norris june (15 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDvery good some creasing.

Zustand: Fair. Acceptable condition. 4th edition. Writing inside and on cover. (childrens, barn animals, cows, fiction).

hardcover. Zustand: Very Good. shows minor wear and tanning.

Paperback. Zustand: Good. 82pp Some pencil lines in margin.

Quer-8°, Gebundene Ausgabe, Zustand: Gut. 47 S., Mit zahlreichen farbigen Abbildungen. Einband etwas besrossen, Seiten z.T. minimal fleckig, kl. Name a. Vorsatz, sonst sauberes Exemplar. 200406_Kinderb. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Very Good. No Jacket. Illustrated boards, light cover soil and shelf wear. Told with simple rebus, illustrated in color. Fun little book. Size: Square 12mo.

gebundene Ausgabe. nicht paginiert Einband etw. berieben u. bestaubt, Kanten etw. bestoßen, inn. Buchdeckel gering beschrieben (Bleistift), einig. S. etw. bestaubt u. gering fleckig // Goethe, Johann Wolfgang von , Sternberg, Kaspar von, Deutsche Literatur, Naturwissenschaften L037 *.* Sprache: Englisch Gewicht in Gramm: 790.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Single Issue Magazine. Zustand: Good. Arbuckle, Franklin (cover art); Karsh, Yousef; Johnson, Bruce; Norris; Macpherson, Duncan; Whalley, Peter (illustrator). First Edition. 116 pages. Features: Lovely Frankline Arbuckle cover art features Santa being photographed in the snow by Karsh while his reindeer look on; Colour ad for the Parker '51' pen inside front cover; One-page Birks Jewellers ad features pricey diamond adornments; One page ad for Canadian General Electric features their Musaphonic radio and also includes the C406, C405, C409, C408 and C625/6; Two-page Recall ad features Christmas gift suggestions - and their 1954 prices!; Sir Winston Churchill reaches eighty; Jordan is Britain's Anti-Britihs Ally; Lovely two-page colour ad for the Chrysler New Yorker Deluxe (dark green) features formally-attired folks; One-page colour ad for Westclox clocks; Does Israel Want to Start a War? - article with photo of woman holding casing of bomb which killed nine Arabs; How Lawyers Pacifique Plante and Jean Drapeau Licked the Montreal Underworld - article with photos of these men as well as Harry Davis, Louis Bercovitch, Fernand Dufresne, Harry Ship, Albert Langlois and Judge Caron; Colour Karsh portraits of Field-Marshal Viscount Montgomery, Dr. Albert Schweitzer, Le Corbusier, Pablo Picasso, Marshal Tito, Pablo Casals, Augustus John and Andre Malraux; I'm Leaving Canada - And I'm Glad - departing U.S. Vice-Consul in Toronto vents his spleen after two years north of the 49th; When the Women Went on Strike (fiction); What Happens to Family Allowances? - the full story of the world's most generous baby-bonus scheme - with photos of Mrs. Zillie Minor and some of her 18 children, who receive Ontario's largest family-allowance ($91); Sh-Boom! - The Crazy Career of The Crew Cuts - wonderful photo-illustrated article on this Toronto-based pop singing group; The Forgotten Whirlwind Who Put the World on Time - a photo-illustrated Maclean's flashback article on Canadian engineer Sir Sandford Fleming who gave the world standard time, planned most of Canada's railways, championed the Pacific Cable, and designed our first stamp; The Colossal C.O.D. Swindle (fiction); She Knows the Kind of Children You'll Have - Dr. Norma Walker of the University of Toronto is a heredity counselor who heads the genetics department of Toronto's Hospital for Sick Children - article with photo; Never Ask a Woman the Way; How TV is Changing Your Life; Trappers Hate the Wily Wolverine - which isn't smart enough to stop trying to fight porcupines; Great one-page colour ad for the Park Sheraton Hotel in New York; Fantastic two-page colour ad for the 1955 Dodge Regent (greenish-blue); One-page Seagram colour ad features painting called 'Montreal' by Albert Cloutier, A.R.C.A., whose photo is included; Fantastic two-page 1955 Plymouth ad features red and white Savoy; Centrefold colour ad for GE Appliances features Santa and GE Christmas gifts; Hudson's Bay Scotch Whisky ad features Kwakiutl Indian mask; Canadian Westinghouse ad includes photos of the Radasonic table radio and Combinette radio-phonograph; Nice two-page colour ad for the 1955 Dodge Custom Royal (white on green); Two-page colour ad for the 1955 Pontiac "Laurentian" Sport Coupe (white on red); Wonderful two-page colour ad for the 1955 De Soto Fireflite (black with pale yellow trim); Two-page ad for the 1955 Chevrolet Bel Air Sport Coupe (yellow with white hardtop); Two-colour ad for McCulloch chainsaws features a Model 33 saw; Labatt's 50 Ale ad features illustration of hulking boxer; Colour ad for the Watchmakers of Switzerland highlights Daniel Jeanrichard, 'the man who founded a tickk-tock town'; Back cover colour ad for Community cutlery; and more. Moderate wear. Unmarked. A quality copy of this magnificent vintage issue. Size: Folio - over 12" - 15" tall.

