jacques coelemans (77 Ergebnisse)

Francisque Milet (illustrator). '90. SEPULCHRUM RACHEL IN FINIBUS BENIAMIN.'(The tomb of Rachel in the borders of Benjamin.)Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 34 x 23 cm (13.39 x 9.06 inch). Image size: 17.3 x 19.5 cm. (6.81 x 7.68 inch).TOMB-RACHELPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Francisque Milet (1644-1680) was a Flemish-French painter from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Sebastien Barras (illustrator). '87. SI LOQUOR NON QUIESCET DOLOR MEUS ET SI TACUERO A ME .'(If I speak, my pain will not rest, and if I keep silent .)Made by Jacques Coelemans after Sebastien Barras.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25 x 29.5 cm (9.84 x 11.61 inch). Image size: 17.3 x 22.2 cm. (6.81 x 8.74 inch).LADY-MOTHER OF SORROWS-MARYPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Barras (1653-1703) was a French painter and engraver from Aix-en-Provence. He was a pupil of Boyer d'Aguilles. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Guido Reni (illustrator). '17. DILECTUS MEUS MIHI ET EGO ILLI.'(My love to me and I to him.)Made by Jacques Coelemans after Guido Reni.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.5 x 21.5 cm (10.83 x 8.46 inch). Image size: 13.5 x 16 cm. (5.31 x 6.3 inch).LOVE-HOLY VIRGIN-JESUS-JOHN THE BAPTISTPCO-B6-09BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Guido Reni (1575-1642) was an Italian painter/draughtsman from Bologna. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Pieter Paul Rubens (illustrator). '44.'A landscape with a shepherdess with goats resting.Made by Jacques Coelemans after Pieter Paul Rubens.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 22 x 17.5 cm (8.66 x 6.89 inch). Image size: 14.6 x 10.7 cm. (5.75 x 4.21 inch).LANDSCAPE-SHEPHERDESS-GOATSPCO-B6-23BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Pieter Paul Rubens (1577-1629.) was an Belgian painter born in Cologne. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Pinson (illustrator). '77. TOBIE .'(Tobias .) Tobias / Tobit and the angel.Made by Jacques Coelemans after Nicolas Pinson.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.3 x 20 cm (9.96 x 7.87 inch). Image size: 18.8 x 14 cm. (7.4 x 5.51 inch).TOBIAS AND THE ANGELPCO-B6-35BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Pinson (1635/40-1681) was a French painter and etcher from Valence. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Annibale Carracci (illustrator). '16. LA VOIX DE CELUY QUI CRIE DANS LE DEZERT.'(The choice of the one who cries in the desert.) Made by Jacques Coelemans after Annibale Carracci.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24.5 x 25 cm (9.65 x 9.84 inch). Image size: 14.5 x 18.5 cm. (5.71 x 7.28 inch).JESUS VOICE CRIES IN THE DESERT-PORTRAITPCO-B6-08BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Annibale Carracci (1560-1609) was an Italian painter and engraver from Bologna. Along with his brother Agostino (1557--1602) and his cousin Ludovico (1555-1619) they are considered the progenitors of the Baroque style and highly influential. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Hendrik van Steenwijk (illustrator). '53.'Interior of a church or cathedral.Made by Jacques Coelemans after Hendrik van Steenwijk.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).CHURCH INTERIOR-ARCHITECTUREPCO-B6-25BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Hendrik van Steenwijk (c.1550-1603) was an Dutch painter and engraver from Kampen, mainly known for his church interiors. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Francisque Milet (illustrator). '91. THAMAR DEPOSITIS UIDUITATIS UESTIBUS THERISTRUM ET MUTATO HABITU SEDIT IN BIUIO ITINERIS QUOD DUCIT AD THAMNAN .'(Tamar took off her widow's veil and changed her dress and sat down at the crossroads that leads to Tamnan ,) Set in a wide landscape.Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 32.5 x 28.8 cm (12.8 x 11.34 inch). Image size: 26.3 x 23.3 cm. (10.35 x 9.17 inch).TAMAR-THAMAR-WIDOW'S VEIL-LANDSCAPEPCO-B6-42BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Francois called Francisque Milet / Millet (1642-1680) was a Flemish / French artist from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Raymond Lafage (illustrator). '107. IOSUE ARRESTE LE SOLEIL.'(Joshua stops the sun.) Joshua makes the sun rest / darken / eclips during the battle of Amor.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 28.4 x 34.5 cm (11.18 x 13.58 inch). Image size: 21.5 x 29 cm. (8.46 x 11.42 inch).BATTLE OF AMOR-JOSHUA-SUN ECLIPSPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Guido Reni (illustrator). '18, VIDETE SI EST DOLOR SICUT DOLOR MEUS.'(See if there is pain like my pain.) Jesus suffering with the thorn crown.Made by Jacques Coelemans after Guido Reni.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 26.5 x 31 cm (10.43 x 12.2 inch). Image size: 17.3 x 22.2 cm. (6.81 x 8.74 inch).PAIN-JESUS-THORN CROWNPCO-B6-09BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Guido Reni (1575-1642) was an Italian painter/draughtsman from Bologna. