ruysdael (21 Ergebnisse)

Zustand: New. In.

Payne Dresden & Leipzig 1855 [Blatt vor allem an den Rändern leicht braun- und fingerfleckig.].

Stahlstich. Blattgröße ca. 36,5cm x 26,5cm. -Am Rande mit Fleck. Aus: Collection de M. John Wilson exposée dans la galerie du cercle artistique et littéraire de Bruxelles. Tableaux anciens et modernes. Auflage 500 Exemplare. 1000 gr.

Softcover. Zustand: Very Good. 1886. A clean and well-presented etching, unmarked across the image surface, no notable creases or wear and professionally mounted suitable for framing or display. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 315 x 375 mm. 1. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Britain/UK; 19th century; Inventory No: 52966.

Pas de couverture. Zustand: Très bon. GRAVURE ANCIENNE JAKOB RUYSDAEL L'HIVER 1886 Gravée par Lucas, imprimé par Chardon & Sormani (Gravure authentique du XIXe siècle-original print) Dimensions de la feuille : 32,2 x 24,2 cm environ Dimensions de la gravure au coup de planche : 14 x 11,5 cm environ Extrait du catalogue de la vente de tableaux de la collection de M.A.C. vendu en 1886 à Drouot Etat : agréable estampe (ref-R2688).

Taschenbuch. Zustand: Neu. CROSSBRED PARCELATION | EXCAVATING POSTSUBURBAN COLONIZING PATTERNS IN MEXICO CITY METROPOLITAN AREA | Ruysdael Vivanco de Gyves | Taschenbuch | Englisch | VDM Verlag Dr. Müller | EAN 9783639316964 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Broschiert. 27 S. Broschur. Sprache: Niederländisch, Mit zahlr. schw.-w. Abb. Papier geringf. gebräunt, gutes Exemplar.

Softcover. 12 S. Altersgemäß guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Altersbedingte Lagerspuren. Buchseiten mit leichten Stockflecken. Eintragung am Titelblatt. Ansonsten ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 2000.

Two post-production Continuity and Dialogue scripts for the 1950 film. Included are a script for the feature, dated March 15, 1950, and a script for the film's trailer, dated March 20, 1950. In this key film noir, James Mason reprises in spirit his role from the British film noir, "Odd Man Out," made three years before, as a criminal who steals from the mob and is forced to go on the lam, with mob boss Dan Duryea in no mood for forgiveness. The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor, and according to studio production notes, an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta, Emma Roldan and Margarito Luna were all Mexican actors. Finally, popular character actor James Best made his debut in "One-Way Street," appearing briefly in an uncredited role as a "Driver." Titled wrappers, dated March 15, 1950 and March 20, 1950, both rubber-stamped 7684, with credits for actors Mason, Toren, Duryea, Ruysdael, Conrad, Acosta, Donovan, and Espinoza, as well as director Fregonese. Feature script noting nine reels, 116 leaves; trailer script comprised of 7 leaves. Mimeograph on white stock. Feature script bound at the top with two silver brads; trailer script with punch holes, top-stapled. Near Fine overall. Grant US. Selby Canon US. Silver Classic Noir. Spicer US.

Paris, Librairie de l'Art (1890). 26,5 : 19,3 cm. 89,(3) S. mit zahlr. Abb. im Text u. auf Tafeln. Dekor. OBroschur. Les Artistes Célèbres. - Wenige Seitenränder etwas stockfleckig. Sprache: fr.

