rolfe fuller (17 Ergebnisse)

Softcover. Zustand: Fair. 310. Wear and tear along the spine. Some creasing and wear, pages tanned; else a good vintage paperback. Quantity Available: 1. Category: Vintage Paperbacks; Inventory No: 230365.

Zustand: Acceptable. Bantam Books 1948 reading copy only.

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Fair. Paperback. Text unmarked. Covers show edge wear with creases and soiling. Crease on spine.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Fair. Acceptable condition. No Dust Jacket Former Library book. (Bookmakers, Hollywood, Fiction) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Soft cover. Zustand: Near Fine. This Near Fine copy has only minor wear at the top and bottom of the spine and a tiny bump to the upper corner of the front cover. Else fine.

Zustand: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Cartonnage De L'éditeur. Zustand: Bon Etat. E. ROLFE et L. FULLER. - UN VRAI CHOPIN! (The Glass Room). - Traduit de l'américain par Jean Rosenthal et Janine Hérisson. Collection "Serie Noire" sous la direction de Marcel Duhamel. Numéro 109. 1951, Paris, Nrf, Gallimard. In-12 (18,5x12 cm), relié, cartonnage éditeur noir et jaune, jaquette éditeur noire à bordures blanches avec promotion "La Méridienne" au dos, 251 pages. Bon état général de l'ouvrage. Port en sus. Size: In-12.

Un volume in-12°, couverture rigide éditeur, jaquette blanche-noire-jaune habituelle, 248 pages.Jaquette légèrement frottée sur les bords mais sans manque. Exemplaire du service de presse. ETAT STAISFAISANT.

Zustand: BE. Paris, cartonnage de l'éditeur; in-12, 248 pp.

Zustand: BE. Paris, cartonnage de l'éditeur; in-12, 246 pp. Édition originale - bon état.

Couverture rigide. Zustand: bon. RO40034778: 1951. In-12. Cartonné. Bon état, Coins frottés, Dos satisfaisant, Papier jauni. 248 pages. . . . Classification Dewey : 810-Littérature américaine.

Couverture rigide. Zustand: bon. R150106840: 1951. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 248 pages. . . . Classification Dewey : 810-Littérature américaine.

Cloth. Zustand: Good+. FIRST US EDITION. 8vo. Original blue cloth, spine stamped in red. Top edge red. Patterned endpapers. Slight lean to spine, extremities bruised and worn. Musty, else clean. In the original dramatic mustard, blue and white illustrated dust jacket: price-clipped, soiled, chipped and creased, losses to spine ends. Good+/ good+ A solid copy of Edwin Rolfe's only foray into crime writing, of which the New York Times wrote: "the story is so fast and so tough that one is not surprised to learn that Humphrey Bogart and Lauren Bacall are to star in the film version of it". Warner Brothers bought the film rights to The Glass Room almost immediately, hiring Rolfe and Fuller as screenwriters. With both men members of the Communist Party, however, the film was an early casualty "of the inquisition." The book fared better, with a British edition of The Glass Room appearing later the same year, published by Sampson Low, Marston & Co, and contracts for a French edition and for a Portuguese translation in Brazil following later. The Glass Room was also published as a 25-cent paperback by Bantam Books (no. 310) in 1948. Edwin Rolfe (born Solomon Fishman; 1910-1954) was a journalist, poet, Communist activist and veteran of the Spanish Civil War. He served with the Abraham Lincoln Brigade, becoming the "unofficial poet laureate of the American volunteers". Following a move to Los Angeles, Rolfe worked briefly in Hollywood, before being blacklisted by the House of UnAmerican Activities Committee (HUAC); he went on to produce "the strongest body of anti-McCarthy poems of any American poet". Lester Fuller (1908-1962) was a writer and director, perhaps best known for Monte Carlo Baby (1951), which launched the career of Audrey Hepburn. Like Rolfe, he was blacklisted by HUAC.

Cloth. Zustand: Very Good. FIRST UK EDITION. 8vo. Original blue buckram, spine stamped in silver. Offsetting to boards, edges spotted, occasionally appearing in margins. Musty, else clean. In the original Gothic illustrated dust jacket by 'Shields': chipped, rubbed and creased. Very good/ good+ A pleasing copy of the British edition of Edwin Rolfe's only foray into crime writing, of which the New York Times wrote: "the story is so fast and so tough that one is not surprised to learn that Humphrey Bogart and Lauren Bacall are to star in the film version of it". Warner Brothers bought the film rights to The Glass Room almost immediately, hiring Rolfe and Fuller as screenwriters. With both men members of the Communist Party, however, the film was an early casualty "of the inquisition." The book fared better, with this British edition appearing on the heels of the American edition and contracts for a French edition and for a Portuguese translation in Brazil following later. The Glass Room was also published as a 25-cent paperback by Bantam Books (no. 310) in 1948. Edwin Rolfe (born Solomon Fishman; 1910-1954) was a journalist, poet, Communist activist and veteran of the Spanish Civil War. He served with the Abraham Lincoln Brigade, becoming the "unofficial poet laureate of the American volunteers". Following a move to Los Angeles, Rolfe worked briefly in Hollywood, before being blacklisted by the House of UnAmerican Activities Committee (HUAC); he went on to produce "the strongest body of anti-McCarthy poems of any American poet". Lester Fuller (1908-1962) was a writer and director, perhaps best known for Monte Carlo Baby (1951), which launched the career of Audrey Hepburn. Like Rolfe, he was blacklisted by HUAC.

Zustand: Good. Envoi rapide Bon état d'usage bords frottés couverture un peu ternie intérieur uniformément jauni texte net n°109 inscrit sur le dos. collection série noire. in12. 1951. Cartonné. 248 pages. Good.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. Reviews by Irving Sandler, Deborah Perlberg, Peter Schjeldahl, Jeff Perrone, Leo Rubinfien, Edit deAk, C.L. Morrison. Cover: Pat Adams.