robusti (17 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition copy. No jacket. Moderate scuffing to boards edges and spine. Contents lightly thumbed but overall a good clear book.

No Binding. Zustand: Very Good. Engraved By Cooke (illustrator). A fine original copper engraved portrait. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage. The greatest of the late venetian painters.

Zustand: NEW.

Hardback. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Tintoretto, Jacopo Robusti (illustrator). First edition. 1st 2000. Nearly fine condition in a nearly fine dustwrapper. Masters of Italian Art. Tintoretto brilliantly synthesized the various artistic influences that came together in the melting pot of Venice in the early modern period - Byzantine spirituality, Venetian sensuality, Northern Alpine realism, and Tuscano-Roman idealism. Large format. Black cloth boards, gilt titles. Colour & b/w illustrations. 140 pages. Pictorial dustwrapper is lightly scuffed, tiny closed tear (no loss) to top front edge, else a lovely copy! Packaged with care and promptly dispatched!

Zustand: new.

Brossura. Zustand: Molto buono (Very Good). . 16mo. pp. 134. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.

Häftad, tr. omslag, det bakre ytterst lätt skrynklat. Gott skick. Ouppskuren. Stockholm, Wahlström & Widstrand, 1940. 8:o. 320 sid. Illustrerad. Med register.

Cloth. Zustand: Very Good. Jacopo Robusti (illustrator). First edition. A first and limited edition of this German work on Tintoretto's drawings, illustrated with plates. First Edition. In German. Featuring 72 tissue-guarded plates to the rear. No. 1051 of a limited edition of 1200 copies. Jacopo Robusti, known as Tintoretto (29 April 1519 - 31 May 1594) was an Italian painter, one of the greatest exponents of the Venetian school and probably the last great painter of the Italian Renaissance . The nickname Tintoretto derived from the father's profession; dyer of fabrics. For his phenomenal energy in painting he was nicknamed 'Furious', and his dramatic use of perspective and light means he is considered by many to be a precursor to Baroque art. In a cloth binding. Externally, very smart with just minor shelfwear and a mark to the tail of the spine. Internally, firmly bound. Pages are bright with some minor spotting to the first and last few pages. Very Good. book.

Zustand: New.

Taschenbuch. Zustand: Neu. Perspectiva Econômica de café agroflorestal associado a bioenergia | Londrina-Paraná | Eliane Araujo Robusti (u. a.) | Taschenbuch | Portugiesisch | 2015 | Novas Edições Acadêmicas | EAN 9783841711069 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

S.l., s.é., s.d. [1808]. Dimensions (marges incluses) : 223 x 218 mm. Rare et belle épreuve - quoique sans doute courte de marge - signée dans la plaque de Jean-Bernard Duvivier et Robert De Launay le Jeune d'après la toile du Tintoret. Quelques légères altérations marginales. Papier légèrement oxydé. Du reste, belle condition.

Jacopo Robusti, named Tintoretto (illustrator). '12. ANIMAM DOLORIS GLADIUS PERTRANSIVIT.'(The sword of pain passed through.) The holy virgin offering relief to Jesus after his crucifixion.Made by Jacques Coelemans after Jacopo Robusti, named Tintoretto.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24.5 x 31 cm (9.65 x 12.2 inch). Image size: 16.5 x 24 cm. (6.5 x 9.45 inch).MARY CONSOLING JESUS AFTER CRUCIFIXIONPCO-B6-07BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jacopo Robusti / Tintoretto (1518-1594) was a Italian painter from Venice. He was termed 'Il Furioso' for his energy, speed and bold brushwork and both admired and critisized. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jacopo Robusti, named Tintoretto (illustrator). '13. SANCTA MARIA MAGDALENA.'(Saint Mary Magdalene.) Made by Jacques Coelemans after Jacopo Robusti, named Tintoretto.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 26.5 x 34.5 cm (10.43 x 13.58 inch). Image size: 19 x 25.8 cm. (7.48 x 10.16 inch).SAINT-MARY MAGDELENE-MAGDALENAPCO-B6-07BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jacopo Robusti / Tintoretto (1518-1594) was a Italian painter from Venice. He was termed 'Il Furioso' for his energy, speed and bold brushwork and both admired and critisized. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.