice Biennale in 1964, the city saw a flood of new approaches to art making, as well as fertile encounters among creators across mediums and disciplines.