raphael after (104 Ergebnisse)

No Binding. Zustand: Good. 1835. Disbound, 1p, folio. Monochrome engraving of St Cecilia after the painting by Raphael. Waterstain to lower RH corner and light foxing to margins.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1888, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1887, With Tissue Guard And With The Explanatory Text Page.

Original Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 27 x 21 cm. -- gut erhalten. || original etching. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 28,5 x 24 cm. -- leicht gebräunt, mit kleinem Braunfleck, sonst gut erhalten. || Etching. -- slightly browned, with small brown stain, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Original Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 32 x 30 cm. -- leicht fleckig, sonst gut erhalten. || original etching -- slightly stained, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Sehr schöner Kupferstich aus der Serie "Oraculum Anachoreticum" von ca. 1600. Diese Serie enthält Kupferstiche von Johann und Raphael Sadeler nach Maarten de Vos. -- Blatt-Maße: ca. 19,5 x 27 cm. -- gut erhalten. || Very beautiful engraving from c. 1600 out of the series "Oraculum Anachoreticum", which contains engravings by Johann and Raphael Sadeler after Maarten de Vos. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Schöner, großformatiger Kupferstich. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 25 x 35 cm. -- gut erhalten. || Beautiful, large copper engraving -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Zustand: Good. Stipple and line engraving. 27 x 18 cm. (sheet). Very Good. Light toning along sheet edges.

Zustand: Good. Stipple and line engraving. 26 x 22 cm. (sheet). Very Good. Light soiling in the margins.

Zustand: Good. Stipple and line engraving. 30 x 34 cm. (sheet). Very Good. Light soiling and foxing in the margins. Two short tears at bottom sheet edge.

Zustand: Good. Steel engraving. 10 3/4 x 8 in. (sheet). Good, toning and soiling along sheet edges.

Zustand: Good. Steel engraving. 10 1/2 x 8 in. (sheet). Very Good, some toning in sheet margins.

Zustand: Good. Steel engraving. 10 3/8 x in. (sheet). Good, toning and foxing in the margins.

Zustand: Good. Stipple Engraving. Oval. 4" x 3.5", Very Good. Name penciled on verso.

Schöner, großformatiger Kupferstich. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 42 x 27,5 cm. -- gut erhalten. || Beautiful, large copper engraving -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Zustand: Good. Original engraving. 29.5 x 21 cm (sheet). Very Good, light soiling and surface staining in the margins.

Edition : First edition anthology of five works. , 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers., Captions in Latin. The work depicts hermits, saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. , Size : Oblong folio (335x263mm)., 103 copper-engravings; of these 102 illustrated; these include: three titles [to the first three works]; the paragramma with engraved border. The first work, ?SYLVA SACRA? being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints, one is dedicated to female hermits: Work II or the ?SOLITUDO, SIVE VITAE FOEMINARUM? has 14 plates (of 25); Work III or the ?ORACULVM // ANACHORETICVM. // ? MDC? has 22 plates (of 26); Work IV or the ?Solitudo // sive // vitae patrum // eremicolarum?? has 12 plates (of 30); Work V or the ?Trophaeum vitae solitariae. // ? Venetiis? (1598, Martin de Vos figur.) has 23 plates (of 26). , Volume : five works in one volume, References : Graesse VI: 211-212. , Ll: bl., [ill.102ff]. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired.

Zustand: Good. Oblong folio. 46.5 x 69 cm. (18.25 x 27.25 inches) page size. Suite of 12 engravings. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 504754030Set of 12 engravings of Raphael's frescoes of scenes from the myth of Cupid (also known as Eros) and Psyche in the Villa Farnesina in Rome. Raphael's paintings illustrate part of the story The Metamorphoses of Lucius Apuleius (the only Latin novel to survive in its entirety). In this work, Venus, jealous of a beautiful mortal girl named Psyche, sends Cupid on an errand to punish the girl. Cupid instead falls in love with Psyche, and after a series of secrets, betrayals, and trials, the lovers are reunited, and Psyche is made immortal.The frescoes are painted on the vaults and ceiling above demilune reserves on the ground floor at the end of the entrance hall, now known as the Loggia of Psyche. Images of leafy garlands of fruit accentuate the arches of the vaults, also framing the classical images. The frescoes were commissioned by the Sienese banker Agostino Chigi, called "magnifico" by his peers for his richly decorated villa and the elegant entertainments he hosted there. The paintings were recently restored and the Villa Farnesina is open to the public as a museum.Some foxing.

