rathbun william (25 Ergebnisse)

Zustand: Very Good. First edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Zustand: Fine copy. Profusely illustrated (illustrator). 1st. 4to, 239 pp.

paperback. Zustand: Very Good.

Soft cover. Zustand: Good. 1st Edition. Internally clean with light wear to corners, crease to lower front corner, light wear to spine. Solid reading copy. BP/Textiles.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. As fine and readable a survey of Japanese art history and art culture as one can find to that date. Many, many score fine full-color and black-and-white illustrations and augmented by double-column texts. Contributions by Richard Pearson, James C. Dobbins, William H. McCullough, Martin Collcutt, Marius B. Jansen and Michael Knight, and by William Jay Rathbun and Henry Trubner. Preface by Henry Trubner and BOnnie Pitman-Gelles, and with a Preface by William Jay Rathbun. Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked. Bright and shiny dust jacket, illustrated, little worn. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [5], 6-238 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Zustand: Good.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Unmarked trade paperback.

Cloth. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good +. First Edition. Cloth. Very Good +/Very Good +. First Edition. 4to - over 9¾" - 12" tall. Unread!

Illustrated with photos. (illustrator). A look at the origins, the struggles, the boom years, the players, and the records. A touch of light wear. Overall tight, clean and very good. Perfect bound soft cover. 96 pp.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. 0877014612. 1987, bright clean copy, with dustjacket, no markings, Professional booksellers since 1981.

Zustand: Good. 4to. 300 pp. Illustrated Soft Covers, Very Good+. Plates, some color. Large heavy volume; will cost extra for shipping.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 21.5 x 30 cm.; 1.2 kg; 297 pages with black and white and a few colour illustrations.; Used with minor signs of wear on the exterior and interior. Small wear mark on the right side of the front cover. Minor edge wear, scuffs ans scratches on the front cover, spine and back cover. Interior with minor signs of wear.; Catalog published for the exhibition, A Myriad of Autumn Leaves: Japanese Art from the Kurt and Millie Gitter Collection, held at the New Orleans Museum of Art, November 13, 1983-January 15, 1984 and at The Walters Art Gallery, Baltimore, February 15-April 22, 1984.; "This is the second exhibition that the New Orleans Museum of Art has organized of works from the Gitter collection. The first, Zenga and Nanga Paintings by Japanese Monks and Scholars, was presented in 1976 and focused on artists of two particular schools of the Edo Period. The present exhibition, which includes only one work from the first show (the great Virtue calligraphy by the monk Hakuin), is broader in scope, with paintings from nearly all the major schools of the period, as well as ceramics and sculpture. However this exhibition also reflects the personal tastes and passions of the collectors. Works of the Nanga and Zenga schools predominate in the selection of paintings. The Gitters have a special admiration for three artists, who are among the greatest Japan has produced: Ike Taiga, Yosa Buson, and Hakuin Ekaku. These masters are represented in the exhibition by, respectively, seven, four, and five works each. Thus the exhibition retains the personal flavor of a private collection, while presenting a survey of Edo painting." excerpt from the preface.

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. English text; Hardcover (cloth with dust jacket); 23.2 x 25.7 cm; 0.797 Kg; 136 pages with more than 100 illustrations, 15 in colour, are accompanied by detailed notes on the pieces. Also included are two maps showing kiln and excavation sites, a glossary, and extensive bibliography.; Used with signs of wear, namely on the dust jacket front cover, spine and back cover. The interior is in very good condition.; Exhibition of Chinese ceramics from public and private collections in Japan organized under the joint sponsorship of the agency for cultural affairs of the Japanese government and the participating institutions in the United States. Held at Asia House Gallery New York; Seattle Art Museum Kimbell Art Museum, Fort Worth; and Asian Art Museum of San Francisco, The Avery Brundage Collection.; Chinese ceramics have been treasured in Japan for over 1200 years. This volume, which focuses on excavated pieces and heirlooms (densei-hin) brought to Japan between the eight and seventeenth centuries, provides a new perspective on China's ceramic art. Assembled here are some of the finest examples of Chinese ceramics acquired by Japanese connoisseurs over the centuries. They range from bold T'ang three-colour wares to luminous Sung celadons and delicate Ming porcelains decorated in vivid polychrome overglazed enamels. The prized possessions of courtiers, warlords, tea masters, and merchants, many of these pieces became so well-known that they were given evocative nicknames. Several, made to order for Japanese customers, have no counterpart in Western collections. In their introductory essays, Seizo Hayashiya, Curator of Applied Arts at the Tokyo National Museum, and Henry Trubner, Associate Director of the Seattle Art Museum, outline the history of Chinese ceramics in Japan and discuss the cultural relationship that has long linked these two countries.

Colour map and photographic plates, 199pp, index. 30.5 x 23cm. A very good paperback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine.

Circa 150 unpaginated pp.; 63 (colour) plates, bibliography. Exh. catalogue. Seattle, 1979. Pbk. Corners of the book are slightly bumped. Catalogue of an exhibition scheduled for the Japan House Gallery, New York, Sept. 20 - Nov. 4, 1979, and four other institutions through Nov. 1980 KEYWORDS: 026 Japan - Prints/Surimono/Paintings/Calligraphy etc.

Two volumes, complete. Revised (best) edition of volume one, first and only edition of volume two. The catalogue of the National Gallery of Art, which in 1937 became the National Collection of Fine Arts. Hundreds of items described. 71 full-page plates. Printed on laid paper. From the collection of print scholar Paul Sachs, with his signature on front free endpaper of the first volume. Small 4to, publisher's buckram. Near fine.

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text; Paperback; 22.3 x 26.7 cm; 0.720 kg; 172 pages with black and white illustrations and a few in colour.; Used with signs of wear on the exterior and interior.; Catalogue from an exhibition of Japanese ceramics from public and private collections in Japan arranged under the joint sponsorship of the Agency for Cultural Affairs of the Japanese Government and the Participating Museums in the United States of America. Exhibitions held at: The Seattle Art Museum, Seattle, Washington, September 7, 1972-October 22, 1972; William Rockhill Nelson Gallery of Art-Atkins Museum of Fine Arts, Kansas City, Missouri, November 8, 1972-December 20, 1972; Asia House Gallery, New York City, January 18, 1973-March 4, 1973; Los Angeles County Museum of Art, Los Angeles, California, March 27, 1973-May 13, 1973.