francesco nanni (9 Ergebnisse)

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Brossura editoriale. 8°, mm 210x135, pp. XVIII, 132, brossura editoriale azzurra con difetti e mancanze, dorso praticamente assente, fogli in barbe e ben conservati. Esemplare discreto ma completo delel 5 tavole fuori testo di cui due ripiegate tra le quali la pianta della città di Ravenna. ID 6500 *** Tutti i nostri libri sono visibili solo previo appuntamento nella libreria di Milano "Papermoon & Books" in Via Porpora 107. Contatti: info@libreriaspalavera. It +39 349 1242953 ***.

Zustand: Molto buono (Very Good). 0. In 8vo (mm. 191x121). Pp. [2], XVII, [1], 130, [4] e 5 tavole incise in rame fuori testo, di cui due ripiegate. Incisione calcografica al frontespizio raffigurante due stemmi collegati dalla sigla ?BR? La copia offerta contiene in fine l'errata corrige (variante B). Mezza pelle coeva con punte, piatti rivestiti con carta marmorizzata. Piccoli fregi dorati e tassello con titolo anch'esso in oro al dorso. Segni di tarlo al piatto anteriore, lievi abrasioni al dorso e ai piatti. Alcune carte un po' brunite, lievissime fioriture marginali. Ottima copia.Interessante guida storico-architettonica di Ravenna corredata da alcune incisioni raffiguranti edifici della città e una pianta urbana ripiegata più volte. Book.

paperback. Zustand: Good. In 8 (cm 13,5 x 20,5), pp. (2) + XVII + (1 bianca) + 130 + (2) con 5 tavole fuori testo incise all'acquaforte di cui 2 ripiegate (in fine la pianta della città). Tavole con disegni di Pellegrino Matteucci, incisi da Cesare Savini. Incisione al frontespizio raffigurante due medaglie unite da fascia con iniziali "Br", una forse raffigurante il re Teodorico, di profilo, accompagnato dalla scritta "Felix Ravenna", e l'altra un'aquila ad ali spiegate tra due stelle e in basso una X. Qualche foglio brunito in maniera uniforme. Cartonatura coeva decorata. Edizione originale di questa guida della città di Ravenna. Oltre a un compiendio di storia ravennate, sono descritte chiese, palazzi e monumenti (le tavole raffigurano l'nterno della Basilica di San Vitale, il sepolcro di Dante, il mausoleo di Teodorico, un'scrizione epigrafica). Fossati Bellani, 2872. Lozzi, 3915. Book.

Ravenna, Presso Antonio Roveri e figli, [1821] MDCCCXXI, Nome dell'autore, Francesco Nanni, in calce alla dedica. Sul frontespizio incisione con due stemmi collegati dalla sigla brossura Cfr Lozzi 3915. Bell'esemplare. in 8°, mezza pelle, titoli e fregi oro al dorso, pp. [2] XVII [1] 130 e 5 tavole a p.p. di cui 2 ripieg. con la pianta della città. mezza pelle, titoli e fregi oro al dorso,

Ex libris al contropiatto, ottimo stato generale di conservazione, manoscritto coevo di alcune pagine a fine volume Marca tipografica incisa al frontepizio raffigurante due stemmi collegati dalla sigla BR XVII + 130 con alcune ill. n.t., 2 tavv. f.t. e 2 tavv. f.t. grandi ripiegate p. 205x135 mm.

Presso Altobello Salicato. Vinegia. . 1 Vol. . 104 pp. Cuarto Menor. Cartoné. . Texto en italiano. Obra original de siglo XVI. Traducido, declarado y con varias anotaciones útiles y necesarias, ilustrado por M. Francesco Sansouino. Reencuadernado de tela editorial y cartoné (tapa dura), interior en buen estado de conservación. .

Milan: Multhipla edizioni (from 1981 publishing by Intrapresa), 1979-1988. Folios (43.5 × 32 cm). Original printed self-wrappers; between 16 and 48 pp.; mostly between 32 and 40 pp. with numerous reproduced photographs and illustrations. All issues with the customary horizontal trace of the fold; a few issues with a small number of underlinings; a few leaves somewhat toned; else very good. Complete run of the important cultural journal in which the Italian intelligentsia turned away from Marxism towards post-structuralism and post-modernism. One of the founders was Nanni Ballestrini, whose idea was to provide a forum for the heterogeneous currents of contemporary Italian culture and the humanities. Ballestrini was one of the leading figures of the "Gruppo 63", which experimented early on with visual components and electronic media in poetry. After the group disbanded, Ballestrini became involved in the Italian New Left as a publicist, among other things. Not long after founding "alfabeta", he was accused of alleged involvement in Italian left-wing terrorism. Ballestrini went into hiding in France and Germany. Many years later, the accusations turned out to be false. The Ballestrini case was also the subject of numerous appeals and expressions of solidarity in the early issues. The name of the journal has its origins in the Fluxus movement. Gino di Maggio, one of the initiators of "alfabeta", founded the periodical "a-beta" a few years earlier together with George Brecht, one of the main representatives of Fluxus, which saw itself decidedly as a dissemination medium for Fluxus. A total of eight issues were published by the Milan publishing house "Multipla", which was managed by Gino di Maggio and which began to publish the culturally much broader periodical "alfabeta" every month around two years after the Fluxus journal was discontinued. In 1981, Gianni Sassi, who was already responsible for the journal as designer and art director, took over the publishing duties. One of the periodical's main genres was the comprehensive review, primarily of fiction, essays, and theory, but also of newspapers and periodicals. One of the journal's self-imposed tasks was already stated in the first issue: "to read or re-read what has been said and what still needs to be said." In the 1980s, "alfabeta" was one of the few journals in Italy that repeatedly succeeded in stimulating cultural debates and promoting literary trends. The photographs and illustrations printed in the issues were each dedicated to a specific theme and often appeared as a preview of and insight into current exhibitions and book publications. They were therefore not subordinate to the texts, but led their own discourse alongside the texts, as it were. Political topics include feminism, the environmental movement, media and spectacle. The disintegration of Marxist theories and the resulting increase in post-structuralist thinking (Derrida, Barthes, Lyotard, Baudrillard) had a significant impact on the journal, as can be seen, for example, in its engagement with psychoanalysis (Deleuze and Guattari). In doing so, "alfabeta" did not take the side of "postmodern thinking", but also allowed its critics to have their say, such as Jürgen Habermas, who believed he recognized a shift to the right in the reception of Heidegger, for example by Derrida. Even the post-modern critic Maurizio Ferraris, later one of the initiators of a new realism, speaks out extensively against Lyotard. Not insignificant for this change in the debate is the technical development, especially the increasing importance of the computer in the 1980s (Paul Virilio, Niklas Luhmann). An entire issue was published under the title "lo scimpanze lo scriba e il computer" (the chimpanzee, the writer, and the computer). The origins of the journal in Fluxus are also noticeable in its great interest in all aesthetic developments, such as the visual arts, theater, cinema, pop and rock music, etc. Even comics are the subject of theoretical examinations (Roberto Giovannoli, "Postmodern comix"). Interest in the avant-gardes and neo-avant-gardes is also a continuity of the journal, with a particular historical interest in Italian Futurism. (Cf. Giovanna Lo Monaco, Alfabeta, in: Alle due sponde della cortina di ferro. Le culture del dissenso e la definizione dell'identità europea nel secondo Novecento tra Italia, Francia e URSS 1956-1991, Florence 2019.).