misugi (18 Ergebnisse)

Zustand: New. pp. 324 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Gebunden. Zustand: New.

Hardcover. Zustand: Good. No Jacket. VOL. 1 ONLY.

Taschenbuch. Zustand: Neu. Compound and Josephson High-Speed Devices | Takahiko Misugi (u. a.) | Taschenbuch | XII | Englisch | 2013 | Springer | EAN 9781475797763 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In recent years, III-V devices, integrated circuits, and superconducting integrated circuits have emerged as leading contenders for high-frequency and ultrahigh speed applications. GaAs MESFETs have been applied in microwave systems as low-noise and high-power amplifiers since the early 1970s, replacing silicon devices. The heterojunction high-electron-mobility transistor (HEMT), invented in 1980, has become a key component for satellite broadcasting receiver systems, serving as the ultra-low-noise device at 12 GHz. Furthermore, the heterojunction bipolar transistor (HBT) has been considered as having the highest switching speed and cutoff frequency in the semiconductor device field. Initially most of these devices were used for analog high-frequency applications, but there is also a strong need to develop high-speed III-V digital devices for computer, telecom munication, and instrumentation systems, to replace silicon high-speed devices, because of the switching-speed and power-dissipation limitations of silicon. The potential high speed and low power dissipation of digital integrated circuits using GaAs MESFET, HEMT, HBT, and superconducting Josephson junction devices has evoked tremendous competition in the race to develop such technology. A technology review shows that Japanese research institutes and companies have taken the lead in the development of these devices, and some integrated circuits have already been applied to supercomputers in Japan. The activities of Japanese research institutes and companies in the III-V and superconducting device fields have been superior for three reasons. First, bulk crystal growth, epitaxial growth, process, and design technology were developed at the same time.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In recent years, III-V devices, integrated circuits, and superconducting integrated circuits have emerged as leading contenders for high-frequency and ultrahigh speed applications. GaAs MESFETs have been applied in microwave systems as low-noise and high-power amplifiers since the early 1970s, replacing silicon devices. The heterojunction high-electron-mobility transistor (HEMT), invented in 1980, has become a key component for satellite broadcasting receiver systems, serving as the ultra-low-noise device at 12 GHz. Furthermore, the heterojunction bipolar transistor (HBT) has been considered as having the highest switching speed and cutoff frequency in the semiconductor device field. Initially most of these devices were used for analog high-frequency applications, but there is also a strong need to develop high-speed III-V digital devices for computer, telecom munication, and instrumentation systems, to replace silicon high-speed devices, because of the switching-speed and power-dissipation limitations of silicon. The potential high speed and low power dissipation of digital integrated circuits using GaAs MESFET, HEMT, HBT, and superconducting Josephson junction devices has evoked tremendous competition in the race to develop such technology. A technology review shows that Japanese research institutes and companies have taken the lead in the development of these devices, and some integrated circuits have already been applied to supercomputers in Japan. The activities of Japanese research institutes and companies in the III-V and superconducting device fields have been superior for three reasons. First, bulk crystal growth, epitaxial growth, process, and design technology were developed at the same time.

Paperback. Zustand: Brand New. reprint edition. 318 pages. 8.43x5.85x0.73 inches. In Stock.

Silver Stamped Blue Cloth. Zustand: As New. First. Three volumes. Vol. 1 Introduction 273p. profusely illustrated with many examples of blue porcelain; Volume II The Topkapi Palace Museum. 273p. Many illustrations some hand mounted; Volume III, The Ardebil Shrine Collection 373p. with additional illustrations at the end. The Topkapi Palace Museum is the greatest collection of Chinese Porcelain outside China in the world. Here are the finest examples over the entire period from the Yuan Dynasty to the MIng to the later Ming period and finishing with the Ch'iang Dynasty. Heavy item, may attract additional postage.

