phillips stephen ed (10 Ergebnisse)

Softcover. Zustand: Very Good. [iv], 32, [4] pp., 12mo, string-tied card wrapper, partially unopened. Very good copy, wrapper foredge lightly chipped, some of the usual age-toning; contents generally fine. The later string binding replaced old staples (bits of rust residue on central fold).

Softcover. Zustand: Very Good. [iv], 32, [4] pp., 12mo, string-tied card wrapper. Very good; couple of small stains on front of wrapper, some of the usual age-toning; contents generally fine. The later string binding replaced old staples (bits of rust residue on central fold).

Paperback. Moderate to heavy ink markings and highlighting, sound otherwise. 221 pp.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Scully, Sean (illustrator). Black textured endpapers. More than 120 color reproductions of works. 173 pages, small square 4to, black boards, dust wrapper. New York: Rizzoli, (2005). A fine copy in fine dust wrapper. Essays by Stephen Bennett Phillips, Michael Auping, Anne L. Strauss.

. Previous owner's stamp and label, and writing on ffep. Wear on upper edge of text. Browning of ffep and bfep. Cover is torn, exposing binding at upper spine. Cover is aslo worn at corners with slight stain on front facing. 388 pp.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Paperback. Zustand: Brand New. German language. 10.00x6.57x0.55 inches. In Stock.

Soft cover. Zustand: Very Good. 1st Edition. 7" x 8.5" softcover book, saddle-stapled in illustrated card wraps. 52pp with black and white illustrations. Book in custom cut mylar dustjacket. Clean and unmarked. From the collection of a tobacco smoker such that covers are moderately toned and pages retain a subtle aroma of smoke. Shelfwear otherwise very mild, with pages bright. A rare example of this journal of writing and poetry edited by Neil Greenberg, with an early - perhaps the earliest - English iteration of Viennese Actionist Hermann Nitsch's manifesto of the Orgy-Mystery (O.M / Orgies-mysteries) Theater, with an accompanying essay by Lil Picard about the O.M. Theater. Also includes work by Al Hansen, William Swaine, Zeponigorov, Stephen Spiegel, V.B. Halpert, Louis Phillips, Dan Murray, and Julie Abeles. Attractive, in very good overall condition.

Single Issue Magazine. Zustand: Good. Alexander, Ed.; Bez, Frank; Kelly, Richard; Lavender, John; Nessim, Barbara; Feelings, Tom (illustrator). First Edition. An early men's publication in the model of Playboy. 64 pages with color and black and white photos. Features: Gorgeous cover photo of Sophie Dorn; Artsy black and white photo of Laura Cummings inside front cover; Coney Island - a winter portrait by Robert Burg; More photos of Laura Cummings (in color and black and white); The Hungry One - a true friendship is worth fifty women, by Herbert Andrews; Battle of the Bosoms - the continuing controversy in girlie-show business in Las Vegas; Vandenberg Air Base - photo essay on this key defense base; The Two Minds of Frederick Garst, by Tom Phillips; Girls of Tahiti - Lovely color and black and white photos; Fistful of Life - A Little Lesson in a Singapore Bar, by Richard B. Johnston; More black and white photos and color centerfold of Laura Cummings, a student at Colorado State University; The 36th floor - story by Stephen R. Allen; Flip! - a series of 18 color photos of a cute dancing girl which may be clipped, then flipped to watch her move; An Introduction to Jazz; New Zealand's Finest - photo feature of Bernadette Kell; Ski Sailing - photo-article on a new winter sport; Ad for the Tisch-Bumbass one-man jazz band; and more. Unmarked with moderate wear. A sound vintage copy. Size: 4to - over 9¾" - 12" tall.

Paperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.