Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media.
With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B. N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Eivind Røssaak is associate professor in the research department at the National Library of Norway in Oslo.
Gebonden versie, paperback verkrijgbaar onder ISBN 9789089641410 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging
Gebonden versie, paperback verkrijgbaar onder ISBN 9789089641410 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9789089642134. Artikel-Nr. 4946673
Anzahl: 1 verfügbar
Anbieter: Saint Georges English Bookshop, Berlin, Deutschland
Hardcover. Zustand: Very Good. Excellent used condition hardcover, printed boards; no jacket, Ships from Berlin Bookshop BXn30. Artikel-Nr. 10003121
Anzahl: 1 verfügbar
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Zustand: as new. Amsterdam :Amsterdam University Press, 2011. Hardcover. 0 pp. (Film culture in transition). Includes bibliographical references (p. 225-233). Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media.With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present. Condition : as new copy. ISBN 9789089642134. Keywords : FiLM, Cinematography. Artikel-Nr. 278985
Anzahl: 1 verfügbar
Anbieter: Hollywood Canteen Inc., Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: no. 2025 octobercinema-3rd shelf. Artikel-Nr. 99295418
Anzahl: 1 verfügbar