Irving petlin (28 Ergebnisse)

First Edition. First edition. Softcover. 80 pages. Features an essay by Paul Cummings. Includes 28 color plates, a chronology, and a selected bibliography. A very near fine copy in wrappers.

First Edition. First edition. Oblong softcover. 23 pages. Exhibition catalog for a show that ran October 9 through November 11, 1986. Includes illustrations of works by Richard Artschwager, Llyn Foulkes, Leon Golub, Jerry Kearns, Barbara Kruger, Irving Petlin, and Andy Warhol. A near fine copy in wrappers with some very minute wear.…

Erste Auflage. 29,5 x 21 cm. 24 S. Illustrierter, klammergehefeteter OKarton. Einband minimalst knittrig. Sonst noch sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Texte in englischer Sprache.

Zustand: Good. Stapled Wraps Booklet of Artist's Works from the Exhibition. 8vo. Soft Covers. 6 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

First Edition. Hardcover. First Edition. Text in French. Published in conjunction with an exhibition held from November 24 through December 15, 1962, at the Centre Culturel Americain. Very Good plus, with no dust jacket as issued, bound accordion-style.

Zustand: Good. Poster of Irving Petlin's Gallery Exhibition on January 14 - March 27, 2010 at Kent Gallery. 4to. Soft Covers. 1 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Gallery Exhibition Invitation for Irving Petlin: Este Mundo. 12mo. Soft Covers. 3 pp. Very Good. Color Plates. Fold-out Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation to Irving Petlin's Gallery Exhibition at Kent Gallery. 12mo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Gallery Exhibition Invitation for Irving Petlin on September 6 - November 20, 2002 in Tokyo Japan. 12mo. Soft Covers. 4 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation to Gallery Exhibition for Irving Petlin: A Retrospective on February 2, 2012 - February 9, 2010. 12mo. Soft Covers. 3 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.

Zustand: Good. Invitation and Original Poster to Gallery Exhibition for Artist Irving Petlin on May 7 - June 19, 2011. 8vo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Text in French.

Zustand: Good. Invitation to Gallery Exhibition for Artist Irving Petlin on April 18 - June 28, 2002. 8vo. Soft Covers. 2 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Text in French.

Zustand: Good. 4to. [22] pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Very Good, covers toned.From the collection of the Art Historian, Peter Selz (1919-2019).

Zustand: Good. 8vo. [6] pp. Soft Cover. Stapled Wraps. Color covers, interior plates black and white. Very Good. Marginal wear.From the collection of the Art Historian, Peter Selz (1919-2019).

Zustand: Good. 8vo. [8] pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Text in French. Very Good, minor wear to covers, interior sheet edges lightly toned, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 80 pp. Soft Cover. Color plates throughout. Signed and dated in ink 'Peter Selz 1988' on the title page. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 33 pp. Soft Cover. Color plates throughout. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. [12] pp. Soft Cover. Black and white plates throughout. Text in French and English. Tipped in are four original photographs of Petlin's paintings. Very Good, minor wear and soiling to covers, interior sheet edges lightly toned, title page partially detached from binding, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz. …

Zustand: Good. 8vo. [10] pp. Soft Cover. Color and black and white plates throughout. Text in French, English, German, Spanish. Very Good, minor wear to covers, some yellowing along cover edges, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. 33 pp. Soft Cover. Color plates throughout. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear. Pages fine. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 80 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout. Text in French and English. Extremely scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 8vo. Oblong. 52 pp. Soft Cover. Color plates throughout. Text in French and English. Handwritten note in ink to Peter Selz from Irving Petlin on title page, dated December 1997. Very Good, minor wear to covers, interior sheets clean and intact.From the Collection of the Art Historian Peter Selz.…

Zustand: Fine. Clean and unmarked. [20] pp.; 28 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. Essay by Carter Ratcliff. Includes brief discretion of each element by every artists who contributed to the six S.M.S. issues including Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Kasper König [Kaspar Koenig], Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Marcel Duchamp, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfriem, George Reavey, John Battan [John Sebastian Matta], Aftograf, Enrico Baj, William Bryant [Billy Copley), Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley, Robert Stanley, Arman, Paul Bergtold, John Cage, Robert Watts, Princess Winifred, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Congo, William Anthony, Wall Batterton, CPLY [William Copley], Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, William Schwedler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot [Dieter Roth], Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeam, Claes Oldenburg, Mischa Petrow, Jean Reavey, and Bernar Venet.…

. In-8 br. Coll. " Moraïma ". Prologue de Laurent Terzieff. Illustrations de Irving Petlin. E.O. 1/30 ex. num. comportant une lithographie originale numérotée et signée par Irving Petlin. Rappelons que Irving Petlin est un peintre américain qui a fait partie de l'exposition Nouvelle figuration II en 1962 à Paris. Il a aussi participé à la création de l'affiche And babies en 1969 avec Jon Hendricks et Fraser Dougherty, tous trois membres de l'Art Workers' Coalition (AWC).…

[1] pp.; 63 x 96.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Poster produced by the Artists' Poster Committee of Art Workers Coalition [Frazier Dougherty, Jon Hendricks, Irving Petlin] protesting the American war in Viet Nam -- featuring the 1969 photograph of the My Lai massacre by R.L. Haeberle. Originally conceived by an offshoot group of the Art Workers Collation [AWC], the poster was intended as a collaboration between the AWC and The Museum of Modern Art [MoMA]. However, after MoMA withdrew its association with this publication, the Artists Poster Committee went ahead and published it with out the Museum's involvement. The paper for the project was donated by Peter Brant, who's name is printed on poster along with members of the Artists' Poster Committee of Art Workers Coalition. Brant is occasionally credited with designing the poster, however, this is erroneous. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 62. No. 6 in "Art Metropole : The Top 100" by Kitty Scott, Jonathan Shaughnessy, Peggy Gale, AA Bronson. Ottawa, Canada : National Gallery of Canada, 2006, pp. 54. Fine. As issued, original printing, full uncut sheet.…

Zustand: Sehr gut. This evocative drawing by Irving Petlin is executed in pastel on fine Vélin paper and dates from 1979, a mature period in the artist?s career. The composition presents a haunting, human-like figure that seems to emerge from a fragile, eroded landscape. Soft layers of pastel create a muted palette of ochres, pale yellows, and subtle greens, while darker accents define the facial features and torso, lending the image a sense of vulnerability and quiet intensity. *** The work is hand-signed and dated in pencil by Irving Petlin at the lower margin and bears a stamp on the reverse from the Gruber Art Gallery, New York, indicating its provenance and exhibition history. *** The work is professionally framed in our own frame-shop, in exclusive hand-made wooden frame, with Plexiglas® Optical HC, scratch-resistant and UV-protected. Size approx. 72 x 57 cm. *** Irving Petlin (US 1934 - 2018) studied at the Art Institute of Chicago and later in Paris, where he was influenced by European modernism and existential philosophy. Petlin became associated with the figurative revival in postwar American art, developing a distinctive style marked by introspection, subtle narrative, and emotional resonance. His works are held in major museum collections worldwide, including the Museum of Modern Art in New York, the Art Institute of Chicago, and the Tate. # Authenticity and provenance guaranteed. # Delivered with a certificate of authenticity. # Worldwide shipping, tax-friendly to the USA and EU countries. # Custom handmade framing available on request. Signatur des Verfassers.…