Hardcover. Zustand: Near Fine. Tower, Lew (illustrator). 11th Edition. (P. F. Volland) publishers. KATHERINE THE KOMICAL KOW (Volland Sunny Book Series) by June Norris; illustrations by Lew Tower. Joliet; New York; Boston: The P. F. Volland Company, (1926). Eleventh edition. 12mo - 7-7/16" x 6". Color pictorial paper covered boards with the slightest touch of wear to the tail of spine for what is a truly beautiful copy of the book. Original publisher's color pictorial paper covered two-part cardboard box with the slightest hint of wear at the corners for what is a near pristine example of the box. Full color pictorial endpapers. [40] pp. This rebus book, i.e. a book where some of the words are replaced with pictures that suggest the words, tells the story of a mischievous cow named Katherine, whose owner can't even give her away. By the end of the tale, Katherine has become the heroine of her farm; two leaves with a repaired, short closed tear to the bottom edge of the leaf, one 1/4" long and the other one 1/2" long. The condition of both the book and the original publisher's box is NEAR FINE. Only five copies located on OCLC/WorldCat. RARE, especially in such nice condition and in the box.

Vintage reference photograph from the 1924 film, showing actor Gibson Gowland in character as McTeague. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using (what were then considered) sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. 7.5 x 9.75 inches. Very Good plus, with brief wear along the bottom edge and a small toned spot near the bottom left corner. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage reference photograph from the 1924 film, showing Zasu Pitts. Mimeo snipe on the verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using (what were then considered) sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus, lightly toned and edgeworn. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage photograph of the cast of the 1924 film in front of a railroad box car containing numerous cans of the uncut film. The photograph is mounted to a thin piece of contemporary cardboard with a contemporary ink annotation beneath the photograph reading: "Shipping negative to NY to be cut on way since Stroheim made all kinds of threats = regarding editing of picture in studio." Unique, and impressive as a period artifact where the annotation corresponds precisely to the visual content, right down to the film canisters and the absence of Von Stroheim. With some reservation we believe we have identified the majority of the individuals in the photograph as: (L to R) Jack McDonald, James F. Fulton, Frank Hayes, Joan Standing, Lon Poff, Zasu Pitts, unidentified, William Barlow, Dale Fuller, and Jean Hersholt, with the last three individuals unidentified. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. Approximately 9.75 x 5.5 inches mounted to a 9.75 x 7 inch thin piece of cardboard. Good to Very Good, with some loss at the top left corner, trimming to the margins, and four closed tears along the top edge. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage reference photograph of the cast, crew, and onlookers from the set of the 1925 film. Mimeo snipe and annotations in manuscript ink on verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using (what were then considered) sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus, with a small closed tear in bottom margin and faint creasing. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.