ormsbee thomas hamilton (34 Ergebnisse)

Hardcover. Zustand: Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show minor shelving wear. Binding is tight, hinges strong. Dust jacket shows edge wear and small tears. Previous owner's name on end paper.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Fine copy. Illus. with photos (illustrator). 1st. 8vo, 183 pp.

Zustand: New. In.

hardcover. Zustand: very good(-). Profusely illustrated in b/w and with 31 line drawings by Robert Curry. 276pp. Tall 8vo, blue cloth. New York: Macmillan, (1937). Third printing. light staining onend-papers; bookplate.

Cloth. Zustand: Very Good. No Jacket. Robert Curry (illustrator). First Edition. First edition, 1934. Dark red hardcover. VG/No DJ. Gilt lettering. Board corners bumped, edgewear. Endpages and title pages have some foxing and discoloration. 117 Illustrations, drawings and photos. Text is clean. Information on collecting and spotting good antiques.

Hardcover. Zustand: Very Good. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Gramercy Publishing, 1930. Octavo. Hardcover. Book is very good with the previous owners stamp on the front pastedown pages. Dust jacket is very good with some shelf and edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Softcover. Zustand: Very Good. Very good in wrappers. Paperback. Book has wear of spine ends and cover edges, light soiling covers and foredges. Text is clean and tightly bound.

Hardcover. Zustand: Very Good. Later ptg. Very good Hardcover without dust jacket.

Hardcover. Zustand: Very Good. NY, Tudor (New edition, 1936 printing). 183 pages, hardcover, binding a bit dusty and spine sun-faded, else good condition, no jacket.

Zustand: New. In.

HARDCOVER. 1st edition. 419pp, quarto. library pocket to rear endpapers, hinges starting, cover wear/soiling, Good-.

Mustard Yellow Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Good/Very Good. This edition published by Bonanza Books, a division of Crown Publishers Inc by arrangment with the author, xviii, pp19-183, illustrated with black & white photos, some dust spotting to top edge, pages clean internally, mustard yellow cloth with black spine lettering, dust jacket a little rubbed with worn spine edges, small closed tear to rear cover, generally a very good copy. Size: 8.25 x 5.75 Inches. Furniture.

Zustand: New. In.

Hardcover. Zustand: Very Good. 2nd Edition. 183pp; Bibliography; Index; Chronological List of American Furniture Makers; Chronological List of American Clock Makers. Orange cloth HC with gilt lettering on sunned spine. No library markings. Owner's initials on half-title page. Contents clean, tight, textually unmarked. With 122 b/w illustrations.

Zustand: Good. Good condition. No Dust Jacket Reprint, 1946. (furniture, history) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. New York: Tudor Publishing Company, (1936). Second Printing. 122 illustrations, 183pp., some foxing, some soiling to covers, overall, Very Good, no DJ.

First Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 8vo 8" - 9" tall; 200 pages; Physical desc.: 200 p. : ill. ; 24 cm. Subject: Pottery, English --Porcelain, English --Marks 3 Kg.

Zustand: New. In.

Zustand: New. In.

Zustand: very good sound condition. With chronological lists of American furniture makers (1599-1878) and American clock makers (1698-1870). tall8vo. 24cm, second edition, second printing, xviii, 183pp., frontis and 67 plates containing 122 illustrations, index, tan cloth.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: good, fair. Robert Curry (illustrator). Seventh Printing. 276, profusely illus., glossary, index, ink inscrip ins fr flylf, DJ worn & soiled: spine faded, small tears, small pieces missing.

4°. VIII,(2),419,(1) S., mit zahlreichen Abbildungen. Orig.-Leinen. Einband berieben und etwas gebräunt; Ecken und Kanten berieben und bestoßen; obere Ecken etwas gestaucht; Name auf Vorsatz; vorderes Innengelenk angebrochen; Kellergeruch.

Taschenbuch. Zustand: Neu. Neuware - 'Early American Furniture Makers: A Social and Biographical Study' is a comprehensive exploration of the craftsmen who shaped the aesthetic and functional landscape of early American homes. Moving beyond a mere catalog of antiques, Thomas Hamilton Ormsbee offers a deep dive into the lives, motivations, and social environments of the artisans responsible for the country's most celebrated furniture traditions.The work chronicles the evolution of American furniture design from the utilitarian roots of the early colonial era through the sophisticated creations of the mid-19th century. Ormsbee provides detailed biographical profiles of legendary figures such as Duncan Phyfe and William Savery, while also contextualizing the work of lesser-known cabinetmakers within the broader tapestry of American history. By examining the impact of economic shifts, regional material availability, and changing social tastes, the book illustrates how a uniquely American style emerged from European influences.As both a historical record and a tribute to manual artistry, 'Early American Furniture Makers: A Social and Biographical Study' remains a valuable resource for collectors, historians, and anyone interested in the intersection of biography and decorative arts. It provides a human perspective on the development of American craftsmanship and the enduring legacy of the nation's early design heritage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Fair. No Jacket. Ex library hardback with illustrated boards, no DJ; usual stamps/markings. Published in 1946 by The Macmillan Company Publishers, New York. Original boards have light wear/fading otherwise a good clean copy. Extensively illustrated throughout. Ready for immediate despatch from UK. BS-1C*.

Buch. Zustand: Neu. Neuware - 'Early American Furniture Makers: A Social and Biographical Study' is a comprehensive exploration of the craftsmen who shaped the aesthetic and functional landscape of early American homes. Moving beyond a mere catalog of antiques, Thomas Hamilton Ormsbee offers a deep dive into the lives, motivations, and social environments of the artisans responsible for the country's most celebrated furniture traditions.The work chronicles the evolution of American furniture design from the utilitarian roots of the early colonial era through the sophisticated creations of the mid-19th century. Ormsbee provides detailed biographical profiles of legendary figures such as Duncan Phyfe and William Savery, while also contextualizing the work of lesser-known cabinetmakers within the broader tapestry of American history. By examining the impact of economic shifts, regional material availability, and changing social tastes, the book illustrates how a uniquely American style emerged from European influences.As both a historical record and a tribute to manual artistry, 'Early American Furniture Makers: A Social and Biographical Study' remains a valuable resource for collectors, historians, and anyone interested in the intersection of biography and decorative arts. It provides a human perspective on the development of American craftsmanship and the enduring legacy of the nation's early design heritage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.