Hardcover. Zustand: Good. No Jacket. 1st Edition. English text.; Hardcover (3 volume set).; 23 x 30.5 cm; 6.7 Kg; Black and white and a few colour illustrations throughout.; Volume I - Introduction, ISBN 962-209-004-4, 273 pages; Volume II - The Topkapi Palace Museum, ISBN 962-209-005-2, 282 pages; Volume III - The Ardebil Shrine Collection, ISBN 962-209-006-0, 372 pages.; Used with signs of wear on the interior and exterior. The lettering on the front cover and spine is slightly worn. The exterior show edge wear and scuffs on the bottom of the spine of all volumes.; "This introductory volume, together with the one on the collection of Chinese porcelain from the Topkapi Sarayi in Istambul and the Ardebil Shrine in Tehran, was first published by Gakugei Shorin, Tokyo, in 1972 in a three-volume Japanese limited edition, now out of print. This completely revised and rearranged edition in English preserves the scope and all the illustrations of the original edition. In connection with the Topkapi and Ardebil collections special mention must be made to the 1930 Topkapi catalogue by Ernst Zimmermann, John Alexander Pope (Topkapi in 1952 and the Ardebil 1956), as well as articles by Mehdi Bahrami, Sir Percival David, R.L. Hobson and Soame Jenyns. All these have contributed much to my understanding of the collections and their history" excerpt from the acknowledgments from Volume I.; "When I first stepped into the exhibition room of the Topkpai Saraiy Museum I was surprised. About five thousand pieces of Chinese porcelain were on display but and even greater number, estimated at six thousand pieces, were still stored in three basements. But the size of the collection is matched in importance by its value, for there are some forty pieces in the collection which are among the finest Chinese blue-and-white ware, and which were made in the fourteenth century. We have had to revise our previous belief the the Yuan period was a dark age because of these excellent Yuan pieces which have survived in this collection so far away from China. The blue-and-white porcelain from the Yuan to the Ch'ing period is the largest group in the Topkapi collection but there are also celadons, white, yellow, blue, brown, and polychrome wares. So, to the baptism of Istanbul with the various cultures, Hittite, Egyptian, Roman, Byzantine, Persian, and Islamic, one must now add that of a Chinese ceramic culture. The porcelain of many kinds dates from the thirteenth to the eighteenth century and can be compared in size and quality with the best collections elsewhere." excerpt from the foreword from Volume II; "What we have come to know as the Ardebil collection of Chinese porcelain and which is the subject of this volume consists of about eight hundred pieces of blue-and-white, celadon, polychrome and other porcelains, nearly all of which are not now at Ardebil. Most of these pieces have been removed to the Archaeological Museum in Tehran. The Ardebil collection has special importance, not only because such a collection was made and preserved at all, near the Caspian Sea so far from its place of manufacture in China, but also because it is know that the main collection dates from not later than 1611 when Shab Abbas presented it to the Shrine in the town of Ardebil from which it takes its name and where it was housed until 1935. Even now the important collection, which includes such treasures as nearly forty pieces of fourteenth-century blue-and-white Chinese porcelain, is only partially known. I hope that this volume of mine will be welcomed for its extensive illustrations, many in colour, of a large part of the collection, including many of which have not been published before. In addition I have illustrated pieces from the collection which are now in Isfahan and Tabriz. It is reasonable to assume that the latest pieces could not be dated later than the thirty-fifth year of the Wan-li period of the Ming dynasty and the earliest in the middle of the fourteenth century." excerpt from the foreword from Volume III.

Hardcover. Zustand: Very Good. 1st Edition. Dark blue covers are mostly clean, with white text and illustration. Corners are sharp. Spines have white text and are bright with firm ends. Bindings are strong. End papers/ pastedowns show little to no sign of age or wear; two small stains to front pastedown V. 2. Illustrations are bright and clear, color plates are tipped-in. Interior exhibits minimal signs of age and wear. Inside pages are free of writing and intentional marks. Volume 3 exhibits some adhesions at text block head at first few and final few pages. See photos. Text block edges exhibit a stain to head of Volume 1. See photos.** PS2024.1218** 927 pages. 8.75 x 11.75 inches** A Very Good copy, Fine saving some damage to the head edge of Volume 3, of this three volume catalogue of Chinese porcelains found in Iranian museum collections. This English edition is an extensively revised version of the Japanese edition, first published in 1972. With extensive illustrations, black and white photographs, and many color plates laid-in.** Volume I: Introduction. Volume II: The Topkapi Palace Museum; Volume III: The Ardebil Shrine Collection.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010125"**.

