paris harold (29 Ergebnisse)

First edition. 66 pp. Near fine in illustrated wrappers.

gebundene Ausgabe. Zustand: Gut. 333 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 690.

Zustand: Good. 16 leaves with all but the dedication/portrait leaf printed on one side only; self wrappers have a light ring stain on front cover else very good; poems printed on the occasion of the author's first wedding anniversary. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Stapled. Zustand: Good - Very Good. No Jacket. Herbert Paus (cover), Matt Clark (Motives of an Overlord), Samuel N Abbott (Paris Adventure), Joseph Conde (Glamour), Walter Biggs (Three Men and Diana), Robert Gellert (A Dog's Hind Leg), Harold Von Schmidt (Death Rides the Mesa) (illustrator). First Edition. The January 1934 issue of The American Magazine. Stories and articles it contains include: Motives of an Overlord, a story by Ernest Haycox, Paris Adventure, a Saint story by Leslie Charteris (Leslie Charles Bowyer Yin) (I haven't been able to determine where or if this story was published in a Saint story collection), Glamour, a story by Rosamond du Jardin, Three Men and Diana, part IV of a novel by Kathleen Norris, A Dog's Hind Leg, a Scattergood story by Clarence Budington Kelland, Death Rides the Mesa, part V of a novel Tom Gill, 1934's Challenge to the New Deal, an article by Thomas F Woodlock, Brave Old World, a short feature by Archibald Rutledge, and numerous other vintage Depression Era articles and ads. Condition issues include light soiling to the front cover, spine wear with small loss at the top and bottom, and a 1.125" x .5" chip to the middle fore edge of the back cover. The interior is clean and tight. A good to very good copy of a vintage magazine.

Spiral_bound. Zustand: Very Good. First edition. 9 x 8 in. Paper covers with plastic spiral binder. Condition is VERY GOOD ; binder has a few breaks but works fine. Text unmarked. Art. Stax.

No Binding. Zustand: Near Fine. 1st Edition. Very Large Poster, Illustration At Top Of Two Of Them In Civil War Uniforms (Confederate And Federal) In Front Of A Locomotive. A Few Tiny Nicks At Left Edge.

Zustand: New.

Zustand: Good. Catalogue for exhibition held in 1975 of six sculptures of the Soul Series, 1974-75 and fifteen pressed paper imbeds of the Carta Series, 1975. 8vo. 10 pp.; illustrated in color. Includes list of exhibitions to date. Very good in wraps with some foxing to front cover.

Card Covers. Zustand: Very Good. John Little: 6 pages of text followe by 24 pp. of full page color phototgraphic images reproduced on coated card stock; monographs & reviews, permanent collections listed inside back cover. Signed by Paris in bold sharpie on introduction page. Paris I&II with 21 pages of photographic images reproduced on coated card stock; list of one man exhibitions insided back cover. Number notation written in red pencil upper right corner title page. Both 8vo; in spiral bound card covers with light soil.; Signed by Author(s).

Zustand: Good. [Exhibition catalogue]. 8vo. Oblong. [32 pp.]. Soft white and color illustrated wraps with gray and black lettering and white plastic spiral binding. Good with soiling and toning along edges of wraps. Color plates. Interior pages printed on thick, gray paper. Includes text by Stephen Wirtz. Includes brief artist C.V. Catalogue created to accompany the exhibition "Harold Paris: The 26 Days of John Little", held from February 7 through March 8, 1978 at Stephen Wirtz Gallery in San Francisco, CA. From the Library of Pasquale Iannetti, as indicated by stamp and library card on verso of front wrap and first free front end paper.

Paperback. Zustand: Brand New. 333 pages. 9.00x6.00x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Learning and Motivation in the Classroom | Scott G. Paris (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2019 | Routledge | EAN 9781138732650 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Zustand: Good. [Exhibition catalogue]. 8vo. 30 pp. Soft, glossy spiral-bound black and white illustrated wraps. Very good with marginal tearing along spiral binding perforations. Color plates. Includes an introduction by John Fitzgibbon and notes by Lynne Hockman. Exhibition checklist and selected artist biography included. Catalogue created to accompany a two-part show of works by Harold Paris, held from May 2 through June 2, 1979 at Stephen Wirtz Gallery in San Francisco, CA. From the Collection of the Art Historian Peter Selz.

