Andy warhol billy name (12 Ergebnisse)

First Edition. Hardcover. First Edition. Pages lightly toned, else about Fine, with no dust jacket as issued.

First Edition. Softcover. First Edition. Near Fine in perfect-bound wrappers.

Erste Auflage. 30 x 23 cm. 127 S. Illustrierter OKarton. Winziger Abrieb an Stoßkante verso unten, innen papierbedingt an den Seiten minimalst lichtrandig, sonst noch sehr gutes Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Mit ausführlichen Textkommentaren zu den einzelnen Filmstills in englischer Sprache. William George Linich (22. Februar 1940 18. Juli 2016), beruflich bekannt als Billy Name, war ein amerikanischer Fotograf, Filmemacher und Lichtdesigner. Von 1964 bis 1970 war er Archivar der Factory. Seine kurze Romanze und spätere Freundschaft mit Andy Warhol führte zu einer wesentlichen Zusammenarbeit an Warhols Werk, darunter seine Filme, Gemälde und Skulpturen. Linich wurde Billy Name in der Clique, die als Warhol-Superstars bekannt war. Er war verantwortlich für die "Versilberung" von Warhols New Yorker Studio, der Factory, wo er bis 1970 lebte. Seine Fotografien der Szene in der Factory und von Warhol sind wichtige Dokumente der Pop-Art-Ära (Wikipedia).…

Softcover. Second Edition. About Fine in perfect-bound wrappers.

Hardcover. Zustand: Fine. First edition. Introduction by Dave Hickey. Interview by Collier Schorr. Small quarto. 143pp. Heavily illustrated from color photographs. Just about fine in pictorial boards with a tiny bit of wear and the front cover trifle splayed.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. Z/B : An early Artist Book containing 8 pop-up/out images as follows: Pop-up castle; Harmonic accordion; Pop-up airplane; Paper disc on spring with "the Chelsea Girls" in type; an illustrated dodecahedron attached by string; 45 RPM flexi-disc recording by Lou Reed (Velvet Underground); large fold-out Warhol photograph; Pop-up Hunts Tomato Paste can; sheet of perforated tabs. - The Andy Warhol Index Book, is an important Warhol book and iconic publication of the psychedelic era in New York. It was about The factory , Andy Warhol`s famous (and some say hedonistic) New York City studio where he used to work and shoot his underground films. The Factory was his original New York City studio from 1963 to 1968, although his later studios were known as The Factory as well.…

[24] pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Other Scenes & The New York Seer, published May 1968, edited by John Wilcock. Content include: word art by Charles Henry Ford; "Eartha, Baby. Who's [sic] Song You Gonna Sing?" by Hakim A. Jamal; "Men Who Can't Come Home"; "Manual for Draft-Age Immigrants to Canada;" "Smug!"; "Other Scenes;" "Tuli: Yiggers, Blonkies & Crackers," by Tuli Kupferberg; "The Antic Art by Ed Ruscha," by Irving Blum; "Taylor Mead: Stoned on Peanut Butter," by Jean-Jacques Lebel, with photos of Taylor Mead by John Chamberlain; "Why I Am Proud to Be an American," by Bingham Young; "Displacement," a two page comic; "Models," art by Sivent Lindblom; "Black Flower," by Ted Joans; a full page collage of photographs of Andy Warhol with an Andy Warhol quote and information about a Warhol exhibition held at Museet in Stockholm, February - March 1968; "Cuba Today," by Philip Russel and Dick Reavis; "Turn the Page;" "Fried Fish Country," Country Joe MacDonald and the Fish interviewed by Distant Drummer; "Censorshit," by Karol Ferster; "3rd Pinacle of Success," by Steve the Hawk; "You Can't Fake the Real Thing," letters; "Alex," by Alex Apostolides; "Those Loveable Peace-Nut," comic strip created by Tom Dunphy and Calypso Joe, drawn by Bill Stout; "Cultural Revolution," by Jimmy Plato; "They're Tearin' Down South Street," by DeMaio; "Love Games," by Dick Bagwell "Krassner," by The Fifth Estate. Cover photo by Billy Name. Fair. Recto, verso, and first page are detached with multiple tears along spine edge. Additional wear to recto including: 3.5 cm. loss to bottom edge, 1.2 cm. area of loss to bottom right corner, 4.2 cm. tear to left side edge, and 2.8 cm. of soiling with additional tears. Pages are yellowed and brittle with multiple tears throughout. Contents otherwise clean and unmarked.…