Zustand: Good. 4to, 20 x 27.5cm. Blonde calf, decorated ribbed spine (contemporary binding). Scuffs and rubbing, leather losses, split joint at top.Engraved title, dedication, 12 pages of text, portrait of the Duke of Choiseul, and 127 (of 128) finely engraved plates numbered 1-123 (excluding unnumbered plate 4, normally located between plates 38 and 39), including figures 44 and 45 engraved on a single plate, plate 47 numbered twice, 5 bis plates -68, 69, 76, 78, and 101-, plate 74 on a double page, figures 93 and 94 on a single plate. Plates 38 and 39 have shorter margins. Small loss to plate 33 without affecting the engraving. Fresh pages. Bookplate with the coat of arms of De Clos de Balme. .The Duke of Choiseul's cabinet contained mainly paintings by Flemish and Dutch masters such as Rembrandt (including a self-portrait), Breughel, Teniers, Ruysdael, Rubens, N. Berghem, and Van Dyck. It also contained a few canvases by Titian, Le Nain, Robert, and Greuze. .).Pierre-François Basan (1723-1797) was one of the leading figures in the 18th-century world of printmaking. He was an engraver, publisher, expert, and iconographer. He also brought Rembrandt to France, publishing one of the first engraved collections of his works, printed on his original copperplates, and Teniers, engraving many of his paintings with Le Bas. After a brillant career in the army, Etienne-François, duc de Choiseul (1719-1785) married the daughter of Crozat. Thanks to the protection he received from Madame de Pompadour, Louis XV's mistress, Choiseul was made ambassador to the Holy See, and before long he was appointed minister of foreign affairs and later to the ministry of war and navy. After the death of his benefactor Madame de Pompadour in 1772 Choiseul was disgraced and exiled. Choiseul was a great collector, and asked Basan, one of the most eminent experts of the time, to organize a catalogue of his collection. Although dated 1771 on the title page, the catalogue was finished a year later. Choiseul was unfortunately disgraced the same year and a sale was organized by the expert Boileau on 6-10 April 1772; the remaining part of the collection was sold after Choiseul's death on 18 December 1786. This unique copy has the prices realized at the famous 1772 sale: La collection vendue est celle d'étienne-François, duc de Choiseul (1719-1785), ambassadeur à Rome de 1754 à 1757, puis à Vienne de 1757 à 1758 ; créé duc de Choiseul en 1758, il devient premier ministre de fait mais tombe en disgrâce à partir de 1770.Born in 1719, Étienne François de Choiseul-Beaupré Stainville first had a military career, rising to the rank of lieutenant general of the king's armies. He was ambassador to the Holy See between 1754 and 1757 and then to Vienna in 1758. That same year, he received the title of Duke of Choiseul-Amboise and was appointed Secretary of State for Foreign Affairs and then, in 1761, for the Navy and for War.The Duke of Choiseul pursued a policy of revenge against England; to do this, he relied on the alliance with Austria and the Bourbons of Spain, Parma and Naples through the Pacte de Famille signed in 1761. He also negotiated the marriage of the Duke of Berry, future Louis XVI, with the archduchess of Austria, Marie-Antoinette.Under his government, the borders of France widened, with the inclusion of Lorraine in 1766 and the acquisition of Corsica in 1768.A friend of the Encyclopaedists and Madame de Pompadour, he was interested in the art and philosophy of his time; his Voltairean spirit distanced him from Rousseau, whose Social Contract (1762) he rejected.At the beginning of 1770, Choiseul acted more and more without the king's consent, often even against his will. Madame Du Barry, to whom he had spoken undiplomatically, played a role in his eviction from the court at the end of 1770. His exile, to his estate of Chanteloup, near Amboise, was a triumph: everyone flocked to the Duke of Choiseul. He died in 1785, leaving behind him a disastrous personal financial situa.

Audio-CD. Zustand: Neu. Neuware.

circa 22,5 x 27 cm. 1 Blatt verso weiss Kleinere Fassung des Kupferstiches mit einer Küstenszene bei Scheveningen, Segelschiffe im Meer, viele Figuren am Strand. - Wenig angestaubt, sonst gut.

Antweren, Het Speycker, 1940. Oorspronkelijke omslag. Geniet. 19 pag. [Tweede Wereldoorlog / Second World War [Tweede Wereldoorlog] ].

Bildgröße ca 50 x 80 cm / gerahmt 61 x 91 cm. Geringfügige Fleckchen, sonst guter Zustand. Salomon van Ruysdael (* um 1600 in Naarden; begraben 3. November 1670 in Haarlem) war ein holländischer Landschaftsmaler. Sprache: deutsch.

Zustand: ACEPTABLE. [Un] Grabado representandouna escena marítima intensa. Se observan olas turbulentas golpeando restos de madera en primer plano, mientras varias embarcaciones navegan bajo un cielo dramático cubierto de nubes densas.El estilo de línea minucioso y el tratamiento del cielo reflejan la influencia barroca del paisaje holandés del siglo XVII. Obra de Léopold Flameng (1831-1911) a partir de una pintura de Jacob van Ruisdael(1628-1682). ["Jacob Ruysdael pinxt. ; Flameng Sculpt. ; Gazette des Beaux-Arts. ; Imp. A Salmon, Paris."] . Formato (cm): 21x28.

