petlin irving (29 Ergebnisse)

First Edition. First edition. Softcover. 80 pages. Features an essay by Paul Cummings. Includes 28 color plates, a chronology, and a selected bibliography. A very near fine copy in wrappers.

First Edition. First edition. Oblong softcover. 23 pages. Exhibition catalog for a show that ran October 9 through November 11, 1986. Includes illustrations of works by Richard Artschwager, Llyn Foulkes, Leon Golub, Jerry Kearns, Barbara Kruger, Irving Petlin, and Andy Warhol. A near fine copy in wrappers with some very minute wear.

Zustand: Good. Stapled Wraps Booklet of Artist's Works from the Exhibition. 8vo. Soft Covers. 6 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Paperback. Zustand: Very good. Paperback Small Quarto. wraps, 80 pp foxing on the covers Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Zustand: Good. Poster of Irving Petlin's Gallery Exhibition on January 14 - March 27, 2010 at Kent Gallery. 4to. Soft Covers. 1 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Gallery Exhibition Invitation for Irving Petlin: Este Mundo. 12mo. Soft Covers. 3 pp. Very Good. Color Plates. Fold-out Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation to Irving Petlin's Gallery Exhibition at Kent Gallery. 12mo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Gallery Exhibition Invitation for Irving Petlin on September 6 - November 20, 2002 in Tokyo Japan. 12mo. Soft Covers. 4 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation to Gallery Exhibition for Irving Petlin: A Retrospective on February 2, 2012 - February 9, 2010. 12mo. Soft Covers. 3 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation and Original Poster to Gallery Exhibition for Artist Irving Petlin on May 7 - June 19, 2011. 8vo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Text in French.

Zustand: Good. Invitation to Gallery Exhibition for Artist Irving Petlin on April 18 - June 28, 2002. 8vo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Text in French.

Zustand: Good. 4to. [22] pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Very Good, covers toned.From the collection of the Art Historian, Peter Selz (1919-2019).

Zustand: Good. 8vo. [6] pp. Soft Cover. Stapled Wraps. Color covers, interior plates black and white. Very Good. Marginal wear.From the collection of the Art Historian, Peter Selz (1919-2019).

Zustand: Good. 8vo. [8] pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Text in French. Very Good, minor wear to covers, interior sheet edges lightly toned, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 80 pp. Soft Cover. Color plates throughout. Signed and dated in ink 'Peter Selz 1988' on the title page. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 33 pp. Soft Cover. Color plates throughout. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. [12] pp. Soft Cover. Black and white plates throughout. Text in French and English. Tipped in are four original photographs of Petlin's paintings. Very Good, minor wear and soiling to covers, interior sheet edges lightly toned, title page partially detached from binding, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. [10] pp. Soft Cover. Color and black and white plates throughout. Text in French, English, German, Spanish. Very Good, minor wear to covers, some yellowing along cover edges, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 33 pp. Soft Cover. Color plates throughout. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear. Pages fine. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

1.Ausgabe. 20 nn.Bl. Mit 23 meist farbigen und ganzseitigen Abb. Hinterdeckel am oberen Rand leicht gebräunt; kleine Bibliotheksstempel oben auf dem Titelblatt und unten auf der Hinterdeckel-Innenseite. Sprache: Französisch Gewicht in Gramm: 250 27 cm. x 21 cm. Kartonierte Original-Broschur mit Rückenbeschriftung und farbiger Vorderdeckel-Illustr.

Zustand: Good. 8vo. Oblong. 52 pp. Soft Cover. Color plates throughout. Text in French and English. Handwritten note in ink to Peter Selz from Irving Petlin on title page, dated December 1997. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Couverture souple. Zustand: Très bon. Edition originale. In-4 broché, couverture à rabats illustrée, non paginé. Edition courante tirée à 750 exemplaires, après 100 de tête. Importante iconographie en couleurs.

