new wave (15 Ergebnisse)

Zustand: New. . Paperback. Dimension: 295 x 206 x 6. Weight in Grams: 262. . . . . . Books ship from the US and Ireland.

Unbound. Zustand: Very Good. No producer, place or date. Presumed late 1970s. 1 ½ inches in diameter. Safety pin style back. A pinback for the British punk band Penetration, formed in 1976 and led by Pauline Murray. The band broke up in 1979. They are perhaps best known for their song "Don't Dictate." This pinback has the words wig, eye lashes, bosom, waist, tummy, hips on it, between two images of women. VERY GOOD condition. Minor rusting to the reverse.

s/w-Porträtpostkarte, von allen 4 Musikern eigenhändig signiert.

Kunstpostkarte Atelierszene (1981), eigenhändig signiert.

Paperback. Zustand: Good. Good with wear and markings. Ex-library. Looks like an interesting title!

Couverture souple. Zustand: Bon. RARE - French book signed in person in Cannes in 1975 : Alain Resnais par Gaston Bounoure Paris, Seghers, 1974. Size : 16x13.5 cm. Condition : please see scans. Provenance : Georges Flour (1945-2013) collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Farbige Fotokunstpostkarte ("Strange Ritual" (Chicago 1995), bildseitig mit Goldtinte eigenhändig signiert.

Original-Einladung (Bütten-Klappkarte, 10,5 x 20,5 cm, leichte Knickspur, mit Prägesiegel des im Jahre 1050 in Goslar geborenen Kaisers Heinrich IV.) zur Verleihung des Kaiserring der Stadt Goslar 2005 an ROBERT LONGO, von diesem eigenhändig signiert (auch vorhanden : Farbige Kunstpostkarte "Men in the Cities 1980" mit eigenhändiger Widmung, Unterschrift in Silberstift signiert "For Ingrid, Euro 45,-).

1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works', so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send, together with the Leyland buses, on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books, but this 'would work out very expensive', so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'.

TIEFE STILLE / DEEP SILENCE (zweisprachiger Kunstkatalog, deutsch-englisch, mit einem Text von Werner Spies Mönchehaus-Museum für moderne Kunst Goslar, 1. Auflage 2005, ERSTAUSGABE, 80 SS. illustriertes Pb. 8°, gut erhalten - von Robert Longo mit Jahr 2005 (als grad ernannter Träger des Goslarer Kaiserrings 2005 !) eigenhändig signiert.

Both 1p, 4to, and in good condition, lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg, Keron Heyesod Street, Herzlia-on-Sea, Israel. The subject of the letters is Centre 42, the touring arts group Wesker formed to bring culture to the masses on his release from prison, following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964. The first letter begins: 'Emersed as I have been in the festivals, I have only just got around to answering your letter and I find in it that you ask me to send some material to a friend in Ramat Chem. I am afraid it is too late to send him material now as he has probably returned. I am sorry about this, but I hope that the enclosed material will give some indication of the scope of the festivals.' The first three festivals have been 'mounted with varying success but the project as a whole has gained a great deal of public attention, though not always sympathy. There is something inherent in the English personality that considers culture outside the commercial framework to be an enfringement of a basic democratic principle.' He concludes: 'Plenty of Israeli theatres appear to have wanted my plays none of them have yet done so. [sic] God knows why.' The second letter is on Centre 42's stylish letterhead in grey and red, and begins with reference to a meeting between the two men in Israel, and 'Megged's book', a copy of which he has received from the publisher Gollancz. 'Concerning Centre 42 I have sent all the information about us to Dov Vardi and I understand he is going to write about us'. Wesker is sending 'a set of literature' to Hodes, adding: 'However, it strikes me as very strange that anyone in Israel should be interested in this sort of movement, since as far as I understand the Histadruth spends over a million pounds on the Arts and cultural activity in Israel, and this is what we dream of happening here in England. [] We even quote Israel as an example of the situation we should like to see.'.

First Edition. Founded by Colin Faver and Kevin Millins, Final Solution was arguably the most important promoter in the UK during the postpunk years. With their impecable eye for talent (Joy Division, New Order, Echo & the Bunnyman, Throbbling Gristle, et al) and their instantly-recognizable flyers, Final Solution produced many of the best shows in and around London, especially for shows at London's legendary gay nightclub Heaven. And the flyers, such as though included here, were in no small part key to this success. With their distinctive and colorful designs, these uncredited flyers both embody the aesthetics of the New Romantics (which the "Heaven sound" helped define), while retaining the lean aethetic of postpunk. Included here are five flyers for shows at Heaven (Thompson Twins, Flock of Seagulls, among others), as well as one for a show at Assembly Hall (Bauhaus), all from 1981. Six broadside flyers, each printed recto only. Offset, five in color, one B&W. Three 8" x 5.5" approx. Remainder 11.5" x 8.5" approx. Uniformly near fine to fine overall.

ROBERT LONGO Monographie (Widmungsexemplar des Kunstbandes) , mit einem Text von Carter Ratcliff, Verlag Schirmer/Mosel, München 1985 , gr. 4°, mit vielen Abbildungen, schön erhalten - eigenhändig signiert mit Jahr 2006.

Pas de couverture. Zustand: Bon. RARE - Original photo signed in person in Cannes in 1980. Size : 13x9 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

ORIGINAL-RADIERUNG , ca. 4° Photoätzung mit Lack überdruckt auf Zerkall Bütten, in weißer Holzleiste unter Glas gerahmt (ges. H 51 x B 38,5 cm), am Unterrand in Blei eigenhändig signiert mit Jahr (19)88 MOTIV : Anglerinnen III (1988).