Skillfully rebacked half calf preserving contemporary blue speckled - marbled boards. Spine raised with six (6) bands; compartments elegantly gilt ornamented at borders, corners and centres and gilt lettered title on two. , Work I: Raphael (1483-1520) painted the ceilings, walls and columns of the Vatican Logge over the two-year period before he would pass away. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. These particular images are renowned for their clarity and accessibility. Much of the subject matter on the columns is traced to Roman iconography. Such items as coins, vases, sarcophagi and various other items are done with stunning clarity and accuracy. Carlo Lasinio (1759 ? 1838) was an Italian engraver who worked chiefly in Florence. Lasinio started as a painter at the Accademia di Belle Arti, Venice. He quickly placed more emphasis on printmaking, especially after moving to Florence in 1778. He established his reputation with two large series of etchings in 1787 and 1789. Lasinio also taught engraving at the Accademia in Florence, becoming a Professor in 1800. Work II: A collection of plates from this work with no title page. The Raphael fresco decorations in the Vatican's three-storied balconies known as the 'Logge' quickly became famous, and various suites of plates were issued from the 17th century onward. However, this set was the first to attempt to show all the decoration of the pilasters and pillars. A set of the present engravings stimulated Catherine the Great to have a replica of the Logge built at the Hermitage in St. Petersburg., Size : Folio (621x478mm)., Illustrated with plates after Raphael: Work I: 14 decorative copper engraved plates; engraved title page by Giovanni Balzar; remaining by Carlo Lasinio after Raphael?s depictions of the Vatican?s loggia and columns. Work II: collection of 31 full page etchings amounting to thirteen (13) pairs or sets of engravings after the Vatican frescoes by Raphael. , Volume : Two works in one volume, Upper pasted endpaper ex libris bookplate marked ?Dampierre? All leaves of the first work, of wove paper, contain the watermark ?Pietro Miliani Fabriano.?, References : Berlin Kat. 1048, Work I: illustrated half-title, plates numbered figure: II (No. I &II), III (No. III & IV), IV (No. V& VI), V (No. VII & VIII), VI (No. IX&X), I (No. I&II), II (No. III&IV), III (No. V&VI), IV (No.VII&VIII), V (No. IX&X dated 1802), VI (No.XI&XII), VII (No.XIII&XIV), VIII (No.XI&XII) ; Work II: plate I-XIII, Num I-XIII, I-V A handsome, fine example. Prints are clean and crisp.

Seltene original Radierung mit Farbgebung in Holzschnitt, welche einen Chiaroscuro-Holzschnitt imitiert. -- Blatt-Maße: ca. 55 x 40 cm. Plattenmaße: ca. 28 x 25 cm. -- gut erhalten. || Large original etching with woodcut coloring, imitating a Chiaroscuro woodcut. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

The Virgin and Child with the infant Baptist, traditionally known as the 'Madonna of the Blue Diadem', with the Virgin lifting a veil from over the Christ child, while holding an arm over the shoulders of St John the Baptist; after a painting formerly attributed to Raphael, now to an artist from his studio (possibly Penni). Numbered at the bottom center: '551' with address of the seller: 'Paris, 61 rue de Vaugirard' l Lithography on gray paper, mounted on thicker paper with title and verses from the Bible; total: 341 x 261 mm; soil and some tears along the margins.