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Loyr (illustrator). '75. LANGE D'DIEU APPELLA DU CIEL AGAR, ET LUI DIT QUE FAIS TU AGARINE CRAIN POINT CAR DIEU A OUI LA VOIX DE L'ENFANT DU LIEU OU IL EST.'(The Angel of God called Agar from Heaven, and told her what you are doing Agarine, fear not, for God has heard the child's voice from the place where he is.) An Angel shows Agar and her dying child a fountain and promisses the protection of god.Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 33 x 24 cm (12.99 x 9.45 inch). Image size: 26 x 19 cm. (10.24 x 7.48 inch).AGAR-ANGEL-GOD'S PROTECTION-HEALINGPCO-B6-34BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean-Benoist Castiglione named le Benedette (illustrator). '30. CUMQUE MINASSET GREGEM AD INTERIORA DESERTI MOYSES VENIT A MONTERUM DEI HOREB.'(And when Moses led the flock to the inner parts of the desert, he came from Horeb, the god of the mountains.)Made by Jacques Coelemans after Jean-Benoist Castiglione named le Benedette.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 35 x 39 cm (13.78 x 15.35 inch). Image size: 25.8 x 28 cm. (10.16 x 11.02 inch).MOSES LEADING THE FLOCK TO THE DESERT-HOREB MOUNTAINPCO-B6-17BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Benoist Castiglione (1616-1670) was an Italian painter from Genua. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Claude Vignon (illustrator). '86. S. ANDREAS.'(Saint Andrew is reading a book)Made by Jacques Coelemans after Claude Vignon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 17.5 x 20.5 cm (6.89 x 8.07 inch). Image size: 7.5 x 10.5 cm. (2.95 x 4.13 inch).SAINT ANDREW-READING-BOOKPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Claude Vignon (1593-1670) was a French painter and engraver from Tours. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Cornelis Poelenburg (illustrator). '52.'Landscape with cows drinking from a river.Made by Jacques Coelemans after Cornelis Poelenburg.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24 x 21 cm (9.45 x 8.27 inch). Image size: 14.5 x 12 cm. (5.71 x 4.72 inch).LANDSCAPE-COWS-RIVERPCO-B6-25BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Cornelis Poelenburg (1586-1660) was an Dutch painter. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Willem Kalf (illustrator). '54.'Still life of kitchen gear with pots end pans and a basket.Made by Jacques Coelemans after Willem Kalf.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).STILL LIFE-POTS-PANS-KITCHENPCO-B6-25BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Willem Kalf (1619-1693) was a Dutch still-life painter from Amsterdam. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Raymond Lafage (illustrator). '110. S. FRANCISCUS.'Saint Francis is being held a crucifix by angels. He want to ressemble Jesus and receives the wounds in his hands.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 23.5 x 29 cm (9.25 x 11.42 inch). Image size: 17.5 x 22.5 cm. (6.89 x 8.86 inch).SAINT FRANCIS-ANGELS-CRUCIFIXPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. Some foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Antonio Allegri named Correggio (illustrator). '4. MATER AMABILIS.'(Lovely mother.) The virgin Mary holding Jesus backed by St. John the baptist.Made by Jacques Coelemans after Antonio Allegri named Correggio.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.5 x 25.5 cm (10.83 x 10.04 inch). Image size: 16.4 x 23.5 cm. (6.46 x 9.25 inch).VIRGIN MARY-JESUS-CHILDPCO-B6-04BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Antonio Allegri / Correggio (1489-1534) was an Italian painter/draughtsman from Parma. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Francisque Milet (illustrator). '89. LE VOUS AY COUVERT DE FEUILLE DARBRES A CAUSE DE LA CHALEUR.'(You were covered with leaves from trees because of the heat.) Two shepherd's in a landscape with trees greeting a woman carrying a basket with flowers.Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 29 x 31 cm (11.42 x 12.2 inch). Image size: 22 x 28 cm. (8.66 x 11.02 inch).LANDSCAPE-SHEPHERD-WOMAN-FLOWERS-TREESPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Francisque Milet (1644-1680) was a Flemish-French painter from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Charles de Somme (illustrator). '55.'Still life with fruit: peaches and grapes.Made by Jacques Coelemans after Charles de Somme.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).STILL LIFE-FRUIT-PEACH-GRAPESPCO-B6-25BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Charles de Somme (1637-1673) was a French still-life painter. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Loyr (illustrator). '76. QUI CONSURGENS, ACCEPIT PUERUM ET MATREM EUIS ET VENITIN TERRAM ISRAEL.'(And he arose, and took the child and his mother, and came to the land of Israel.) Holy family after their return from Egypt.Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 30 x 26.8 cm (11.81 x 10.55 inch). Image size: 22.4 x 19.2 cm. (8.82 x 7.56 inch).HOLY FAMILY-JESUS-RETURN TO ISRAELPCO-B6-35BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Loyr (illustrator). '74. LANGE DU SEIGNEUR DIT A AGAR RETOURNE A TA MAITRESSE ET HUMILIE TOY SOUS SA MAIN.'