Nanni francesco (8 Ergebnisse)

Brossura editoriale. *** Tutti i nostri libri sono visibili solo previo appuntamento nella libreria di Milano "Papermoon & Books" in Via Porpora 107 ***.

Zustand: Molto buono (Very Good). 0. In 8vo (mm. 191x121). Pp. [2], XVII, [1], 130, [4] e 5 tavole incise in rame fuori testo, di cui due ripiegate. Incisione calcografica al frontespizio raffigurante due stemmi collegati dalla sigla ?BR? La copia offerta contiene in fine l'errata corrige (variante B). Mezza pelle coeva con punte, piatti rivestiti con carta marmorizzata. Piccoli fregi dorati e tassello con titolo anch'esso in oro al dorso. Segni di tarlo al piatto anteriore, lievi abrasioni al dorso e ai piatti. Alcune carte un po' brunite, lievissime fioriture marginali. Ottima copia.Interessante guida storico-architettonica di Ravenna corredata da alcune incisioni raffiguranti edifici della città e una pianta urbana ripiegata più volte. Book.…

paperback. Zustand: Good. In 8 (cm 13,5 x 20,5), pp. (2) + XVII + (1 bianca) + 130 + (2) con 5 tavole fuori testo incise all'acquaforte di cui 2 ripiegate (in fine la pianta della città). Tavole con disegni di Pellegrino Matteucci, incisi da Cesare Savini. Incisione al frontespizio raffigurante due medaglie unite da fascia con iniziali "Br", una forse raffigurante il re Teodorico, di profilo, accompagnato dalla scritta "Felix Ravenna", e l'altra un'aquila ad ali spiegate tra due stelle e in basso una X. Qualche foglio brunito in maniera uniforme. Cartonatura coeva decorata. Edizione originale di questa guida della città di Ravenna. Oltre a un compiendio di storia ravennate, sono descritte chiese, palazzi e monumenti (le tavole raffigurano l'nterno della Basilica di San Vitale, il sepolcro di Dante, il mausoleo di Teodorico, un'scrizione epigrafica). Fossati Bellani, 2872. Lozzi, 3915. Book.…

Ravenna, Presso Antonio Roveri e figli, [1821] MDCCCXXI, Nome dell'autore, Francesco Nanni, in calce alla dedica. Sul frontespizio incisione con due stemmi collegati dalla sigla brossura Cfr Lozzi 3915. Bell'esemplare. in 8°, mezza pelle, titoli e fregi oro al dorso, pp. [2] XVII [1] 130 e 5 tavole a p.p. di cui 2 ripieg. con la pianta della città. mezza pelle, titoli e fregi oro al dorso.…

Rilegato. Zustand: molto buono. prima edizione, edizione illustrata. 8° Pagine 1 carta bianca + XVII + 131 + 1 carta bianca. Legatura coeva in mezza pelle. Piatti marmorizzati. Fregi in oro al dorso. Dorso con mancanze. Alcune piccole incisioni nel testo + 3 incisioni fuori testo + 1 tavola con iscrizioni ripiegata fuori testo + 1 pianta di Ravenna ripiegata fuori testo. Incisione calcografica al frontespizio raffigurante due stemmi collegati dalla sigla BR. Alcune fioriture sparse. Nel complesso buonissima copia. Rara prima edizione della variante B contenente l'errata. Cfr: Lozzi II p. 94 N° 3915.…

Ex libris al contropiatto, ottimo stato generale di conservazione, manoscritto coevo di alcune pagine a fine volume Marca tipografica incisa al frontepizio raffigurante due stemmi collegati dalla sigla BR XVII + 130 con alcune ill. n.t., 2 tavv. f.t. e 2 tavv. f.t. grandi ripiegate p. 205x135 mm.

Presso Altobello Salicato. Vinegia. . 1 Vol. . 104 pp. Cuarto Menor. Cartoné. . Texto en italiano. Obra original de siglo XVI. Traducido, declarado y con varias anotaciones útiles y necesarias, ilustrado por M. Francesco Sansouino. Reencuadernado de tela editorial y cartoné (tapa dura), interior en buen estado de conservación. .…

Milan: Multhipla edizioni (from 1981 publishing by Intrapresa), 1979-1988. Folios (43.5 × 32 cm). Original printed self-wrappers; between 16 and 48 pp.; mostly between 32 and 40 pp. with numerous reproduced photographs and illustrations. All issues with the customary horizontal trace of the fold; a few issues with a small number of underlinings; a few leaves somewhat toned; else very good. Complete run of the important cultural journal in which the Italian intelligentsia turned away from Marxism towards post-structuralism and post-modernism. One of the founders was Nanni Ballestrini, whose idea was to provide a forum for the heterogeneous currents of contemporary Italian culture and the humanities. Ballestrini was one of the leading figures of the "Gruppo 63", which experimented early on with visual components and electronic media in poetry. After the group disbanded, Ballestrini became involved in the Italian New Left as a publicist, among other things. Not long after founding "alfabeta", he was accused of alleged involvement in Italian left-wing terrorism. Ballestrini went into hiding in France and Germany. Many years later, the accusations turned out to be false. The Ballestrini case was also the subject of numerous appeals and expressions of solidarity in the early issues. The name of the journal has its origins in the Fluxus movement. Gino di Maggio, one of the initiators of "alfabeta", founded the periodical "a-beta" a few years earlier together with George Brecht, one of the main representatives of Fluxus, which saw itself decidedly as a dissemination medium for Fluxus. A total of eight issues were published by the Milan publishing house "Multipla", which was managed by Gino di Maggio and which began to publish the culturally much broader periodical "alfabeta" every month around two years after the Fluxus journal was discontinued. In 1981, Gianni Sassi, who was already responsible for the journal as designer and art director, took over the publishing duties. One of the periodical's main genres was the comprehensive review, primarily of fiction, essays, and theory, but also of newspapers and periodicals. One of the journal's self-imposed tasks was already stated in the first issue: "to read or re-read what has been said and what still needs to be said." In the 1980s, "alfabeta" was one of the few journals in Italy that repeatedly succeeded in stimulating cultural debates and promoting literary trends. The photographs and illustrations printed in the issues were each dedicated to a specific theme and often appeared as a preview of and insight into current exhibitions and book publications. They were therefore not subordinate to the texts, but led their own discourse alongside the texts, as it were. Political topics include feminism, the environmental movement, media and spectacle. The disintegration of Marxist theories and the resulting increase in post-structuralist thinking (Derrida, Barthes, Lyotard, Baudrillard) had a significant impact on the journal, as can be seen, for example, in its engagement with psychoanalysis (Deleuze and Guattari). In doing so, "alfabeta" did not take the side of "postmodern thinking", but also allowed its critics to have their say, such as Jürgen Habermas, who believed he recognized a shift to the right in the reception of Heidegger, for example by Derrida. Even the post-modern critic Maurizio Ferraris, later one of the initiators of a new realism, speaks out extensively against Lyotard. Not insignificant for this change in the debate is the technical development, especially the increasing importance of the computer in the 1980s (Paul Virilio, Niklas Luhmann). An entire issue was published under the title "lo scimpanze lo scriba e il computer" (the chimpanzee, the writer, and the computer). The origins of the journal in Fluxus are also noticeable in its great interest in all aesthetic developments, such as the visual arts, theater, cinema, pop and rock music, etc. Even comics are the subjec.…