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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
Zustand: New. Über den AutorrnrnGermano Celant (1940-2020), widely influential Italian art historian, critic, and curator who coined the term Arte Povera, wrote more than one hundred publications, including both books and catalogues and curated hundreds .
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 14.00x10.50x0.79 inches. In Stock.
Taschenbuch. Zustand: Neu. Neuware - The radical changes that occurred in the three years between January 1962 and December 1964 had a profound effect on creative life in the city and around the world, altering not only the fine arts but everything from performance to music to design. Together with these creative innovations, the period from 1962 through 1964 saw a shift in the centre of artistic gravity from Europe to the United States and the rise of a new leadership in the arts, centred on a number of New York-based curators, gallerists, and other impresarios. Inspired by the scale and format of the widely read, image-forward magazines of the time such as Life and Look, this lavishly illustrated oversize paperback traces a detailed itinerary of artists and curators, experimental exhibitions and groundbreaking happenings, as well as historical and political events that transformed society during this explosive moment. From the important 'New Realists' exhibition at Sidney Janis Gallery in 1962 to the award of the International Grand Prize in Painting to the New York-based artist Robert Rauschenberg at the Venice Biennale in 1964, the city saw a flood of new approaches to art making, as well as fertile encounters among creators across mediums and disciplines.
Verlag: Artforum, 1983
Anbieter: castlebooksbcn, Barcelona, B, Spanien
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden.
Anbieter: Heinrich Heine Antiquariat oHG, Düsseldorf, NRW, Deutschland
(24 x 15 cm); gr.-8°; 329,(2) Seiten mit zahlreichen teils farbigen Abbildungen; Orig.-Klappenbroschur. Exhibition at Fondazione Prada in Milan, 19 November 1998 - 6 January 1999. Text in Italienisch und Englisch. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 2100 gr.