Zustand: Good. [Exhibition catalogue]. 4to. 17 pp. Stiff, stapled black and white illustrated wraps. Very good. Black and white plates, including photographic frontis printed on verso of front wrap. Includes texts by Seymour Fromer, Sheila B. Braufman, Peter Selz, Dore Ashton and Deborah Little Paris. Includes checklist of exhibited works and artist biography. Catalogue created on occasion of exhibition "Breaking the Mold: Harold Paris's Legacy of Innovation", held from October 16, 1994 through January 22, 1995 in Berkeley, CA at the Judah L. Magnes Museum.From the Collection of the Art Historian Peter Selz.

Zustand: New. pp. 348.

Einband - fest (Hardcover). Zustand: New. Scott G. Paris, Gary M. Olson, Harold W. StevensonThroughout the twentieth century there had been substantial links between scientific psychology and education. Binet, Dewey, Thorndike, and other early pioneers were strongly interested in both realms.

Buch. Zustand: Neu. Neuware.

Zustand: Good. Stapled Letter Sized Pages [ca. 25 pp.] VG. From the Collection of the Art Historian Peter Selz.

SOFTCOVER. Zustand: Very Good. 1st Edition. Tall 4to. in colour printed stiff card covers, 66pp on stiff art paper, plates in colour and (mainly) b/w, etc. Loosely inserted is a typed letter from the Harold Paris wife and fellow artist Deborah Paris (signed as Debby) to a journalist, and among other things, asking them to pass the catalogue to art critic Christopher Andreae . [CONDITION: VERY GOOD, a clean and tight copy (few spots of slight shelf rub to cover edges, tiny nick to bottom edge of spine) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Square quarto, unpaginated (60 pages with an eye-like shaped hole punched through the center of the book), printed on different stock (among which 26 pages on vellum), with 2 photographic illustrations by Ugo Mulas. White felt wrappers + acetate wrappers with silk screened eyelash in the center of front wrapper. Front cover slighlty soiled towards edges. Inside very fine. - First edition. Exhibition from January 15 - February 7, 1970. Text in English, French and German. Published simultaneously by a private press in an edition of only 15 copies the LP: 'Voices of Packaged Souls' being the recording of Ciani's sound sculpture collaboration between Harold Paris and Susan Ciani.

paperback. Zustand: Molto buono (Very Good). Prima edizione (First Edition). Libro d'artista pubblicato in occasione della mostra tenutasi presso la Galerie Withofs di Bruxelles dal 15 gennaio al 7 febbraio 1970. Testi e disegni dell'artista. Con 2 fotografie in bianco e nero di Ugo Mulas e 4 tavole a piena pagina. Un testo critico di Robert Michael Wurster datato Berkeley 1969. Biografia. Testi in inglese, francese e tedesco Copertina e pagine fustellate. Stampa su carte diverse. Titolo scritto in modo frammentario su diverse pagine di acetato. 8vo. pp. 64 n.n. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.

Zustand: Good. 8vo Book, Stapled Wraps, 17 pp. Letter sized pages, and smaller. VG.Provenance: Peter Selz.

loose_leaf. Zustand: Fine. Five original lithographs on stone and a poem by Harold Perisico Paris. 5 litografie originali su pietra, di cui due su fogli ripiegati sciolti, ed un poema in inglese di Perisico Paris (cm 17x21,5; 32,5x42) Stampato su carta Fabriano Umbria. Esemplare 35/50. 16mo (cm 17x22). pp. 16+litografie. . Ottimo (Fine). . Prima edizione di 50 + 2 H.C. esemplari numerati (First edition of 50 + 2 H.C. numbered copies). . La prima fase della produzione artistica di Harold P. Paris fu dominata da una personale interpretazione dell'espressionismo astratto, per poi volgersi a una ricerca sull'espressività dei materiali in opere al limite tra la figurazione e l'astrazione.Nel 1963 è chiamato ad insegnare all'Università di Berkeley. Prime personali nel 1965 e 1967 alla Hensen Gallery di San Francisco. Nel 1969 ha luogo la sua prima personale in Europa allo Studio Marconi di Milano. Negli Anni Settanta si dedica a lavori ispirati alla Shoah e alla cultura ebraica, che espone al Jewish Museum di New York nel 1975. Nell'ambito della scultura realizza opere di respiro ambientale, vere e proprie installazioni percorribili dai visitatori. Dopo la sua morte nel 1979, l'Università di Berkeley gli dedica una retrospettiva itinerante che tocca diverse città degli Stati Uniti. (da ''Autobiografia di una galleria. Lo Studio Marconi 1965/1992''). Prima edizione di 50 + 2 H.C. esemplari numerati (First edition of 50 + 2 H.C. numbered copies). Book.