Zustand: Gut. Blattgröße : 45 x 41 cm; Motiv : 27,2 x 30,7 cm. Einige Knickspuren. Auf der Vorderseite die handschriftliche Zahl 130 . AM oberen Rand Montagereste. Insgesamt gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: Good. Salomon van Ruysdael (illustrator). 'Tiré du Cabinet .'etching / engraving on hand laid (vergé) paper. Sheet size: 27 x 24 cm. (10,6 x 9,4 inch). Image size: 20,8 x 18 cm. (8,2 x 7,1 inch).From: 'Galerie des Peintres Flamands, Hollandais et Allemands; Ouvrage enrichi de Deux Cent Planches graves d'apres les meilleurs Tableaux de ces Maitres' by M. le Brun, published Chez l'Auteur; Chez Poignant; Chez Pierre Fouquet junior, Paris et Amsterdam 1792. RB-371Made by 'Carl Weisbrod' after 'Salomon van Ruysdael'. Condition: Good, given age. Light foxing General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: RIVER LANDSCAPE-DUTCH-FARMRBOS-A4-24.

Encadrée. Zustand: Très bon. Notre épreuve est une héliogravure Amand-Durand, d'après l'épreuve de la collection Galichon. Tous ces tirages sont réalisés sur un superbe papier et sont de grande qualité. 1 volume in-8°.

Jacob van Ruysdael (illustrator). 'EIN LANDSCHAFT NACH RUYSDAEL 'This print shows a landscape after the painter Ruysdael. People walking on a road under trees and in an open space.Made by Friedrich Loos after Jacob van Ruysdael .Medium: Etching on wove (vellin) paper.Sheet size: 41 x 29.5 cm (16.14 x 11.61 inch). Image size: 28.5 x 21.8 cm. (11.22 x 8.58 inch).LANDSCAPE-TREES-PEOPLE WALKING | RBOS-A8-14BACKGROUND INFORMATIONThis rare attractive print was published 1818.Biography engraver: Friedrich Loos (1797-1890)) was an Austrian Biedermeier style painter, etcher and lithographer.Biography artist: Jacob van Ruysdael (ca. 1629 - 1682) was a Dutch Golden Age landscape painter, and is considered the most famous of four Haarlem family members who created landscape paintings. Condition: good, given age. Overall creasing , foxing and light soiling. Small tear in right bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Salomon van Ruysdael (illustrator). '"VUE DE SKERVIN" / "PROMENADE A UN QUART DE LIEUE DE LA HAYE" / "PARUE CHEZ A.P. LE BAS GRAVEUR DU CABINET DU ROY RUE DE LA HARPE"'A seascape depicting waves crashing against the shore with ships in the distance and people walking along the beach. The view is labeled as Scheveningen, though the landmark may represent the church of Egmond aan Zee.Made by Jacques-Philippe Le Bas after Salomon van Ruysdael.Medium: Etching on handlaid (verge) paper.Sheet size: 60 x 47.5 cm (23.62 x 18.7 inch). Image size: 47 x 36 cm. (18.5 x 14.17 inch).SEASCAPE, SCHEVENINGEN, BEACH, SHIPS, ETCHING, 18TH CENTURY, JACQUES-PHILIPPE LE BAS, SALOMON VAN RUYSDAEL | EXPO-401 (MPRINTS LARGE-REAR)BACKGROUND INFORMATIONBased on a painting by Salomon van Ruysdael. Published by Jacques-Philippe Le Bas, Paris.Biography engraver: Jacques-Philippe Le Bas (1707-1783) was a French engraver known for his detailed landscape etchings. He was appointed as the engraver of the King's cabinet and produced works based on both contemporary and classical artworks.Biography artist: Salomon van Ruysdael (1600-1670) was a Dutch Golden Age landscape painter, known for his river views and seascapes. He was one of the leading artists of the Haarlem School. Condition: very good, given age. The print is in very good condition with minimal signs of wear, and the paper shows slight yellowing along the edges. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.