Name billy (27 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

First Edition. Hardcover. First Edition. Pages lightly toned, else about Fine, with no dust jacket as issued.

First Edition. Softcover. First Edition. Near Fine in perfect-bound wrappers.

Brossura. Zustand: quasi ottimo. prima edizione. Brossura, catalogo della mostra, 151 pagine, copia usata ma ben conservata.

Erste Auflage. 30 x 23 cm. 127 S. Illustrierter OKarton. Winziger Abrieb an Stoßkante verso unten, innen papierbedingt an den Seiten minimalst lichtrandig, sonst noch sehr gutes Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Mit ausführlichen Textkommentaren zu den einzelnen Filmstills in englischer Sprache. William George Linich (22. Februar 1940 18. Juli 2016), beruflich bekannt als Billy Name, war ein amerikanischer Fotograf, Filmemacher und Lichtdesigner. Von 1964 bis 1970 war er Archivar der Factory. Seine kurze Romanze und spätere Freundschaft mit Andy Warhol führte zu einer wesentlichen Zusammenarbeit an Warhols Werk, darunter seine Filme, Gemälde und Skulpturen. Linich wurde Billy Name in der Clique, die als Warhol-Superstars bekannt war. Er war verantwortlich für die "Versilberung" von Warhols New Yorker Studio, der Factory, wo er bis 1970 lebte. Seine Fotografien der Szene in der Factory und von Warhol sind wichtige Dokumente der Pop-Art-Ära (Wikipedia).…

Paperback. Zustand: Sehr gut. 127 p., Ill. Mit Zeitungsausschnitten. Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. With newspaper clippings. The binding is slightly rubbed, otherwise a very good and clean copy without markings. - CONTENTS -- FOREWORD by John G. Hanhardt -- INTRODUCTION -- BILLY NAME: FACTORY FOTOGRAPHER -- FILM STILLS -- 1 Sleep -- 2 Screen Tests -- 3 Jill Johnston [Dancing] -- 4 Dracula (Batman Dracula) -- 5 Drunk (Drink) -- 6 Screen Test #2 -- 7 The Life of Juanita Castro -- 8 Horse -- 9 Vinyl -- 10 Space (Since) -- 11 Girls in Prison (Prison) -- 12 Camp -- 13 My Hustler -- 14 Lupe -- 15 The Fugs and the Holy Modal Rounders -- 16 Hedy (The Shoplifter, the Fourteen Year Old Girl, the Most Beautiful Woman in the World) -- 17 Superboy -- 18 The Chelsea Girls -- 19 Kiss the Boot -- 20 **** (Twenty-four Hour Movie; Twenty-five Hour Movie) -- 21 The Loves of Ondine -- 22 Imitation of Christ -- 23 Bike Boy -- 24 Tub Girls -- 25 I, a Man -- The Nude Restaurant -- ACKNOWLEDGMENTS -- SELECTED BIBLIOGRAPHY. ISBN 9783791313672 Sprache: Englisch Gewicht in Gramm: 810. …

Softcover. Second Edition. About Fine in perfect-bound wrappers.

Hardcover. Zustand: Fine. First edition. Introduction by Dave Hickey. Interview by Collier Schorr. Small quarto. 143pp. Heavily illustrated from color photographs. Just about fine in pictorial boards with a tiny bit of wear and the front cover trifle splayed.

Gebunden. Zustand: New.

Hardcover. Zustand: Very Good. signed.

Zustand: Very Good.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. Z/B : An early Artist Book containing 8 pop-up/out images as follows: Pop-up castle; Harmonic accordion; Pop-up airplane; Paper disc on spring with "the Chelsea Girls" in type; an illustrated dodecahedron attached by string; 45 RPM flexi-disc recording by Lou Reed (Velvet Underground); large fold-out Warhol photograph; Pop-up Hunts Tomato Paste can; sheet of perforated tabs. - The Andy Warhol Index Book, is an important Warhol book and iconic publication of the psychedelic era in New York. It was about The factory , Andy Warhol`s famous (and some say hedonistic) New York City studio where he used to work and shoot his underground films. The Factory was his original New York City studio from 1963 to 1968, although his later studios were known as The Factory as well.…

Capa dura. Zustand: Muito bom.