Zustand: Fine. Clean and unmarked. [20] pp.; 28 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. Essay by Carter Ratcliff. Includes brief discretion of each element by every artists who contributed to the six S.M.S. issues including Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Kasper König [Kaspar Koenig], Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Marcel Duchamp, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfriem, George Reavey, John Battan [John Sebastian Matta], Aftograf, Enrico Baj, William Bryant [Billy Copley), Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley, Robert Stanley, Arman, Paul Bergtold, John Cage, Robert Watts, Princess Winifred, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Congo, William Anthony, Wall Batterton, CPLY [William Copley], Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, William Schwedler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot [Dieter Roth], Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeam, Claes Oldenburg, Mischa Petrow, Jean Reavey, and Bernar Venet.

. In-8 br. Coll. " Moraïma ". Prologue de Laurent Terzieff. Illustrations de Irving Petlin. E.O. 1/30 ex. num. comportant une lithographie originale numérotée et signée par Irving Petlin. Rappelons que Irving Petlin est un peintre américain qui a fait partie de l'exposition Nouvelle figuration II en 1962 à Paris. Il a aussi participé à la création de l'affiche And babies en 1969 avec Jon Hendricks et Fraser Dougherty, tous trois membres de l'Art Workers' Coalition (AWC).

Offset lithograph in colors; 64cm x 97cm (25" x 38"). Mild creasing to extremities, else a fine, clean copy; unbacked. This one of a presumably small number of copies bearing a rubber-stamped message which reads: "This poster was originally co-sponsored by the Museum of Modern Art. On Dec. 19, trustee William S. Paley forbid the Museum to associate its name with this poster. Do the Trustees approve of the massacre?" (stamped twice in the image, lower right). One of the true icons of Twentieth Century American protest art, this poster, created by the Art Workers Coalition under the guidance of Fraze Dougherty, Jon Hendricks and Irving Petlin, was issued to bring attention to the horrendous My Lai massacre of March, 1968. The photograph, by Ron Haeberle, originally appeared in Life Magazine. The Museum of Modern Art had originally promised to underwrite the poster's creation, and to donate paper and printing costs - but later abandoned the project under the objections of board President William S. Paley. The AWC still managed to print fifty thousand copies, which they distributed for free. As a response to MoMA's backing out of the project, an unknown number of the posters were rubber-stamped with the message quoted above, and a demonstration was held inside the museum, in front of Picasso's Guernica, where copies of the poster were unfurled and given away. These events are recorded in a 2015 interview with co-creator John Hendricks: ".We had a big meeting of Art Workers' Coalition about how we should address their [MoMA's] reneging of the agreement with us. It was decided to make a rubber stamp.saying, "This is the poster that the Museum of Modern Art agreed to do jointly with Art Workers' Coalition and Bill Paley and Arthur Drexler refused to do," or something like that. So we stamped as many posters as we could with that stamp. Then we had a number of demonstrations in front of the museum and inside in front of Guernica." [interview with William Twersky, WT_History Blog, April, 2015]. We have traced no copies in commerce or institutional collections that make note of the rubber-stamped notice. In 1972, the design was repurposed to protest President Richard Nixon's campaign for a second term; for that version the motto was changed to "Four More Years? Four More Years?" 83515.

[1] pp.; 63 x 96.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Poster produced by the Artists' Poster Committee of Art Workers Coalition [Frazier Dougherty, Jon Hendricks, Irving Petlin] protesting the American war in Viet Nam -- featuring the 1969 photograph of the My Lai massacre by R.L. Haeberle. Originally conceived by an offshoot group of the Art Workers Collation [AWC], the poster was intended as a collaboration between the AWC and The Museum of Modern Art [MoMA]. However, after MoMA withdrew its association with this publication, the Artists Poster Committee went ahead and published it with out the Museum's involvement. The paper for the project was donated by Peter Brant, who's name is printed on poster along with members of the Artists' Poster Committee of Art Workers Coalition. Brant is occasionally credited with designing the poster, however, this is erroneous. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 62. No. 6 in "Art Metropole : The Top 100" by Kitty Scott, Jonathan Shaughnessy, Peggy Gale, AA Bronson. Ottawa, Canada : National Gallery of Canada, 2006, pp. 54. Fine. As issued, original printing, full uncut sheet.