Soft cover. Zustand: Fair. 1st Edition. Fair copy in softcover. Covers and pages have some waving. Signature with pop-up and accordion have detached and are laid-in. Bi-plane, Chelsea Girls, polyhedron on string, Lou Reed Record, nose foldout, tomato can, warm water sheet all present. Balloon is adhered between last two pages making them un-openable.…

Softcover. Zustand: VG+. Third Printing. 4to. Unpaginated, ca 400pp. Printed wraps as issued. Numerous Black & White plates. Text in English and Swedish. One of the great books. Kasper Konig developed the concept for the catalogue, and commission Billy Name and a teenage Stephen Shore to heavily document Warhol and factory life. Parr in the photobook vol.2 "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.â.…

Softcover. Zustand: VG+. Third Printing. 4to. Unpaginated, ca 400pp. Printed wraps as issued. Numerous Black & White plates. Text in English and Swedish. A really lovely copy in the mailing box, which is something you really don't see - also means the spine is especially bright. One of the great books. Kasper Konig developed the concept for the catalogue, and commission Billy Name and a teenage Stephen Shore to heavily document Warhol and factory life. Parr in the photobook vol.2 "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.â.…

Zustand: Near Fine. 1968. First edition. Moderna Museet. Stockholm. 1968. First edition. Paperback, quarto; illustrated wrappers. [c.600 pages.] Many b&w photographs, photomontages and illustrations on newsprint style paper stock. English, Swedish. 270x210mm. 1.5kg. Near fine; very slight wear to wrappers, slight toning to pages as usual, binding remains tight; an exceptionally well-preserved copy of a fragile title. An important Pop Art catalogue-cum-photobook. Warhol's first European exhibition was hosted at the Moderna Museet in Stockholm in 1968. Warhol produced the book for the show, combining photographs of his works, quotes, and snapshots of himself and The Factory taken by Billy Name and a young Stephen Shore. The photographs are placed together by Warhol in a continuous, loose collage, reflecting the artist's stream-of-consciousness, and are reproduced with a newsprint quality. Three editions of the book were published in total; this is the first edition. Text in English, with some Swedish translation. [Hasselblad. The Open Book. P. 238-9; Parr & Badger. The Photobook Vol. 2. P.144-5; Auer. 802 Photo Books. P.480] Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller. Photographs by Billy Name, Stephen Shore et al. (illustrator).…

Softcover. Zustand: Gut. 1. Auflage. B : Unpaginated - This early and extensively illustrated exhibition catalogue was produced on the occasion of Andy Warhol s 1968 exhibition at Moderna Museet in Stockholm, the artist s first major museum presentation outside of the United States. The retrospective exhibition featured some of Warhol s most famous motifs Marilyn Monroe, flowers, the electric chair, Brillo boxes and its unconventional installation, which included covering the museum s façade with the artist s now-famous cow wallpaper, offered the public an unforgettable experience. Edited by Warhol, Kasper König, Pontus Hultén, and Olle Granath, the publication contains copious illustrations of Warhol s work, as well as over three hundred black-and-white photographs that capture the artist s life in the late 1960s by photographers such as Rudolph Burckhardt, Billy Name, Eric Pollitzer, John D. Schiff, and Stephen Shore. In lieu of essays, the catalogue contains a selection of short quotes by Warhol, published in both English and Swedish. This is where Warhol s arguably most famous statement was first seen in print: In the future everybody will be world famous for fifteen minutes.…