Rothchild judith (16 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Broché. Zustand: Mauvais état. in-8 Description :100 pp. Mouillures dans la marge de toutes les pages. Couverture tachée. Collection "Méditerranées". Langue : Français Nb de volumes : 1. Judith Rothchild (illustrator).

Couverture souple. Zustand: Très bon. Danièle CORRE VOIX VENUES DE LA TERRE 2005, Remoulins dur Gardon, Edition Jacques Brémond Format : In-12 (18 x 18 cm), broché, 71 pages illustré de 4 gravures à l'encre de Judith Rothchild façon mezzotinto Petit tirage Etat : agréable recueil de poésie, livre solide poids : 280g. Judith Rothchild (illustrator).…

Hardcover. Zustand: Very Good. Extremely scarce. Number 4 of only 45 copies. SIGNED by Judith Rothchild with a gravure en maniere noire in separate binding. Contents NF, minor wear to slipcase ONLY. Concertina binding- two short accordion folds on each board, French on the left and English on the right. Brown marbled paper boards with blind-stamped title on front. Black cloth spine and fore-edges, paper spine label. Engraving protected in its own marbled folder boards (not bound in). Housed in a black clamshell case w/ paper label on spine and front. Minor bumping at edges of slipcase, one faint scuff on front. Otherwise VG.…

Hardcover. Zustand: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. "I left the woods" is an extract from the conclusion of "Walden" by Henry David Thoreau written in 1854. The text is accompanied by 4 mezzotints by Judith Rothchild who also created the linocuts for the embossments, cover and slipcase. The edition of twenty-four is printed on Hahnemühle paper in the form of a leporello. The hand set letterpress in Garamont 16 pt, was composed and printed by Mark Lintott who also created the boxes and slipcases. The deluxe edition, numbers 1/24 to 4/24, are presented in clamshell boxes and contain one of the original copper plates. The numbers 5/24 to 24/24 are presented in slipcases. The four mezzotints are also printed together in an edition of fifteen." [colophon]. Tight, bright, and unmarred. Printed paper wrappers; matching slipcase. Oblong 8vo. np. Illus (b/w messotints). Numbered, limited edition, this being 14 of 24. Signed by the artist.…

Hardcover. Limited Edition. Limited Edition. Hardcover. Three mezzotints by Judith Rothchild plus a bonus print. "Neruda's text is accompanied with three mezzotints by Judith Rothchild. While the text presentation is sparse and clean the images are velvety and dense. They capture the essence of Neruda's words - "from bristly foliage" to "only a seed". From bristly foliage you fell complete, polished wood, gleaming mahogany, . You fell, you struck the ground, but nothing happened, . Because you are only a seed, chestnut tree, autumn, earth, water, heights, silence prepared the germ, the floury density, the maternal eyelids that buried will again open toward the heights ." [publisher's statement]. Tight, bright, and unmarred. Accordion structure extending from back pastedown, letterpress printed in Univers on an Adana by Mark Lintott using chestnut-colored ink and printed on Hahnemuhle paper, bound in screenprinted paper, shades of brown with chestnut leaves, over boards; laid in matching clamshell box. Oblong narrow 4to. 17pp. Illus. Numbered limited edition of 50, copies 1-10 include an additional mezzotint and are in a clamshell box; 1-4 also include one of the original copper plates; copies 11-50 presented in slipcases. This copy 5. Signed by the artist and printer. Fine in Fine Drop-Spine Archival Box.…

Hardcover. Zustand: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. "Emily Dickinson's poem inspired Judith Rothchild's mezzotint and roulette engraving. The ten copies were designed and printed under curfew between the 2020 holidays." [publishers statement] The typography, in movable type, was composed and printed by Mark Lintott who also created the cases. Tight, bright, and unmarred. Quarterbound, green cloth spine, marbled paper boards and spine label, black ink lettering, accordion fold; marbled paper slipcase. 12mo. np. Illus. (b/w plates). Limited edition of 10, this being 6. Signed by the artist and printer.…

