Peter dekkers (14 Ergebnisse)

Zustand: Very Good. Zustand des Schutzumschlags: 24219814. 1789619851. 9/17/2026 4:37:31 AM.

Soft cover. Zustand: Very Good. Small square quarto, 8 pages. Printed fold out front wrapper with a blind stamp print by Dekkers on fold out page. - First edition. Exhibition from February ? 4 march 4, 1968.

Zustand: Good. Originele geà llustreerde hardcover, buikbandje, illustraties (waaronder foto's) in kleur, oblong (circa 21x25cm).; Naam en jaar.

Zustand: Sehr gut. 3. 272 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Achtung! Buch aus Raucherhaushalt. Sprache: Deutsch Gewicht in Gramm: 690 Gebundene Ausgabe, Maße: 16.6 cm x 2.1 cm x 22.8 cm. …

Paperback. 28 pp. ills. -(Cover slightly discoloured, otherwise in very good condition).

Zustand: Very Good.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 621 pages. 9.25x6.10x1.26 inches. In Stock.

Zustand: Very Good.

Soft cover. Zustand: Very Good. Text in dutch and french, 4to, soft cover, 36 pages, illustrated, very good copy. Conception by Jan van Toorn.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

Antwerpen, Lens Fine Art, 1972, (20) pag., illustraties naar Struycken, Visser, Dekkers en Schoonhoven (incl. 1 gekleurde illustratie naar Peter Strucken), los ingetsoken vouwblad met film-beeldprogramma van Peter Struycken (3 ills.), origineel geniet omslag, oblong octavo (15,7 x 21,2 cm.).

Zustand: very good. Introduction by Catel Blotkamp. London : Institute of Contemporary Arts, 1974. White cardcoard covers with white lettering. 66 pp. With loose inlay (4 pp). Ills. 23x23 cm. Very good, firm copy. - The exhibition "Basically White" took place from 15 March to 28 April 1974 at the Institute of Contemporary Arts (ICA) in London and was organised in collaboration with the Lucy Milton Gallery. The exhibition focused on minimalist and conceptual art, with an emphasis on the use of white as a dominant colour or conceptual starting point. The catalogue Basically White was compiled by Carel Blotkamp and contains contributions and illustrations of art works of the following artists : Jean Arp, Joost Baljeu, Antonio Calderara, Sergio de Camargo, Enrico Castellani, Colin Crumplin, Ad Dekkers, Lucio Fontana, Raimund Girke, Gerhard von Graevenitz, Ewerdt Hilgemann, Oskar Holweck, Malcolm Hughes, Yves Klein, Peter Lowe, Piero Manzoni, Mary Martin & Ben Nicholson, Dorothea Rockburne, Robert Ryman, Jan Schoonhoven, Henryk Stazewski, Günther Uecker and herman de vries. At the time this exhibition was not only a popular sensation but played a key intellectual role in shaping the discourse of minimal and conceptual abstraction in Britain, situating systemic and constructivist British artists within a broader European network of postwar avant-gardes. Condition : very good copy. Keywords : ART, minimal art vries, herman de (1931-) Schoonhoven, Jan J. (1914-1994) Klein, Yves (1928-1962) Manzoni, Piero (1933-1963) Dekkers, Ad (1938-1974) Fontana, Lucio (1899-1968) Hilgemann, Ewerdt (1938-) Holweck, Oskar (1924-2007) constructivism.…