philips jack (23 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Zustand: Fair. No Jacket. First Edition. The issue September 1979 of Ellery Queen's Mystery Magazine, Vol 74 # 3, #430. Contains The Gourmet Kidnapper, Jack Ritchie (John George Reitci), A Place of Her Own, Joyce Harrington, Invitation to Murder (Will to Murder), a Nero Wolfe story by Rex Stout, published earlier in the novella collection Three Men Out, Black Wind, Bill Pronzini,The Adventure of the Common Code, Robert L Fish, Queentessential Poepouri, Gerald Tomlinson, The Man Who Stirred Champagne, Hugh Pentecost (Judson Pentecost Philips), The Spy Who Was Alone, Edward D. Hoch, and others. Edge wear with rubbing and creases to the covers. #'" closed tear angling down from the top right spine hinge slightly into the front cover. Light damp stain to the bottom corner of the pages. Library stmap (Cruz Bay Public Library, Cruz Bay, St John US Virgin Islands) at the top of the tittle page. at the edges with creases to the lower fore edge and bottom edge of the front cover. A few stain spots to page 119/120. Light browning to the pages. A fair copy.

Paperback. Zustand: Brand New. 100 pages. 9.69x7.44x0.25 inches. In Stock.

Paperback. Zustand: Brand New. 331 pages. 7.25x5.00x1.00 inches. In Stock.

Trade Paperback. Zustand: Very Good. No Jacket. George Salter (cover) (illustrator). First Edition. Vol 24 # 129 of Ellery Queen's Mystery Magazine, September 1954. Contains stories by Ellery Queen (Frederic Dannay & Manfred Bennington Lee - Diamonds in Paradise), John F Suter (When Are the People Going to Learn?), Michael Gilbert (The Customer is Not Always Right), Philip MacDonald (The Man Out of the Rain), Hugh Pentecost (Judson Pentecost Philips - Murder Plays Through), Jack London (The Unexpected), Hodding Carter (William Hodding Carter II - Bad Check), Zenna Henderson (You Know What, Teacher?), Helen Simpson (Helen de Guerry Simpson - A Posteriori), Norbert Davis (Do a Dame a Favor?), Babette Rosmond (Best of Friends), and others. Light wear at the edges. The color on the cover and spine is exceptionally bright. Very small horizontal closed tear to the fore edge of pages 137 through the end. The interior is clean and tight. Light browning to the pages. A very good or better copy.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: New. Same / next day dispatch (Monday - Friday),

Paperback. 228 pages. Is sustainability sustainable?Too many organizations are currently cau ght in a green slump, struggling to engage in sustainability projects and ma king far less progress than they should be. Some businesses are striving to lead.

Paperback. Zustand: Brand New. 331 pages. 7.25x5.00x1.00 inches. In Stock.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Zustand: Very Good. 1st Edition. Includes works by Edward Miller ; Jack Yates ; Anthony Barboza ; Lloyd Philips. Paginated pages 145-180, illustrations. Slight shelf wear to edges, staples starting to rust, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.

Zustand: NEW.

24 cm, 425 Seiten, hellblauer Pappband, Original-Schutzumschlag. wenig gebraucht, gut erhalten. Sprache: Englisch.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.