raymond stephen a (19 Ergebnisse)

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. First Edition. First Edition Thus, First Printing. Not price-clipped. Published by Harvard University, 1968. Octavo. Paperback. Book is very good with previous owner name on inside front cover and highlighting throughout. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Pamphlet. Zustand: Good. LEO FEIST INC. NEW YORK January 1926 Binding:

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Zustand: Good. Booklet & folding map, good used condition, light wear & minor marks etc.

Soft cover. Zustand: Near Fine. Light wear to edges and scuffing to top of page block. Inscribed by author Stephen A. Greyser, "For Beth -- Towards better arts administration!" Interior otherwise clean and unmarked. Inscribed by Author.

Zustand: New. In.

Soft cover. Zustand: Good. Very good lightly used condition, light age discolouration marks, light wear & marks.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fair. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!! Clean text, no markings, tight binding. Dust jacket in FAIR condition.

Paperback. Zustand: Brand New. reprint edition. 194 pages. 9.25x6.50x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 2nd new edition. 528 pages. 9.21x6.14x1.38 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good + DJ. 2nd Edition. Xv, 718 Pp. Magenta Cloth, , Stamped In Dark Red And Gilt. Stated Second Edition, 1951, Revised. Book Fine, Medical Collector's Bookplate. Dj With Light Wear, A Few Short Tears, No Fading.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - It is appropriate at the outset of this book to pose a question that was often asked --of the organizers before the meeting took place and later among those who participated in the meeting -- 'What is meant by 'Systems Approaches' in the study of developmental neurobiology ' The answer, as we originally conceived it, can be succinctly summarized by the word 'interactions'. That brief epithet was expanded during the general discussion portion of the meeting, where the following definition was offered: 'Systems approaches in developmental neurobiology are unified by attention to the emergent properties of the developing system under investigation and by a focus on the aspects of development of the nervous system that depend on interactions among its various elements, be they molecular, intracellular or multicellular. ' As opposed to ignoring complexity or trying to wish it away, those of us who utilize a systems approach embrace the principle that complexity is what makes the nervous system special. We have come to recognize that wherever we look, we find interactions which are to be probed and eventually. understood. Even the so-called 'simple systems', a term that has been used to describe many invertebrate preparations, are embraced under the above definition, since with further study it is becoming increasing clear that such systems are not as simple as once thought. We also include molecular genetics under the systems rubric. After all, genes regulate other genes which regulate others, and so it goes.

Softcover. Zustand: gut. 2002. Spectrum 9 - The Best in Contemporary Fantastic Art - Artbook In englischer Sprache. pages.

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100, Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs; 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street; 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle, Mirta Gómez, Four Sections of Time; 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes; 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki; 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Girl; 71) Steve Fitch: Motel Signs; 72) Liz Steketee: Dystopia; 73) Stephen Shore: Pet Pictures; 74) Martin Parr: Seven Cups of Tea; 75) Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann, A Grid-Portrait; 76) Leon Borensztein: Portraits ii; 77) Carol E. Richards: Birds Have Wings; 78) Melanie. Signed by Author(s).

Softcover. Zustand: Gut. Zustand: Mängelexemplar, AKZEPTABLER Zustand. HC1-289-6/8-00505296 Sprache: Deutsch Gewicht in Gramm: 376.

Hardcover. Mixed Editions. The present collection includes: Six works inscribed by Ogden Nash to his wife, Frances; Three works by Nash bearing edits in Nash's hand; and 48 books inscribed by various authors to Nash (most notably, 12 books inscribed by S. J. Perelman). It also includes 132 uninscribed books not authored by Nash, 45 of which bear his ownership inscription (and 10 of which bear the ownership inscription of Frances Nash). Books written by Nash: 59 total (two of which are co-authored by another individual) Volumes edited in Nash's hand 2 volumes in publisher's bindings 1 volume in "Author's Copy" half leather binding, with dozens of pages removed (presumably to assemble a new collected edition of poems) Books inscribed to Frances Leonard Nash 5 works by Ogden Nash 4 works in original bindings 1 work in "Author's Copy" half leather binding 1 work by Anthony Trollope (The Chronicles of Barsetshire: 1. The Warden) 1 volume signed by numerous members of Little, Brown and Co. publishing staff 27 Author's copies bound in half leather, not already accounted for in list above 1 volume bound in full red leather 21 volumes, unmarked, in standard publisher's bindings Books not authored by Nash: 180 in total Volumes inscribed to Nash: 48 volumes Notably, this collection includes 12 works inscribed by S.J. Perelman Uninscribed volumes: 132 volumes 45 of these bear Ogden Nash's ownership inscription 10 of these bear Frances Leonard Nash's ownership inscription, generally from before her marriage Notably, this collection includes a first edition, first issue of The Great Gatsby with all points present, but lacking the dust jacket. To view the full inventory, please click HERE. All items are in good or better condition, unless otherwise stated. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. Shelved Amazon End-Cap. The present collection offers a window into the literary world of American poet and humorist Ogden Nash (19021971). It is comprised of 239 volumes published between 1886 and 1971, among which are numerous presentation and association copies. All books in the present collection come from the shared personal library of Ogden and Frances Nash. The collection spans poetry, humor, light verse, and literary criticism, and includes a significant number of first and limited editions, often in original bindings or dust jackets. Of particular note are six books inscribed by Nash to his wife, Frances (including five authored by Nash, one of which is in an "Author's Copy" half-leather binding). Included in the collection are 59 works by Nash, three of which feature edits to the text in Nash's hand. Twenty-seven of these Nash publications are Author's copies bound in half-leather. There are an additional 48 volumes bearing inscriptions to Nash from other authors and poets, most notably twelve volumes inscribed by S.J. Perelman. Among the 132 uninscribed volumes included here, 45 bear Ogden Nash's ownership inscription (10 bear the ownership inscription of Frances Nash). The number and range of authorial inscriptions represented in the present collections reflect Nash's wide-ranging literary friendships and professional associations. Notable among these are twelve warmly inscribed titles by humorist S.J. Perelman, whose acerbic wit is on display in a series of affectionate, playful, and sometimes satirical inscriptions to both Nash and his wife, Frances. These volumes also reflect Perelman and Nash's shared experiences in Hollywood and the literary scene of mid-century America. Other highlights include inscriptions from John Betjeman, Christopher Morley, E.C. Bentley, A.P. Herbert, David McCord, William Plumer Fowler, and Holger Lundbergh, among otherseach evidencing Nash's influence and the esteem in which he was held across literary and cultural circles in the U.S. and the U.K. O.

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100 (Total of 115 Books, Complete with Five Boxed Sets of four books each), Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. A complete set including the rare boxed sets is very rare, as few boxed sets were made near the beginning of the Series. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs (4-Volume Set); 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street (4-Volume Set); 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle & Mirta Gómez, Four Sections of Time (4-Volume Set); 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes (4-Volume Set); 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki (4 Volumes Included with 4 Unique Prints); 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Gi. Signed by Author(s).