Hardcover. Zustand: Good. No Jacket. 1st Edition. English text.; Hardcover (3 volume set).; 23 x 30.5 cm; 6.7 Kg; Black and white and a few colour illustrations throughout.; Volume I - Introduction, ISBN 962-209-004-4, 273 pages; Volume II - The Topkapi Palace Museum, ISBN 962-209-005-2, 282 pages; Volume III - The Ardebil Shrine Collection, ISBN 962-209-006-0, 372 pages.; Used books with signs of wear on the interior and exterior. The lettering on the bottom of the spine is slightly worn on volume 1 and 3, and worn on volume 2. Good set overall. Lacks the slipcase.; "This introductory volume, together with the one on the collection of Chinese porcelain from the Topkapi Sarayi in Istambul and the Ardebil Shrine in Tehran, was first published by Gakugei Shorin, Tokyo, in 1972 in a three-volume Japanese limited edition, now out of print. This completely revised and rearranged edition in English preserves the scope and all the illustrations of the original edition. In connection with the Topkapi and Ardebil collections special mention must be made to the 1930 Topkapi catalogue by Ernst Zimmermann, John Alexander Pope (Topkapi in 1952 and the Ardebil 1956), as well as articles by Mehdi Bahrami, Sir Percival David, R.L. Hobson and Soame Jenyns. All these have contributed much to my understanding of the collections and their history" excerpt from the acknowledgments from Volume I.; "When I first stepped into the exhibition room of the Topkpai Saraiy Museum I was surprised. About five thousand pieces of Chinese porcelain were on display but and even greater number, estimated at six thousand pieces, were still stored in three basements. But the size of the collection is matched in importance by its value, for there are some forty pieces in the collection which are among the finest Chinese blue-and-white ware, and which were made in the fourteenth century. We have had to revise our previous belief the the Yuan period was a dark age because of these excellent Yuan pieces which have survived in this collection so far away from China. The blue-and-white porcelain from the Yuan to the Ch'ing period is the largest group in the Topkapi collection but there are also celadons, white, yellow, blue, brown, and polychrome wares. So, to the baptism of Istanbul with the various cultures, Hittite, Egyptian, Roman, Byzantine, Persian, and Islamic, one must now add that of a Chinese ceramic culture. The porcelain of many kinds dates from the thirteenth to the eighteenth century and can be compared in size and quality with the best collections elsewhere." excerpt from the foreword from Volume II; "What we have come to know as the Ardebil collection of Chinese porcelain and which is the subject of this volume consists of about eight hundred pieces of blue-and-white, celadon, polychrome and other porcelains, nearly all of which are not now at Ardebil. Most of these pieces have been removed to the Archaeological Museum in Tehran. The Ardebil collection has special importance, not only because such a collection was made and preserved at all, near the Caspian Sea so far from its place of manufacture in China, but also because it is know that the main collection dates from not later than 1611 when Shab Abbas presented it to the Shrine in the town of Ardebil from which it takes its name and where it was housed until 1935. Even now the important collection, which includes such treasures as nearly forty pieces of fourteenth-century blue-and-white Chinese porcelain, is only partially known. I hope that this volume of mine will be welcomed for its extensive illustrations, many in colour, of a large part of the collection, including many of which have not been published before. In addition I have illustrated pieces from the collection which are now in Isfahan and Tabriz. It is reasonable to assume that the latest pieces could not be dated later than the thirty-fifth year of the Wan-li period of the Ming dynasty and the earliest in the middle of the fourteenth century." excerpt from the foreword from Volume III.