Softcover. Zustand: Fine. Softcover. Number 8 of 28 copies signed by the printers and illustrator. This handsome and compelling new work from the esteemed Verdigris press addresses the impact that the current American presidential administration has made on our society and culture. These visionary quotes by George Orwell, taken mainly from 1984 and Animal Farm, were chosen for their worrying pertinence in 2026. They invite us to consider the links betwee fiction, reality, and the ways that history will repeat itself without proper intervention (from the colophon).The book was designed by Nora Cornell, Mark Lintott, and Judith Rothchild. Nora Cornell and Mark Lintott created the typography and printed the book in letterpress, and Judith Rothchild the linocuts. Mark Lintott created the slipcases that are covered with the black and gray image of a hand. adorned with the linocuts. The 28 copies were printed on gray Rives BFK paper primarily in Univers with additional French wooden characters. on a Vandercook press in the Editions Verdigris workshop in January 2026. In fine condition. Measures 7.5 x 9 inches. Unpaginated. ARTB/030426. Signed.…

Original Wraps and Slipcase. Zustand: Fine in Fine Archival Box. Limited Edition. Limited Edition. Original Wraps and Slipcase. "The three poems by Walt Whitman, To the States, Long Too long America, For you O Democracy, have been chosen to mark the inauguration of the 45th President of the United States of America. They are published in an edition of thirty in the form of a leporello. The accompanying two mezzotints by Judith Rothchild of sleepy America are printed by the artist on Hahnemühle paper." [publisher's statement]. Tight, bright, and unmarred. Oblong fo. pp. Numbered limited edition of 30, this being one of 24. Signed by Rothchild and Mark Lintott. Standard edition.…

Hardcover. Zustand: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. "These three poems by Elsa Koeberlé, published under the pseudonyms of Sybil, Sybil O'Santry or Sybil O'Connor, were composed in her youth before she left Alsace. It was at the end of 1915 that Elsa Koeberlé discovered the Saint-André Abbey in Villeneuve lez Avignon which would become the setting for her existence from 1916 to her death in 1950. Gustave Fayet bought the abbey from her and with her friend, the painter Génia Lioubow, they devoted their lives to restoring it and in particular to creating the Italian-inspired garden. In 2020, the paths of Elsa Koeberlé and Judith Rothchild crossed when the artist had the pleasure of being "in residence" in this garden which was then in full maturity and to execute the large format drawings then the engravings. Judith Rothchild and Verdigris editions exhibited at the abbey in September 2020. The three poems are accompanied by four mezzotint engravings by Judith Rothchild, made from sketches made at the Abbey. The engravings, printed on Hahnemulhe paper, as well as the linocuts on the covers were printed by the artist." [publisher's statement] Printed by Mark Lintott on a Vandercook N°4 press. He also made the boxes and cases. Number 25/25 is reserved for the Bibliothèque de France. Tight, bright, and unmarred. Black cloth spine, printed green paper boards, bookplate, accordion fold; matching slipcase with mezzotint block recessed. 8vo. np. Illus. (b/w plates). Numbered limited edition of 25, this being 3. 1-5 being 'deluxe' copies and including an original copy plate built into the box. Signed by the artist and printer.…

Hardcover. Zustand: Fine in Fine Archival Box. Limited Edition. Limited Edition. Hardcover. "The date of publication, according to the artist and printer, was Feb. 5, 2006, which was the third anniversary of Colin Powell's speech to the UN Security Council. Parts of that speech are printed in black on the blood red recto of the rear free endpaper. 12 O'clock News was originally published in Geography III in 1976. Elizabeth Bishop's prose poem, certainly surreal in outlook, with a great sense of irony as well as parody, takes a look at the author's desk top. but isolating images and viewing them as minutia. The results, as detailed in Bishop's "new report," could not be any more wrong. The parallel with the American Secretary of State's speech at the U.N. is devastatingly obvious." [artist statement]. Tight, bright, and unmarred. Burgundy cloth hinges, gray-green paper boards, Japanese stab binding, moon in yellow ink, blood red endpapers; housed in drop spine archival box matching the binding. Oblong fo. pp. Numbered limited edition of 50, this being one of Signed by Rothchild.…