(The angel of the Lord said to Agar return to your mistress and humble yourself under his hand.)Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 33 x 24.3 cm (12.99 x 9.57 inch). Image size: 26 x 19 cm. (10.24 x 7.48 inch).ANGEL-LORD-AGAR-RETURN TO MASTERPCO-B6-34BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Annibale Carracci (illustrator). '15. JURE OCULIS DEXTRAQUE MANU PRESSA UBERA SIGNAT, QUEIS LACTENS VERE LAC DEUS EST HOMINI.'(With the right eyes and the right hand he presses the breasts. For those who suck, God is truly milk for man.)Made by Jacques Coelemans after Annibale Carracci.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24 x 27.5 cm (9.45 x 10.83 inch). Image size: 15 x 19 cm. (5.91 x 7.48 inch).MARY-JESUS-BREASTFEEDING-GOD IS MILK FOR MANPCO-B6-08BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Annibale Carracci (1560-1609) was an Italian painter and engraver from Bologna. Along with his brother Agostino (1557--1602) and his cousin Ludovico (1555-1619) they are considered the progenitors of the Baroque style and highly influential. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean-Benoist Castiglione named le Benedette (illustrator). '29. CUMQUE CIRCUMSPEXISS ET MOYSES HUC ATQUE ILLUC ET NULLUM ADESSE .'(As Moses looks around for witnesses .) Moses hiding after killing an Egyptian.Made by Jacques Coelemans after Jean-Benoist Castiglione named le Benedette.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 35 x 39 cm (13.78 x 15.35 inch). Image size: 25.6 x 28 cm. (10.08 x 11.02 inch).MOSES HIDING-KILLING AN EGYPTIANPCO-B6-17BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Benoist Castiglione (1616-1670) was an Italian painter from Genua. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Raymond Lafage (illustrator). '106. TOBIE EFFRAIE.'(Tobias scared / frightened.) Tobias is scared by a fish but god's angel reassures him to catch the fish.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.4 x 33 cm (10.79 x 12.99 inch). Image size: 20.5 x 29.5 cm. (8.07 x 11.61 inch).TOBIAS SCARED FOR A FISH-ANGELPCO-B6-47BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Zustand: Very Good. No Jacket. Raymond Lafage (illustrator). '113. INVENERUNT PUERUM CUM MARIA MATRE EIUS ET PROCIDENTES ADORAVERUNT EUM.' (They found the boy with his mother Maria, and they fell down and worshiped him.) The pilgrimage of the magi. Made by Jacques Coelemans after Jean Baptiste Boyer d'Aiguilles. Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined). Sheet size: 27.5 x 30.9 cm (10.83 x 12.17 inch). Image size: 20.8 x 28.5 cm. (8.19 x 11.22 inch). Condition: very good, given age. Some foxing. Rust stain from iron particle at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. THE PILGRIMAGE OF THE MAGI-HOLY FAMILY PCO-B6-48 BACKGROUND INFORMATION From: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles (1650-1709), his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare. Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.

Mr. Boyer (illustrator). '59. TABLEAUX DE MR. BOYER SECONDE PARTIE.'(Painting of Mr. Boyer second part.) Putti's lifting a draperie from a painters easel. Allegory on painting.Made by Jacques Coelemans after Mr. Boyer.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 36 x 45.5 cm (14.17 x 17.91 inch). Image size: 28 x 36 cm. (11.02 x 14.17 inch).TITLE ENGRAVING-PUTTI'S-PAINTERS EASELPCO-B6-28BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Adriaen van der Cabel (illustrator). '93.'Three goats in a landscape.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 41.3 x 31.5 cm (16.26 x 12.4 inch). Image size: 33 x 24.5 cm. (12.99 x 9.65 inch).THREE GOATS-LANDSCAPEPCO-B6-41BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Adriaen van der Cabel (illustrator). '94.'Three goats in a landscape.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 41.3 x 33.5 cm (16.26 x 13.19 inch). Image size: 32.7 x 25 cm. (12.87 x 9.84 inch).THREE GOATSPCO-B6-41BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Piere-Paul Puget (illustrator). '79. QUI DOCET MANUS MEAS.'(He who teaches my hand.) The Virgin Mary reading to Jesus.Made by Jacques Coelemans after Piere-Paul Puget.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 36 x 43.5 cm (14.17 x 17.13 inch). Image size: 28 x 34 cm. (11.02 x 13.39 inch).VIRGIN-MARIA READING TO JESUSPCO-B6-36BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Piere-Paul Puget (1620-1694) was a French Baroque painter sculptor, architect and engineer from Marseille. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean-Francois Romanelle (illustrator). '36. LA MAGDELENE .'Mary Magdalene .Made by Jacques Coelemans after Jean-Francois Romanelle.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 21 x 24 cm (8.27 x 9.45 inch). Image size: 14.5 x 19 cm. (5.71 x 7.48 inch).MARY MAGDALENE-PORTRAITPCO-B6-21BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Francois Romanelle (1617-1662) was an Italian painter from Viterbe. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.