Softcover. Zustand: Near Fine. Magazine. (32)pp. Single sheets printed both sides and secured with a staple. Very good with creasing to the corner and typical mailing crease, stamp and hand written address to theater director (likely by di Prima). An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. An issue is guest edited by William [Bill] Linich, later known as Billy Name, who was a friend of Andy Warhol, as well as di Prima. Linich became the primary photographer at The Factory after Warhol starting making films, including "Billy Linich's Party" which is reviewed in this issue by John Daley. Additional contributors include Philip Whalen, Ray Johnson, Alan Marlowe, and Michael Rumaker.…

First Edition. Softcover. First Edition. Text in English and French. About Fine in perfect-bound wrappers.

[24] pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Other Scenes & The New York Seer, published May 1968, edited by John Wilcock. Content include: word art by Charles Henry Ford; "Eartha, Baby. Who's [sic] Song You Gonna Sing?" by Hakim A. Jamal; "Men Who Can't Come Home"; "Manual for Draft-Age Immigrants to Canada;" "Smug!"; "Other Scenes;" "Tuli: Yiggers, Blonkies & Crackers," by Tuli Kupferberg; "The Antic Art by Ed Ruscha," by Irving Blum; "Taylor Mead: Stoned on Peanut Butter," by Jean-Jacques Lebel, with photos of Taylor Mead by John Chamberlain; "Why I Am Proud to Be an American," by Bingham Young; "Displacement," a two page comic; "Models," art by Sivent Lindblom; "Black Flower," by Ted Joans; a full page collage of photographs of Andy Warhol with an Andy Warhol quote and information about a Warhol exhibition held at Museet in Stockholm, February - March 1968; "Cuba Today," by Philip Russel and Dick Reavis; "Turn the Page;" "Fried Fish Country," Country Joe MacDonald and the Fish interviewed by Distant Drummer; "Censorshit," by Karol Ferster; "3rd Pinacle of Success," by Steve the Hawk; "You Can't Fake the Real Thing," letters; "Alex," by Alex Apostolides; "Those Loveable Peace-Nut," comic strip created by Tom Dunphy and Calypso Joe, drawn by Bill Stout; "Cultural Revolution," by Jimmy Plato; "They're Tearin' Down South Street," by DeMaio; "Love Games," by Dick Bagwell "Krassner," by The Fifth Estate. Cover photo by Billy Name. Fair. Recto, verso, and first page are detached with multiple tears along spine edge. Additional wear to recto including: 3.5 cm. loss to bottom edge, 1.2 cm. area of loss to bottom right corner, 4.2 cm. tear to left side edge, and 2.8 cm. of soiling with additional tears. Pages are yellowed and brittle with multiple tears throughout. Contents otherwise clean and unmarked.…

Soft cover. Zustand: Fair. 1st Edition. Fair copy in softcover. Covers and pages have some waving. Signature with pop-up and accordion have detached and are laid-in. Bi-plane, Chelsea Girls, polyhedron on string, Lou Reed Record, nose foldout, tomato can, warm water sheet all present. Balloon is adhered between last two pages making them un-openable.…

Softcover. Zustand: Near Fine. Magazine. (10)pp. Single sheets printed both sides and secured with a staple. A touch of wear at the upper left corner, else fine. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This copy is remarkable pristine with no writing, stamp or label. This issue's "guest editor" was Bill Linich, later known as Billy Name, who was a friend of Andy Warhol, as well as *Floating Bear* editor, Diane di Prima. Linich became the primary photographer at The Factory after Warhol starting making films. This issue includes a letter from John [Daley] to Linich packed with in-jokes concerning regulars to The Factory.…

Softcover. Zustand: VG+. Third Printing. 4to. Unpaginated, ca 400pp. Printed wraps as issued. Numerous Black & White plates. Text in English and Swedish. One of the great books. Kasper Konig developed the concept for the catalogue, and commission Billy Name and a teenage Stephen Shore to heavily document Warhol and factory life. Parr in the photobook vol.2 "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.â.…

Softcover. Zustand: VG+. Third Printing. 4to. Unpaginated, ca 400pp. Printed wraps as issued. Numerous Black & White plates. Text in English and Swedish. A really lovely copy in the mailing box, which is something you really don't see - also means the spine is especially bright. One of the great books. Kasper Konig developed the concept for the catalogue, and commission Billy Name and a teenage Stephen Shore to heavily document Warhol and factory life. Parr in the photobook vol.2 "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.â.…

