rubins nancy (17 Ergebnisse)

63 pp.; 25.4 x 20.3 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show Nancy Rubins: Airplane Parts and Building, A Large Growth for San Diego," held September 23, 1994 - May 1, 1995. Co-curated by Hugh M. Davies and Kathryn Kanjo. Introduction by Hugh M. Davies. Texts by Kathryn Kanjo and Lisa Liebmann. Includes selected bibliography and biography. Fine. Covers and contents clean and unmarked.

First Edition. First edition. Softcover. 63 pages. Exhibition catalog for a show that ran September 23, 1994 through May 1, 1995. Introduction by Hugh M. Davies. Text by Kathyrn Kanjo and Lisa Liebmann. Includes numerous color and black and white illustrations, list of plates, selected biography and bibliography. A very near fine copy in wrappers.

First Edition. First edition. Exhibition brochure for a show that ran March 14 through April 20, 1997. Single sheet folded three times to create 8 pages. Features an essay by Frances Colpitt. Includes color illustrations, a small photograph of the artist, list of previous exhibitions, and a selected bibliography. A very near fine copy. Uncommon with only 7 copies listed in OCLC.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran March 24 through April 21, 2001. Includes numerous color illustrations, a checklist and biographical information. A fine copy in French style wrappers.

First Edition. First edition. Softcover. [16 pages.] Features a short text by David Pagel. Includes color and black and white illustrations, biographical information, and list of previous exhibitions. A clean near fine copy in stapled wrappers with some minor wear.

[16] pp.; 21 x 14 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "LAX," held at Galerie Krinzinger, Vienna, 1992. Text by David Pagel. Includes biography and exhibition history. Very Good. Light rubbing of covers and cover edges. 1.3 cm. crease on top edge of verso. Contents clean and unmarked.

Hardcover. Zustand: Brand New. 136 pages. 10.00x8.00x0.63 inches. In Stock.

4°, gebundene Ausgabe, 136 Seiten, Das Buch ist in einem sehr guten Zustand. Als Geschenk geeignet. 9783969992128 Sprache: Englisch Gewicht in Gramm: 640.

Hardcover. Zustand: Very Good. No Jacket. Clean cover boards, unmarked pages. Binding is tight. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.

Hardcover. Zustand: As New. 1st Edition. Germany: Steidl, 2012. Three volumes in a slipcase. Book is still in publisher's original shrinkwrap and comes in the cardboard box it was sold within. New.

First Edition. First edition. Hardcovers. A three volume set that features two hardcovers and a softcover. Includes numerous color and black and white illustrations with one volume dedicated to Rubins' sculpture and another to her drawings. All three books in fine condition and in a fine slipcase. No dust jacket as issued. Also includes a laid in handwritten and signed note from Nancy Rubins to a prominent Chicago gallerist.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

hardcover. Zustand: Perfetto (Mint). Prima edizione (First Edition). Cofanetto con 3 volumi. Vol. I: "Sculpture": fotografie a colori e in bianco e nero a piena pagina. Un testo di Dave Hickey. Catalogo delle opere riprodotte. Vol. II: "Drawing": fotografie a colori e in bianco e nero a piena pagina. Un testo di Céline Flécheux. Catalogo delle opere riprodotte. Vol. III: fotografie in bianco e nero a piena pagina. Biografia . Cm 32x24. pp. 568. . Perfetto (Mint). . Prima edizione (First Edition). . Questa pubblicazione in tre volumi è un viaggio visivo attraverso quarant'anni di sculture e disegni di Nancy Rubins. I primi due volumi iniziano con il lavoro studentesco di Rubins, dove emergono i suoi temi, i suoi metodi e le sue ambizioni. Il primo volume affronta numerose sculture su larga scala che incorporano massicce quantità di elettrodomestici usati con cemento e armature, per poi passare a scaldabagni, materassi, parti di aeroplani e piccole barche tenute sospese da reti e cavi. Il secondo volume esplora i disegni spesso giganteschi e scultorei di Rubins, densamente ricoperti di segni a matita. Un libretto finale con una serie di giocosi e candidi autoritratti scattati in una cabina per fototessere automatica della stazione ferroviaria di Baltimora nel 1972-4 completa l'opera.Dagli accumuli di dispositivi domestici dei primi anni Ottanta, che assemblava in gigantesche forme a forma di tornado o di onda anomala, la pratica di Rubins si è evoluta negli anni Novanta fino a includere immensi ammassi di oggetti di grandi dimensioni, come barche, materassi o parti decostruite di macchinari di enorme complessità, come aeroplani e rimorchi. Rubins accumula questi componenti in schemi di crescita biologici o arborei che spesso si ergono a sbalzo sul traffico pedonale sottostante. Nel farlo, continua a concentrarsi sulle qualità formali degli oggetti di recupero. Book.

Card covers. Zustand: Near fine in wraps. First Edition. 22 x 29cm near fine card-covered exhibition catalogue with text, black and white plus colour reproductions. A small Gagosian Gallery library stamp on inside front wrapper.

Hardback. Zustand: Fine. Nancy Rubins (illustrator). First edition. A substantial three-volume first edition set in the original publisher"s slipcase, showcasing Nancy Rubins" sculpture, drawing, and early photographic self-portraits. In the publisher's original pictorial hardbacks and paper wrap, complete with the original slipcase.First editions.Profusely illustrated throughout in colour and monochrome.Complete in three volumes.The Sculpture volume documents Rubins" monumental assemblages formed from industrial detritus, aircraft components, boats, domestic appliances, and scrap metal, The Drawing volume presents large-format works on paper and related studies, while the final volume reproduces a series of candid self-portraits taken in an automatic photo booth at Baltimore"s Penn Station between 1972 and 1974.Nancy Rubins (1952-) is an American sculptor known for her vast accumulations of reclaimed materials suspended in dynamic, seemingly precarious formations. Her work has been exhibited internationally and is held in major public collections, including the Museum of Modern Art and the Whitney Museum of American Art. In the publisher's original pictorial hardbacks and paper wrap. Externally, lovely. Slipcase, excellent, with the slightest trace of shelf wear to extremities. Internally, firmly bound. Pages bright and clean. Fine. book.

18 ungez. S. durchgehend mit ABbildungen, Orig.-Karton. Erste Ausgabe.- Gutes Exemplar.

3 vol. : [2] pp. ; [2] pp. ; [2] pp.; 1 vol. : 35 x 21.5 cm. 2 vol. : 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Three documents providing information on the Art on the Beach installations running from June 14 - September 14, 1980, at Battery Park City landfill site, New York City. The first document is the press release for the installations providing schedule and locations of where installations were and participating artists. The second document gives a background on site-oriented work citing Alice Aycock's "Large Scale Dis/Integration of Microelectronic Memories (A New Revised Shanty Town)," Michael Davis' "Polarity/Isolation," and others as an example of that type of work. The third document is the checklist and site map for the Art on the Beach 1980 show. Participating artists included Alice Aycock, Michael Davis, Heide Fasnacht, Maren Hassinger, Andrew Leicester, Nancy Rubins, Ursula von Rydingsvard, and David Wells. Good / Very Good. Each document is folded in four, discoloration on edges, handling marks, edge wear.