Francesco rainaldi (4 Ergebnisse)
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright ref…erences, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: Rom, a spese di Natale Barbiellini, um., 1700
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In den Warenkorbkl.-8vo. Ganzseit. Holzschnitt, Ttlbl., XVIII, 31 ganzseitg. Holzschnitte, 216, 136 S. 2 Teile in einem zeitgenössischen Lederband.
Logge Del VaticanoBound with Loggie di Rafaele nel Vaticano.
Two works after Raphael, d?Urbine ? [work I]: Lasinio, Carlo; Camporini, Luca; Poalizar [or Poahzar, Giovanni; Francesco Rainaldi; [work II]: Ottaviani, Giovanni [or Johan.]; Savorelli, Caj.; Camporesi, Pet.:
Verlag: Work I: Roma: Niccola de Antoni; Work II: Roma: [n.p.] Work I: c. 1802; Work II: c.1770., Roma:, 1802
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In den WarenkorbSkillfully rebacked half calf preserving contemporary blue speckled - marbled boards. Spine raised with six (6) bands; compartments elegantly gilt ornamented at borders, corners and centres and gilt lettered title on two. , Work I: Raphael (1483-1520) painted the ceilings, walls and columns of the Vatican Logge over the two-year… period before he would pass away. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. These particular images are renowned for their clarity and accessibility. Much of the subject matter on the columns is traced to Roman iconography. Such items as coins, vases, sarcophagi and various other items are done with stunning clarity and accuracy. Carlo Lasinio (1759 ? 1838) was an Italian engraver who worked chiefly in Florence. Lasinio started as a painter at the Accademia di Belle Arti, Venice. He quickly placed more emphasis on printmaking, especially after moving to Florence in 1778. He established his reputation with two large series of etchings in 1787 and 1789. Lasinio also taught engraving at the Accademia in Florence, becoming a Professor in 1800. Work II: A collection of plates from this work with no title page. The Raphael fresco decorations in the Vatican's three-storied balconies known as the 'Logge' quickly became famous, and various suites of plates were issued from the 17th century onward. However, this set was the first to attempt to show all the decoration of the pilasters and pillars. A set of the present engravings stimulated Catherine the Great to have a replica of the Logge built at the Hermitage in St. Petersburg., Size : Folio (621x478mm)., Illustrated with plates after Raphael: Work I: 14 decorative copper engraved plates; engraved title page by Giovanni Balzar; remaining by Carlo Lasinio after Raphael?s depictions of the Vatican?s loggia and columns. Work II: collection of 31 full page etchings amounting to thirteen (13) pairs or sets of engravings after the Vatican frescoes by Raphael. , Volume : Two works in one volume, Upper pasted endpaper ex libris bookplate marked ?Dampierre? All leaves of the first work, of wove paper, contain the watermark ?Pietro Miliani Fabriano.?, References : Berlin Kat. 1048, Work I: illustrated half-title, plates numbered figure: II (No. I &II), III (No. III & IV), IV (No. V& VI), V (No. VII & VIII), VI (No. IX&X), I (No. I&II), II (No. III&IV), III (No. V&VI), IV (No.VII&VIII), V (No. IX&X dated 1802), VI (No.XI&XII), VII (No.XIII&XIV), VIII (No.XI&XII) ; Work II: plate I-XIII, Num I-XIII, I-V A handsome, fine example. Prints are clean and crisp.