Zustand: Near Fine. 1968. First edition. Moderna Museet. Stockholm. 1968. First edition. Paperback, quarto; illustrated wrappers. [c.600 pages.] Many b&w photographs, photomontages and illustrations on newsprint style paper stock. English, Swedish. 270x210mm. 1.5kg. Near fine; very slight wear to wrappers, slight toning to pages as usual, binding remains tight; an exceptionally well-preserved copy of a fragile title. An important Pop Art catalogue-cum-photobook. Warhol's first European exhibition was hosted at the Moderna Museet in Stockholm in 1968. Warhol produced the book for the show, combining photographs of his works, quotes, and snapshots of himself and The Factory taken by Billy Name and a young Stephen Shore. The photographs are placed together by Warhol in a continuous, loose collage, reflecting the artist's stream-of-consciousness, and are reproduced with a newsprint quality. Three editions of the book were published in total; this is the first edition. Text in English, with some Swedish translation. [Hasselblad. The Open Book. P. 238-9; Parr & Badger. The Photobook Vol. 2. P.144-5; Auer. 802 Photo Books. P.480] Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller. Photographs by Billy Name, Stephen Shore et al. (illustrator).…

Softcover. Zustand: Gut. 1. Auflage. B : Unpaginated - This early and extensively illustrated exhibition catalogue was produced on the occasion of Andy Warhol s 1968 exhibition at Moderna Museet in Stockholm, the artist s first major museum presentation outside of the United States. The retrospective exhibition featured some of Warhol s most famous motifs Marilyn Monroe, flowers, the electric chair, Brillo boxes and its unconventional installation, which included covering the museum s façade with the artist s now-famous cow wallpaper, offered the public an unforgettable experience. Edited by Warhol, Kasper König, Pontus Hultén, and Olle Granath, the publication contains copious illustrations of Warhol s work, as well as over three hundred black-and-white photographs that capture the artist s life in the late 1960s by photographers such as Rudolph Burckhardt, Billy Name, Eric Pollitzer, John D. Schiff, and Stephen Shore. In lieu of essays, the catalogue contains a selection of short quotes by Warhol, published in both English and Swedish. This is where Warhol s arguably most famous statement was first seen in print: In the future everybody will be world famous for fifteen minutes.…

[4] pp.; 21.6 x 17.8 cm. (folded) ; 21.6 x 35.6 cm. (unfolded); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for "Variety" held at the Maidman Playhouse on March 24, 1962. Production supervised by Alan Marlow and Nicola Cernovich with lighting designed by William Linich [Billy Name]. Featuring films by Nicola Cernovich; "Second Nothing," by Ray Johnson; "Another Garden," by Fred Herko; "Stewed Prunes," by McIntyre Dixon and Richard Libertini; "Palinrome" by George Brecht with Barbara and William Gilmartin; "A La Mode," by Stanley Vanderbeek and featuring Simone Morris and La Monte Young. Very Good. Folded in two as issued and folded again in half, clean and unmarked.…

4°, geb. Pappeinbd., 143 S. - sehr gutes Exemplar. Buch.

Original oversize photograph pairing two color images of The Velvet Underground, shot in 1968 at 33 Union Square West in New York City. SIGNED by photographer Billy Name at the bottom left margin, and struck by him on glossy AGFA stock circa 1990s. 11 x 14 inches. Fine. Signed.

Photograph of the Velvet Underground and Nico, shot by Billy Name circa 1967 and struck by him in 2014. SIGNED by Billy Name in silver ink on the recto, and with his stamp on the verso. Name, who had gotten his start in theatre, met Andy Warhol in the early 1960s, and appeared in Warhol's 1963 films "Haircut No. 1-3." Name was also responsible for covering the Factory in silver foil, and began living there, documenting the day to day and artistic lives of Warhol, his collaborators, and superstars. "The Silver Age," an exhibition of Name's Factory photographs was held at the Milk Gallery in New York from November 12 to December 7, 2014, and at Serena Morton II in London from September 30 to October 23, 2015. A book was published by Reel Art Press in conjunction with the exhibition in 2014. The photograph on offer here appears in the book, but is not among the prints currently on offer by either gallery, with prints from the exhibitions being issued in editions of various sizes between 1 and 80. 15 x 15 inches, printed on card stock. Tiny diagonal crease to the upper left corner, else Fine. In a custom museum-quality frame, archivally mounted, with UV glass.…