Sommerard alexandre (24 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: Neuf.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware - Les Arts Au Moyen Ã?ge, by Alexandre and Edmond Du Sommerard, explores medieval arts, primarily focusing on the Roman Palace of Paris and the Hÿtel de Cluny, which emerged from its ruins. This volume, Volume 5, delves into the art objects within the collection housed at the Hÿtel de Cluny. The book offers insights into the historical and artistic significance of these artifacts and architectural sites, providing a valuable resource for art historians and enthusiasts interested in the medieval period and the cultural heritage of Paris.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

In-8 ( 200 X 135 mm ) de 278 pages, demi-basane fauve, dos lisse orné de fers romantiques dorés, tranches mouchetées. Reliure et plats frottés, coupes usées. Bon exemplaire, solide. paris histoire.

Kartoniert / Broschiert. Zustand: New.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

24 x 20 cm. 278 S. ISBN:Keine. Original grüner Halbledereinband / Half lether. No jacket. Rücken fehlt / Spine is missing / Schmuckvorsätze. Innen ein frisches Exemplar nur vereinzelt stockfleckig. 1. Auflage. Sprache: fr. * Versandfertig innerhalb von 20 Stunden! R1B8. (Lws). jpg.

paperback. Zustand: Good. Cm. 22, pp. 278. Con alcune tabelle nel testo. Graziosa bross. originale con titoli al dorso e al piatto entro cornice decorata. Rade fioriture marginali alle carte, peraltro esemplare marginoso e in buono stato di conservazione. Book.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

Paris ,Chez Ducollet 1834. In-8 relié pleine toile verte, pièce de titre rouge. 278 pages. Avec des notes sur la culture des arts, principalement dans les XV et XVIe siècles. Bon état.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 430 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Zustand: Neu. Neuware - Les Arts Au Moyen Ã?ge, by Alexandre and Edmond Du Sommerard, explores medieval arts, primarily focusing on the Roman Palace of Paris and the Hÿtel de Cluny, which emerged from its ruins. This volume, Volume 5, delves into the art objects within the collection housed at the Hÿtel de Cluny. The book offers insights into the historical and artistic significance of these artifacts and architectural sites, providing a valuable resource for art historians and enthusiasts interested in the medieval period and the cultural heritage of Paris.…

Zustand: Bon état. grand in-8, broché, 388 pp. et cahier in-8 in fine, non coupé, de présentation de la série (14 pp.). Édition originale du tome 3 de l'ensemble "Les Arts au Moyen Âge". Dos ridé, rousseurs et cahiers fragiles. On joint : tiré à part de ce volume (grand in-8, broché, second plat de couverture détaché), reprenant les 135 premières pages de ce tome 3.…

Couverture rigide. Zustand: bon. R150172267: Non daté. In-8. Relié demi-cuir. Etat passable, Couv. convenable, Dos abîmé, Rousseurs. 135 pages. Manque la page de titre et une grosse partie du dos. Le premier est débroché. . . . Classification Dewey : 700-LES ARTS.

Zustand: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.…

0. Minmal stockfleckig. Sprache: Deutschu.

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S. l., [1838-1846]. 5 vol. grand in-folio, 520 planches, maroquin rouge de J. Clarke, filets dorés en encadrement sur les plats,od sà nerfs orsé de caissons dorés, bordure intérieure ornée de dentelle dorée, tranches dorées (quelques restaurations à la reliure, rousseurs, quelques taches). Édition originale de cette monumentale monographie consacrée à l?art médiéval. Elle est illustrée de 520 planches, finement rehaussées de couleurs et gommées, dont les titres gravés. La première partie est consacré aux thermes et au musée de Cluny, la suite s'étend aux divers domaines de l'art de l'époque : la tapisserie, les émaux, la peinture, la sculpture ou encore l'architecture. Alexandre Du Sommerard décéde en 1842 et c'est donc son fils Edmond, premier conservateur du musée de Cluny qui a repris la publication. Le musée de Cluny est créé après l'achat de la collection de Sommerard père par l'État en 1843. C'est dans ses murs que le présent ouvrage fut rédigé. Vinet, 1936 :" Crayonnées et lithographiées par les plus habiles artistes, les planches de cet ouvrage furent très-admirées". Ex-libris héraldique de la Weston Library. Bel exemplaire aux couleurs d'une très grande fraîcheur établi dans une belle reliure de maroquin signée par J. Clarker. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.…