Sprache: Englisch
Verlag: Amsterdam University Press, 2011
ISBN 10: 9089642129 ISBN 13: 9789089642127
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaim Series: Film Culture in Transition. Num Pages: 244 pages, 10 black and white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 166 x 235 x 16. Weight in Grams: 420. . 2012. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Amsterdam University Press, 2012
ISBN 10: 9089642129 ISBN 13: 9789089642127
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Paperback. Zustand: Used-Very Good. First. Pap. Minor shelf-wear.
Hardcover. Zustand: Used-Very Good. Minor shelf wear.
Sprache: Englisch
Verlag: Amsterdam University Press, 2014
ISBN 10: 9089642129 ISBN 13: 9789089642127
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
EUR 12,40
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Fine.
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Very Good.
Sprache: Englisch
Verlag: Amsterdam University Press, 2012
ISBN 10: 9089642137 ISBN 13: 9789089642134
Anbieter: Saint Georges English Bookshop, Berlin, Deutschland
Hardcover. Zustand: Very Good. Excellent used condition hardcover, printed boards; no jacket, Ships from Berlin Bookshop BXn30.
Sprache: Englisch
Verlag: Amsterdam University Press, 2011
ISBN 10: 9089642137 ISBN 13: 9789089642134
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 18,95
Anzahl: 1 verfügbar
In den WarenkorbZustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9789089642134.
EUR 44,43
Anzahl: 10 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 40,02
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 264 pages. 9.00x6.00x9.00 inches. In Stock.
Sprache: Englisch
Verlag: Amsterdam University Press, 2012
ISBN 10: 9089642137 ISBN 13: 9789089642134
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Zustand: as new. Amsterdam :Amsterdam University Press, 2011. Hardcover. 0 pp. (Film culture in transition). Includes bibliographical references (p. 225-233). Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media.With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present. Condition : as new copy. ISBN 9789089642134. Keywords : FiLM, Cinematography.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 46,73
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
EUR 43,60
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 215 pages. 8.60x6.20x0.70 inches. In Stock.
Anbieter: Hollywood Canteen Inc., Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: no. 2025 octobercinema-3rd shelf.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 62,67
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
Zustand: New. Eivind Røssaak is Research Professor at the National Library of Norway&rsquos Department of Research, Visual Media Section. A former Visiting Scholar at Cinema and Media Studies at University of Chicago, Cinematic Arts at USC, and Tisch School of th.
Sprache: Englisch
Verlag: LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3843360944 ISBN 13: 9783843360944
Anbieter: moluna, Greven, Deutschland
EUR 63,42
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes Königreich
EUR 89,19
Anzahl: 2 verfügbar
In den WarenkorbSoft cover. Zustand: New. 202 pages: numerous illustrations. The Archive in Motion explores the current proliferation of the concept of the archive. The concept has expanded into areas beyond the classical archive, to art, philosophy, and new textual and media practices. Simultaneously, these new practices both resist and transform the archival impulse, perhaps creating what one could call a new anarchival condition. Archival concepts and practices have been transformed under the impact of the radical changes in writing and recording technologies that have taken place over the last 150 years, and particularly with the introduction of digital technologies. Film, video, television, sound recording, computers, the Internet and new mobile media seem to have instigated a general storage mania and a proliferation of both public and private archival practices. These technologies not only challenge traditional notions of the permanence and stability of the archival document, but they also introduce a wide range of new questions concerning exactly what it means to store information for future use. This collection of essays by the acclaimed international scholars and curators, Alexander Galloway (New York University), Wolfgang Ernst (Humboldt University), Knut Ove Eliassen (Norwegian University of Science and Technology), Susanne Østby Sæther (Fotogalleriet, Oslo), Trond Lundemo (University of Stockholm), Terje Rasmussen and Kjetil Jakobsen (both University of Oslo), is essential reading for anyone interested in the future of archives and the diversity of archival practices and reflections today. The preface is written by the National Librarian of Norway Vigdis Moe Skarstein and the introduction by the editor Eivind Røssaak (The National Library of Norway).
Sprache: Englisch
Verlag: LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3843360944 ISBN 13: 9783843360944
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. The Still/Moving Image | Cinema and the Arts | Eivind Røssaak | Taschenbuch | 240 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783843360944 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Dez 2025, 2025
ISBN 10: 1041182775 ISBN 13: 9781041182771
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - How do new media affect the question of social memory Social memory is usually described as enacted through ritual, language, art, architecture, and institutions Phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social. Contributors: David Berry, Ina Blom, Wolfgang Ernst, Matthew Fuller, Andrew Goffey, Liv Hausken, Yuk Hui, Trond Lundemo, Adrian Mackenzie, Sónia Matos, Richard Mills, Jussi Parikka, Eivind Røssaak, Stuart Sharples, Tiziana Terranova, Pasi Väliaho.
EUR 189,11
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 233,08
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 01 edition. 344 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Amsterdam University Press, 2016
ISBN 10: 9462982147 ISBN 13: 9789462982147
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 263,53
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social. Editor(s): Ssaak, Eivind R.; Lundemo, Trond; Blom, Ina. Series: Recursions. Num Pages: 332 pages, 39 full color. BIC Classification: 3JJ; HBTB; PDR; UD. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 164 x 240 x 23. Weight in Grams: 642. . 2017. 0th Edition. Hardcover. . . . . Books ship from the US and Ireland.