perishable press (30 Ergebnisse)

First edition. 68 pp. 4to. Fine in stapled wrappers. Essay by Schlesinger, ?ÄúBecoming Perishable?Äù with a year-by-year checklist of the press.

Zustand: Good. Prospectus. 8vo. Single Folded Sheet (4 pp.), Deckled Edge, Very Good. Illustrated.This is the Prospectus for a book, not the book itself.

Soft cover. Zustand: Fine. 1st Edition. Handset in Sabon. One of 225 signed copies printed in black and grey on Umbria paper. Sewn into a four-folded sheet of Raffaello Roma with the title printed off-white on the front cover. A fine copy. Signed by Author(s).

Soft cover. Zustand: Near Fine. 1st Edition. Handset in Sabon with display in Augustea Inline. One of 150 copies, press-numbered in Roman numerals and signed by the author, printed in black, red-brown and grey on cream wove paper. Sewn into overlapping red-brown Roma wrappers, printed in purple on the front. A near fine copy. Signed by Author(s).

Zustand: Good. PROSPECTUS. 8vo. Single Page, Very Good with creasing. Letterpress on fine paper. Illustration.

Zustand: Good. PROSPECTUS. 8vo. Single Page, Very Good with creasing. Letterpress on fine paper. "Listing of available back titles on request." In enveloped addressed to Jack O'Reilly, San Francisco, post dated March 10, 1975.

Zustand: Good. PROSPECTUS. 8vo. Single Page, Very Good with creasing. Letterpress on fine paper. Illustration.

Soft cover. Zustand: Fine. 1st Edition. Handset in Sabon. One of 275 copies printed in black, red, brown and blue on three shades of variegated Roama paper.

Unbound. Zustand: Fine. First edition, Single sheet printed on recto only, 5.25" x 13", illustrated. A fine copy of a lovely poem, beautifully printed on hand made paper. Limited to 158 copies Signed by William Heyen.

Title and colophon with illustration and device One of 120 numbered copies in Palatino on Shadwell hand-made Fine copy Original green cloth, spine lettered in gilt, red leather corners, uncut.

Hardcover. Zustand: Near Fine. 1st Edition. Handset in Palatino and Michelangelo and printed in red, black and bbrown on Nideggen paper. One of 170 (250) copies. Bound by Elizabeth Kner in brown cloth boards blocked in blind on the front. Book label. Very slight mark to upper cover. A very good to fine copy. for the real spider = a fine short-order cook.

Hardcover. Zustand: Near Fine. 1st Edition. Handset in Palatino with display in Michelangelo. One of exactly 200 copies printed in black (display in red and brown) on Medway paper. Quarter bound in purple leather with fawn cloth-covered boards, blind-blocked on the spine. Bookplate. A near fine copy.

Soft cover. Zustand: Fine. 1st Edition. Handset in Palatino, with display in Smaragd. One of 207 copies printed in black and three colours on grey Shadwell paper. Sewn into dark blue Fabriano paper covers, cut flush, with illustration and title blocked in blind on front of matching wrappers. A fine copy.

Hardcover. Zustand: Fine. 1st Edition. Machine-set in Spectrum and reset by hand. Number 89 of 150 copies printed in red, grey, blue and black on alternating sheets of Frankfurt & Frankfurt Cream, German mould-made papers and signed by the author. Title-page folds out to reveal an illustration by Warrington Colescott. Quarter bound in black leather blind blocked on the spine, each with a unique marbled paper by Norma Rubovits. A fine copy with four single sheets of Perishable Press ephemera loosely inserted. Presentation copy, inscribed: "For James Mosley's 'one' track mind and in the hope of a return visit before the next decade. Spring 1977 Walter / Mary / Lance.". Signed by Author(s).

Soft cover. Zustand: Fine. 1st Edition. Handset in Sabon. Number 121 of a total of 165 copies printed in black, grey, red, brown, and blue, this being one of 135 copies on alternating leaves of Frankfurt Cream rough and smooth. Quarter bound in brown leather with marbled paper-covered boards, blind-blocked on the spine. Matching leather tips on the front corners of the boards. Inserted into a pocket at the rear is a separate volume: 'Guillem de Poitou: a small companion volume of notes, by Paul Blackburn.' Sewn into overlapping marbled paper wrappers. A fine copy with at least three single leaves of Perishable Press ephemera loosely inserted. Presentation copy inscribed: "For James Mosley in reward for his bravery in riding the John Deere B two-lung tractor 22 March 1977 (and because he said kind words about the small Sabon Antiqua. [Heart] WH.". Signed by Author(s).

