pratt davis (23 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Davis, Christine (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Brand New. Davis, Christine (illustrator). 98 pages. 9.00x6.00x0.25 inches. In Stock.

Soft cover. Zustand: Very Good. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Guy Russell. Afterword by Davis Pratt. Unpaginated (80 pp.), with 36 black-and-white plates. 10 x 12 inches. Very Good (pronounced sunning to the edges, wrappers curled, moderate wear to the extremities, previous owner's name stamped in ink on inside cover; interior is clean and all plates are Fine).

Paperback. Zustand: Very Good +. First edition. 7 x 10 inches. B&W illustrations. Condition is Very Good+, looks new on all points.

Zustand: New. In.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran October 26 through December 2, 1973. Text by Davis Pratt. Technical notes by Bobbi Carrey. Includes images by Robert Demachy, Tom Monego, Edward Steichen, Macy Lawrence, Alvin Langdon Coburn, Ron MacNeil, Man Ray, Gyorgy Kepes, Eadweard Muybridge, and Todd Walker. Also features brief biographies of the photographers in the exhibition. A very near fine copy in stapled wrappers.

Soft cover. Zustand: Very Good +. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Edges Of Page Block.

Shahn, Ben (illustrator). First edition. Oblong 4to., 147 plates from photographs. A fine copy in dust jacket with two short tears andlacking a chipat the bottom edge.

xiii+148pp. Oblong 4to. Original pictorial wrappers, lightly edgeworn. Black and white plates. A very good copy.

Original Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Dust jacket with two tiny edge tears.

Erste Auflage. 24 x 26,5 cm. 147 D. OLeinen mit illustriertem OUmschlag. Umschlagkanten etwas nachgedunkelt, mit kleinen Bereibungen und kleiner Fehlstelle an der Rückseite. Sonst noch gutes Exemplar. Durchgehend mit ganzseitigen fotografischen Abbildungen versehen. Text in englischer Sprache.

Zustand: New.

20x20 cm, Broschiert. Zustand: Gut. 12 Bl., unpag., mit zahlreichen mehrfarbigen Illustrationen. Seltene Ausgabe aus der Reihe "A Purnell Shape Book". Einband mit leichten Gebrauchsspuren (siehe Foto). Papier innen minimal braunrandig. Insgesamt gut erhalten. Bitte beachten: Lieferung nach Vorauszahlung. An Buchhandel, Antiquariate, Behörden, öffentliche Bibliotheken, Universitäten und Museen liefern wir auf Wunsch mit Rechnung. Sprache: Englisch Gewicht in Gramm: 68.

Softcover. Zustand: Near Fine. First Italian edition. Printed wrappers. Quarto. Small bump to the lower right corner, near fine. First published in 1975 by Harvard University Press. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn.

Quer-4°, XIII S., 1Bl., 147 S. mit s/w Fotos, Orig.-Leinen mit Orig.-Umschlag. Erste Ausgabe.- Umschlag berieben und mit Läsuren. Ansonsten gutes Exemplar.- PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase.

Zustand: Bueno. 4º cuadrado, 15+147 p, rústica con fotografía. Fotografías b/n a toda página. TEXTO EN ITALIANO.

Zustand des Schutzumschlags: dj. First Edition. First printing. Oblong quarto (23 x 27cm.); mustard yellow pictorial publisher's cloth-backed boards in yellow pictorial dustwrapper; [30pp]. Textblock clean and sound; scratch on ffep (verso); top edge slightly deckled, else Fine. Boards lightly soiled and worn about edges; spine pushed at heel, fraying slightly at crown; Near Fine. Dustwrapper pitted and soiled, with tearing and rolling along edges; front panel has two closed tears, plus one on rear. Chipping w/ loss of material along bottom front edge, and crown and heel of spine. Hinges chapped. Inner flap price-clipped. Sticker on rear panel. Wrappers just Very Good. Introduces children to many notable creatures of Japanese lore, such as Manekineko, Kappa, and Tengu. Also features an explanation of the Japanese zodiac. Illustrated in color throughout.

Harvard University Press, 1975. Oblong: 24 x 27 cm. Hardcover (clothbound) with dustjacket. Illustrated in b/w throughout. 147 pages. Very good/near fine copy. [Photography / International [Internationale Fotografie] ].

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Cambridge, Harvard University Press, 1975. Oblong small quarto, xvii, 145 pages with numerous illustrations from photographs by Ben Shahn. Cloth a little foxed and tide-marked (chiefly about the top edge); contemporary ink gift inscription; a very good copy with the price-clipped dustwrapper a little used.

Soft cover. Zustand: Very Good. 8° OBL. - 147 pp. In italian with many b/w photo-reproductions. A fine copy. Ben Shahn (September 12, 1898 March 14, 1969) was an American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Born Benjamin Shahn in what was then the Russian Empire, in 1898, he emigrated with his Jewish family to the United States in 1906 following his father's exile to Siberia for suspected revolutionary activity. Settling in Brooklyn, Shahn initially trained as a lithographer. After briefly studying biology at New York University, he turned fully to art, attending the National Academy of Design and traveling through Europe with his first wife. Though influenced by European modernists, Shahn ultimately rejected their stylistic approaches in favor of a realist mode aligned with his social concerns, a direction crystallized by his 1932 series The Passion of Sacco and Vanzetti, which responded critically to contemporary politics. During the Great Depression, Shahn's work with the Public Works of Art Project, the Resettlement Administration, and the Farm Security Administration further solidified his role as a social-documentary artist. Collaborating with figures such as Diego Rivera and Walker Evans, he produced photographic and mural work addressing labor conditions and American life under the New Deal. His murals for the Jersey Homesteads school, the Bronx Post Office, and the Social Security Administration exemplify themes such as immigrant hardship, labor struggles, and collective reform, often grounding his compositions in visual references to Jewish tradition and American political history. Later in his career, he contributed to wartime propaganda through the Office of War Information, although his anti-war stance emerged in later paintings like Death on the Beach and Liberation. He produced commercial illustrations for major magazines, created stained glass, and represented the United States at the 1954 Venice Biennale. Consistently rejecting abstraction in favor of legible, symbol-laden realism, Shahn's compositions often featured expressive distortions, asymmetry, and dynamic spatial arrangements. He received honorary doctorates from Princeton University and Harvard University, and joined Harvard as a Charles Eliot Norton professor in 1956.

[1] pp.; 55.1 x 75.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided folded exhibition announcement poster published in conjunction with show held June 5 - 26, 1971. Artists include Curt Barnes, Benedetto Bianchi, Thomas Blackwell, Jack Bosson, Marvin P. Brown, Steve Conley, Warren Davis, Jackie Ferrara, G.C. Griffin, Ernest Grusella, Audrey Heminway, Comer Jennings, Ronn Johnson, Vivian Kline, Harry Kramer, Walter Kravitz, Gerhard Liebmann, John Manno, Paul Narkiewicz, James Norman, James Peterson, Joanna Pousette-Dart, Vernon Pratt, James Richmond, David Roth, Alex Sibirney, Thomas Steigerwald, Wayne Stephens, Robert Thiele, Richard Trickey, Guy Williams, Athos Zacharias, and others. Fair / Good. Folded in 8 as issued. Mailed copy with mailing marks and mailing wear. Yellowing of fragile newsprint. Multiple small tears to poster along folds and at left side edge with an additional 1.5 cm. tear to center and a 1 cm. tear to bottom edge of edge. Clean and unmarked.