Engraving from: Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - this is Plate 9, Commerce: a caryatid carrying a bag on her back and raising her right hand; after the figure designed by Raphael for the stanza d'Eliodoro; on white ground. Etching and engraving. British Museum Ref: 1854,1111.137 light creasing and a touch of darkening, but a very good example of this engraving. 430 x 215 mm (17 x 8½ inches).

Zustand: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. "Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Zustand: Good. Engraving. 37 x 23.8 cm. (sheet). Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout.

Zustand: Good. Engraving. 28.5 x 21.5 cm. (sheet). Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout.

Zustand: Good. Lithograph. 15.5 x 10.3 cm. (image). 16 x 20.7 cm. (sheet). Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty, and was published by J Stuntz in Munich in 72 parts each of 6 sheets, with 432 prints in total, between 1810 and 1816 (so Düssler: no complete copy is recorded in London, and the BM only has oddments from it). It was followed by the separate series of plates after paintings, the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv', 87 1965, pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821.

Zustand: Good. Pen lithograph. 16 x 27 cm. (image). 22 x 30 cm. (sheet). Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty, and was published by J Stuntz in Munich in 72 parts each of 6 sheets, with 432 prints in total, between 1810 and 1816 (so Düssler: no complete copy is recorded in London, and the BM only has oddments from it). It was followed by the separate series of plates after paintings, the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv', 87 1965, pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821.

Charles Clement Bervic after Raphael (Raffaello Sanzio or Santi) (illustrator). "'"RAPHAEL PINX."; "S. JEAN - BAPTISTE"'Religious depiction of the young Saint John the Baptist standing in the desert with halo, staff, and scroll, set before a rocky landscape. Finely engraved black-and-white old master print after Raphael.Made by Wicar after Charles Clement Bervic after Raphael (Raffaello Sanzio or Santi).Medium: Stipple engraving on wove (vellin) paper. Watermark: (illegable) N.H L?.Sheet size: 20.5 x 26.2 cm (8.07 x 10.31 inch). Image size: 17 x 21.6 cm. (6.69 x 8.5 inch).SAINT JOHN THE BAPTIST, DESERT, RAPHAEL, WICAR, BERVIC, RELIGIOUS PRINT, OLD MASTER PRINT, FRENCH ENGRAVING, 1791 | PCO-A56-31BACKGROUND INFORMATIONSource: unknown, to be determined.Biography artist: Raphael (1483-1520) was an Italian High Renaissance painter and architect, born in Urbino and active in Florence and Rome. Celebrated for his clarity of composition and idealized beauty, he is considered one of the greatest artists of Western art history. Charles Clement Bervic (1756-1822) was a French engraver and printmaker from Paris, renowned for his highly refined burin technique. He trained within the academic tradition and became one of the leading reproductive engravers of his time, producing works after major Old Master paintings." Condition: good, given age. Light foxing, creasing, and soiling. Paper loss at bottom left, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Plate nr. 10 from the serie SYLVAE SACRAE MONUMENTA . ANACHORETAUM published by Johannes I and Raphael I Sadeler in 1594. This plate is in reverse and slighly wider than the original. Possibly by Charles van Boeckel (fl. 1597-1617) [Hollstein de Vos, 1004a], or by Marcus Christoph Sadeler (1614-1650), Giacomo Piccini (ca. 1617- ca.1669) and Giovanni Merlo (17th cent.) from the first half of the seventeenth century [Hollstein de Vos, 1004f]. Besides the latin verses beneath the picture no other signatures are to be found on the plate. Lettered under the picture: '[M]ARTIVS Aruvernae pater & contemptor honoris / Permutat sacram sponte ligone pedum. / Atass sibi caueam fodit in qua Vivere possit / Immo mori cui mors nil nisi vita fuit'; plate is numbered '10'. l Engraving on paper; platemark: 170 x 202 mm, total: 213 x 265. Broad margins, close to the top margin two holes, probably for it was bound with oher plates. PB01SS(Martius-Martinus).