29 nn. Bll. mit zahlr. ganzseit. Textabb. und einer durchgehenden ca. 4 cm x 6 cm großen Ausstanzung in der Mitte der Blätter. Erste Ausgabe dieses Katalogs zur Ausstellung in der Galerie Withofs in Brüssel 1970, der schon selbst ein Kunstwerk ist. - Enthält einen Text von Robert Michael Wurster. - Harold Persico Paris (1925 - 1979) "studied in America and Europe but remained an outsider, eschewing the art centers as well as the movements. He studied briefly at Atelier 17 and the Creative Lithographic Workshop in New York. Awarded the Louis Comfort Tiffany Fellowship, the John Simon Guggenheim Fellowship, and the Fulbright Fellowship, he applied these to realizing goals in graphics, painting and casting. He lived in Madrid while guest instructing at the Academia de San Fernando and in Munich while studying casting at the Akademie der Bildenden Kunst. As a correspondent for Stars and Stripes during World War II, Paris witnessed the death camps at Buchenwald. Profoundly affected, his personal torment underlies his imagery. There are Semitic references in his imagery and titles but the iconography is personal, unique, and defies categorization. He began his Buchenwald series of graphics in 1945. Paris moved to California between 1960-1961. At the age of thirty-five, he became Assistant Professor of Art at University of California, Berkeley and was promoted to full Professor in 1972. During these seminal years he continued to explore the new medium of plastic and expand upon the use of ceramics by developing means to strengthen and support ceramic walls and rooms. He co-founded a bronze foundry in Berkeley and developed techniques of welding and casting, thought impossible by others. Paris died as recognition of his art was just being realized. His work is represented in the Art Institute of Chicago, the Achenbach Foundation for Graphic Art, the Hirshhorn Museum, the Judah L. Magnus Museum, the Library of Congress, the Museum of Modern Art in New York and San Francisco, the National Gallery of Art, the Oakland Museum of California, the Philadelphia Museum, and the Whitney Museum of American Art" (The Annex Gallery). - Etw. gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 300 Gr.-8°. OKart. (etw. gebräunt und kl. Gebrssprn.) mit OU.

Zustand: Good. [Exhibition announcement]. 8vo. [1 pp.]. Single, white printed page with black text. Very good. No plates. Created to announce the exhibition "Harold Paris: The 26 Days of John Little", held from February 7 through March 8, 1978 at Stephen Wirtz Gallery in San Francisco, CA. Scarce.

Zustand: Good. About 50 pages with the original Guggenheim applications and subsequent awards and correspondence, the later pieces with the estate. The project for which he applied was entitled "the Eternal Judgment."From the collection of the art historian Peter Selz.

Zustand: Good. Presentation Portfolio with letter-sized pages, 4 8" x 10" Color Photographs, Very Good.

2. (Brussels, 1970), square in-4°, 23 x 23 cm, ca. 40 nn pp, sewn, original wrapper. The catalogue is perforated in the centre with a hole in the form of an eye (diameter 5 cm), tipped in is a plastic eyelash. The text by Wurster is in English and also translated in French and Dutch.(most original art catalogue).

Zustand: Good. Original etching. 12 x 14 cm. Signed,numbered 175/200 in pencil. Provenance, Suzy Locke. Harold Paris (1925-1979) was a sculptor, assemblage artist and printmaker in California.