Zustand: Fine. First edition. First printing of this limited deluxe edition poetic ode to a pair of pears, illustrated in lovingly executed mezzotints - with original copper plate included in the original box. Judith Rothchild's and Mark Lintott's Verdigris press, located in the south of France, produces an eclectic selection of artist's books based around a variety of texts. For Wallace Stevens's poem of pear pondering, Rothchild and Lintott have created a book that invites visual contemplation of its fruity subjects, with weight added to the text by Rothchild's deeply set mezzotints. The plate included in this deluxe copy is of one of the larger illustrations, and shows off the delicacy and precision involved in creating a mezzotint. An attractive production, presented in both English and French. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate). Original stiff paper wrappers in green, brown, and yellow. Illustrated with nine black-and-white mezzotints of pears, with three blind-embossed shapes of pears. Loose concertina textblock as issued with [20] panels, printed one side only, with tissue guards between each fold. With black-and-white mezzotint New Year's card, numbered 17/70 and signed by Rothchild and Lintott, loosely laid in. In original green, yellow, and brown clamshell box, with original copper plate mounted to rear. A touch of rubbing to wrapper joints. Sharp and clean. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate). Signed. …

Hardcover. Zustand: Fine. Rothchild, Judith. Hardcover. 20 of 30 copies. Copies 26 to 29 were hors commerce, and number 30 was given to the Bibliotheque Nationale de France. SIGNED BY ARTIST AND WRITER. This beautiful work has eleven stunning numbered and initialed mezzotints by artist Judith Rothchild. Rothchild is an American born artist who lives in the Languedoc region of France. Also a pastel artist, she has become famous for her mezzotints, perhaps the most difficult printmaking technique. Rouanet is a well known French writer. The colophon says that the work is a collaboration between the two, who share a deep love for the Languedoc. Rouanet's text, in French, was inspired by Rothchild's prints of food and wine and by the spirit of a local restaurant, Le Mimosa. The folio sized pages are loose in a yellow and green box made by Lisa Knoblauch with the front board decorated with mimosa leaves done by serigraph. Printed by Mark Lintott in Vendome Romain type on an Albion press. The prints are protected by tissue guards. 20 pages including the prints. PRI/061207. Rothchild, Judith (illustrator).…

Text by Marie Rouanet with eight mezzotints of snails by Judith Rothchild. One of 50 copies printed on Hahnemühle paper on an 1867 handpress by Mark Lintott, this no.32 signed by the author and artist. 223 x 174 mms. Oblong 8vo., in concertina format the whole loose as issued in green screenprinted wrappers with images of a shells on sides and black lettering on spine, in the original green board slipcase with the same shell images. Octon, Verdigris. A stunning production with Rothchild's mezzotints of snails wandering around the pages as a snail invades an abandoned garden. Mark Lintott has set the short text perfectly to reflect its style and the illustrations. The whole has a serene, balanced beauty.The short text is reprinted from the last chapter of the Occitan author Marie Rouanet's book Tout jardin est Eden. Rouanet has published many books on the culture of the Occitan region and although a regional writer she enjoys a national reputation in France.Judith Rothchild is an American painter/printmaker who collaboraters with the English printer Mark Lintott on Verdigris in the South of France. She has an international reputation and her work has been exhibited at more than thirty solo exhibitions throughout the United States and Europe and is in numerous public collections. She has been represented by Francis Kyle Gallery since 1985.…

Five round mezzotints of figs in various stages of bursting by Judith Rothchild plus a screen prints of fig leaves including a two-coloured one facing the colophon. Printed on Hahnemuhle paper in Vendome Romain type by Mark Lintott. One of 12 deluxe copies (this no.9) with an extra signed mezzotint printed exclusively for this edition. Sq. 4to., loose as issued in velvet black wrappers screen printed with fig leaves, green lettering on spine, in the original black clamshell box with fig leaf on upper cover. Octon, Verdigris. D.H. Lawrence's provocative and erotic poem Fig first appeared in Birds, Beasts and Flowers in 1923. It achieved notoriety when it was used in a memorable scene in Ken Russell's film Women in Love. It is stunning presented here with wonderful use of spacing for the text and luscious illustration. A sensual and and beautiful piece of printing. Judith Rothchild is an American painter/printmaker who collaboraters with the English printer Mark Lintott on Verdigris publications in the South of France. She has an international reputation and her work has been exhibited at more than thirty solo exhibitions throughout the United States and Europe and is in numerous public collections. She has been represented by Francis Kyle Gallery since 1985.…

Text by Marie Rouanet. Mezzotints by Judith Rothchild. One of 30 copies (this no.19). 42 x 31.5 cms, loose as issued with original loose screen printed covers, housed in a box screen printed by the artist. Verdigris, Octon. The delicious mezzotints follow the course of a large repast at the Magie Blanche to celebrate 20 years of its existence.…