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Hardcover (3 volume set in slipcase with two clasps.).; 23 x 30.5 cm; 7 Kg; Black and white and a few colour illustrations throughout.; Volume I-Introduction, ISBN 962-209-004-4, 273 pages; Volume II-The Topkapi Palace Museum, ISBN 962-209-005-2, 282 pages; Volume III-The Ardebil Shrine Collection, ISBN 962-209-006-0, 372 pages.; Used books with signs of wear on the interior and exterior, as well as the slipcase. The lettering on the front cover and spine is slightly worn. Very good set overall. Interior as new, except for stamps from a previous owner on the rear of the front cover of each volume. The interior of the slipcase is also stamped.; "This volume, together with the one on the collection of Chinese porcelain from the Topkapi Sarayi in Istambul and the Ardebil Shrine in Tehran, was first published by Gakugei Shorin, Tokyo, in 1972 in a three-volume Japanese limited edition, now out of print. This completely revised and rearranged edition in English preserves the scope and all the illustrations of the original edition. In connection with the Topkapi and Ardebil collections special mention must be made to the 1930 Topkapi catalogue by Ernst Zimmermann, John Alexander Pope (Topkapi in 1952 and the Ardebil 1956), as well as articles by Mehdi Bahrami, Sir Percival David, R.L. Hobson and Soame Jenyns. All these have contributed much to my understanding of the collections and their history" excerpt from Volume I.; "When I first stepped into the exhibition room of the Topkpai Saray Museum I was surprised. About five thousand pieces of Chinese porcelain were on display but an even greater number, estimated at six thousand pieces, were still stored in three basements. But the size of the collection is matched in importance by its value, for there are some forty pieces in the collection which are among the finest Chinese blue-and-white ware, made in the fourteenth century. We have had to revise our previous belief the Yuan period was a dark age because of these excellent Yuan pieces which have survived in this collection so far away from China. The blue-and-white porcelain from the Yuan to the Ch'ing period is the largest group in the Topkapi collection but there are also celadons, white, yellow, blue, brown, and polychrome wares. So, to the baptism of Istanbul with the various cultures, Hittite, Egyptian, Roman, Byzantine, Persian, and Islamic, one must now add that of a Chinese ceramic culture. The porcelain of many kinds dates from the thirteenth to the eighteenth century and can be compared in size and quality with the best collections elsewhere." excerpt from Volume II; "What we have come to know as the Ardebil collection of Chinese porcelain consists of about eight hundred pieces of blue-and-white, celadon, polychrome and other porcelains, nearly all of which are not now at Ardebil. Most of these pieces have been removed to the Archaeological Museum in Tehran. The Ardebil collection has special importance, not only because such a collection was made and preserved at all, near the Caspian Sea so far from its place of manufacture in China, but also because it is know that the main collection dates from not later than 1611 when Shab Abbas presented it to the Shrine in the town of Ardebil from which it takes its name and where it was housed until 1935. Even now the important collection, which includes such treasures as nearly forty pieces of fourteenth-century blue-and-white Chinese porcelain, is only partially known. I hope this volume will be welcomed for its extensive illustrations, many in colour, of a large part of the collection, including many of which have not been published before. In addition I have illustrated pieces from the collection which are now in Isfahan and Tabriz. It is reasonable to assume that the latest pieces could not be dated later than the thirty-fifth year of the Wan-li period of the Ming dynasty and the earliest in the middle of the fourteenth century." excerpt from Volume III.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. About 8 1/2 x 11 inches. Dust jacket is fully intact. A clean, sound, and unmarked copy of this important production. Color photos. Text in Japanese and English.

Blue hardback cloth cover. Zustand: Very Good. First English Edition. VG : in very good condition without dust jackets. 310mm x 230mm (12" x 9"). 273pp; 282pp; 372pp. Numerous b/w and colour plates. Volume I: Introduction. Volume II: The Topkapi Palace Museum; Volume III: The Ardebil Shrine Collection. Very heavy set extra shipping needed for overseas.

4to. pp. xi, 273; x, 282; x, 372. numerous illus. (some tipped-in colour illus.). First English Edition.