Hardcover. Zustand: Fine. First Edition. Hardcover. Number 108 of 200 copies of which 170 were for sale. The founder of this press and author of this book, Walter Hamady (1940 - 2019) was an American artist, book designer, papermaker, poet and teacher. He is especially known for his innovative efforts in letterpress printing, bookbinding, and papermaking. In the mid-1960s, he founded The Perishable Press and the Shadwell Papermill, and soon after joined the faculty at the University of Wisconsin?Madison, where he taught for more than thirty years. Noted for its fine handmade paper, distinguished typography and unique colophons, Hamady's Perishable Press challenged traditional notions of the book. Over the years, his press produced a body of work highly sought after by collectors -- books prized for their meticulous and complex physical structures, quirkiness and inventive collaborations between typesetter, binder and illustrator. [Wikipedia] Many Perishable Press books are notable for their innovative use of paper ? in addition to the Perishable Press, Hamady also operated the Shadwell Paper Mill ? and for Hamady's rambling, light-hearted, but highly informative colophons. Hamady's role as a teacher made the Perishable Press highly influential, with many of his students founding presses working in a very similar tradition. Hamady wrote in the prospectus that this wonderful book was begun in 1969, but took much longer to complete than anticipated. The text is in three parts. Part One is the Introduction. Part Two is about needs and equipment. Part Three, the longest section, is about procedures and techniques, and gives a detailed account of exactly how to make paper as they do it. It was worth the amount of time it took to write and make. It is a beautiful book replete with about 80 pages of handmade paper in five colors, some with text and six blank pages from other paper mills bound in as examples. Bound in light brown Irish linen cloth with title in blind to spine. The title page calligraphy was by Herman Zapf. With numerous illustrations, includine one signed by Walter Hamady. This very fine book was included in the Grolier Club's A Century for the Century. Measures 7 x 10.5 inches. About 42 pages of text plus paper samples. PRI/092024. Signed.

Zustand: Spine faintly faded; near fine. First Edition. Small 8vo, unpag., wrappers. One of 112 press-numbered copies (#74), the entire edition signed by Oppenheimer.

First Edition. 8vo, unpag., wrappers. One of of 144 press-numbered copies (#109), the entire edition signed by Olson. A couple of scarcely detectable marks; near fine.

Zustand: Good. 8vo., Folded Sheet, Letterpress On Laid Paper with Deckled Edge, Fine. Illustration. One of one hundred & thirteen copies on Shadwell Paper. First Edition.

Zustand: Fine. First Edition. 8vo, unpag.; wrappers. One of 210 copies in the edition, signed by Oppenheimer on the recto of the leaf that has Pati Scobey's woodcut frontispiece on its verso.

Unbound. Zustand: Fine. Broadside. Measuring 6" x 19". Fine. Advertises books by Denise Levertov, Walter Hamady, Jerome Rothenberg, William Stafford, Diane Wakoski, William Heyen, and others.

First Edition. 8vo, unpag.; patterned boards with printed label. One of 183 copies in the edition, this being one of 136 printed on white Shadwell paper. This copy has a terse presentation inscription by Laughlin on the first leaf: "JR/JL 1973." The recipient was the poet Jerome Rothenberg. At the time of the inscription Rothenberg and Laughlin were working on bringing out Rothenberg's Poland: 1931 (1974), the first of at least a dozen books he would publish with Laughlin's New Directions imprint. Foxing to edges, first and last few leaves as well as label; near vg.

Zustand: Near fine. First Separate Edition. 4to, unpag., printed wrappers. One of 170 copies, the entire edition, handset in Sabon Antique and printed on handmade Shadwell rag paper.

Zustand: Spine sunned; near fine. First Edition. Square 8vo, unpag.; wrappers. One of 112 copies in the edition printed in handset Palatino on handmade Shadwell paper and signed by the poet. In addition, this copy has been inscribed by Economou on the half-title to Jerome and Diane Rothenberg.

Zustand: Near fine. First Edition. Miniature book, 2-1/2 x 3-1/4 in. unpag., wrappers. One of 225 copies, the entire edition, "hand & tweezer set from moveable types made in Europe & Kalamazoo. . ." (colophon).

Zustand: Fine. First Edition. Oblong 12mo with sewn insert that extends past the width of the book; marbled wrappers. Copy number two of 76 press-numbered copies, all signed by Rothenberg. The "small gift" is a paper sculpture by Jody Shields that is sewn into the center. A quirky and appealing book, this copy was one of Rothenberg's own and is accompanied by a dummy of the book contining the text and paper sculpture but without colophon or wrappers.

First Edition. 4to, unpag. leather-backed marbled boards, with separately printed booklet of notes in a paper pocket mounted to the rear pastedown. One of 165 press-numbered copies (#42), this being from the issue of 134 on Frankfurt Cream. Extremities rubbed, otherwise near fine.

Zustand: Fine. First Edition. 4to, unpag.; three-quarter pebble-grain leather and boards. One of 113 copies, the entire edition signed by each contributor as well as the printer/publisher Walter Hamady and the binder Bill Anthony. Additionally, this copy bears an inscription in the rear signed by Hamady and Colescott identifying this copy as one of two presented to contributor Jerome Rothenberg.

First Edition. 8vo, upag. in marbled wrappers with unprinted silhouette face-shaped flap emerging from a slit in the middle of the front wrapper. One of 150 press-numbered copies, the entire edition, illustrated throughout with varied iterations of Arthur Thrall's "Triangulational Invention." The text is printed on two stocks and two sizes of paper and is signed by Schwerner at the end. Further, he has inscribed this copy on the first leaf for fellow poet Jerome Rothenberg, who was also notably published by the Perishable Press. Slight wrinkle to label, otherwise fine.

Zustand: Near Fine. First Edition. First edition, number 133 of a limited 200 copies printed on various handmade papers. Signed by Walter Hamady and inscribed to the former owner beneath the illustration on page 19, "this copy is an old friend of good value for John Gordon Burke from Walter Hamady." 44 pp, plus five leaves of paper samples. Bound in publisher's tan cloth with spine lettered in blind. Near Fine with light soiling. The acclaimed book artist, founder of Perishable Press, professor, poet and papermaker Walter Hamady's (1940-2019) collection of lecture essays in praise of the high art and craft of paper making. Hamady's precise how-to instructions on the perfect kind of rag to use, what equipment is needed, how to dry and store paper and incorporating creative, artistic flare into one's craft process.