père aubert (12 Ergebnisse)

Couverture souple. Zustand: Satisfaisant.

cerevisiae. I. Inhibition par L-histide de récombinaison intragenique mitotique au locus ad3 (S. A. Molec. Gen. Genet. 111) 1971. S. 120 - 137. m. zahlr. Abb. (St.) br. -2) Sonderabdruck.

Couverture souple. Zustand: bon. RO20219622: Non daté. In-8. Broché. Bon état, Couv. partiel. décollorée, Agraffes rouillées, Rousseurs. 23 pages augmentées d'une photo sépia hors texte. Relié par deux agraffes. . . . Classification Dewey : 232-Jésus Christ.

viii + 280p., avec frontispice, reliure cart.avec dos en cuir (titre et faux-nerfs dorés au dos), cachet de bibl., qqs. rousseurs, 18cm., bon état, R46165.

Couverture souple. Zustand: bon. RO40105512: 1857. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 195 pages. Manques sur le dos. 1er plat détaché. Annotation d'époque au dos du 1er plat. Cahiers se détachant légèrement. Quelques rousseurs. . . . Classification Dewey : 372.7-Livre scolaire : mathématiques.

Zustand: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.

A Paris, chez Joseph Albanel, libraire - 1868 - Petit in-8, broché - 280 p. Assez bon état - Déchirures sans manque sur la 1ère de couverture, avec manque sur la 4ème de couverture - Plis, frottements et petites mouillures sur le bas de la couverture - Rousseurs dans l'ouvrage.

Zustand: 1850-1900. Aria Presto Gavotta Giga Presto Musique de Aubert Père (1678-1748) pour Piano et Violon par Ferdinand David Liepzig, Breitkopf & Härtel 12890 XIXe siècle ca1870 15 + 7 pages 33.4 x 26.5 cm Très bon état 044235 Nouveau.

L'esercito napoleonico nella discesa dal Gran San Bernado durante una tormenta.