mayo thompson (27 Ergebnisse)

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:1872941613.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:1872941613.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. London: University of London Press, 1929. First Edition. 12.5" x 10.25". xvi,106pp. Rebound in light brown cloth, leather label with gilt letters mounted on front cover. Very good condition, lightly soiled and worn, spine bit darker, interior clean, light foxing. Preface by John Buchan. With 6 folding color maps, 20 numbered plates of plans and views. Lacking color frontispiece after Turner.; 12.5 x 10.25 inches; 106 pages.

Hardcover. Zustand: Brand New. 117 pages. 7.25x4.25x0.70 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 130 pages. 7.25x4.25x0.60 inches. In Stock.

Zustand: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Green/Grey Cloth. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. A survey of its existing state and some suggestions for its future preservation prepared for the Thames Valley branch of the Council for the Preservation of Rural England, with a preface by John Buchan. xvi, 106pp, illustrated with colour frontispiece, black & white photos, drawings and maps and 6 detailed folding colour maps, very light spotting to rear of frontispiece and final pages otherwise pages appear clean, bookplate to pastedown, grey/green cloth, gilt lettering to spine and upper board, spine tanned. PLEASE NOTE: THIS LARGE, HEAVY BOOK MAY COST EXTRA TO SHIP OUTSIDE OF THE UK. Size: Quarto.

Zustand: New.

Buch. Zustand: Neu. Neuware - After Math retails what becomes of the cast of characters introduced in Art, Mystery, joint and severally pursuing an erotic Rinascimento statuette attributed to Antonio Pollaiuolo, a pursuit that lands them in court. On the way, their collective and singular fates are unfolded and accounted for, the consequences of the trurh of matters for them are brought to bear and a kind of rough justice is seen to have been done, as is appropriate in rough trade. After Math begins where Art, Mystery, the first installment in Mr. Thompson's two-part novel, left off. The chrome trader Perlat Tile has just witnessed the criminal Pablo Palbon attempt to smuggle a small erotic bronze by Pollaiuolo out of Tirana disguised as a funeral urn. The ensuing trial - described in After Math - pits the gallerist Ms. Jasmine, who wants to acquire the work legitimately, against the state of Albania, which also claims ownership of it. Written in the impeccable prose that we have come to expect from Mr. Thompson, After Math proves that what happens after a plot is foiled can be just as delightful as the action itself.' - Michael Sanchez.

Buch. Zustand: Neu. Neuware - In Art, Mystery, a controversial former footballer, now export agent specializing in chrome, accepts an unusual commission from an odd source, the very man who brought him down, a former football referee turned art handler -- to find and export a pornographic work of Renaissance art. Art, Mystery utilizes the style of crime noir as a delivery system for its high-spirited satire of modern life, catching the gallery scene, footloose Euro-trash, art criticism, the very rich and middle-aged white ennui in its net while hardly pausing for breath. Tersely delivered, with a dry sense of the ridiculous, Art Mystery calmly regards the commodification of aesthetics and their subsequent price-tags as a necessary evil, a machine under which the bodies of his protagonists are rolled. The inclusion of Tile's Antonio Polliauolo files, quoting extensively from E.L. Gombritch's popular study, The Story of Art, provide the raw data of aesthetic value, while providing a framework with which to regard it whimsically. This, along with Tile's drunken deep-dive into scholarly discourse with Dr. Harmoni, give us a sense of the arcana driving the capitalist lust without breaking Thompson's headlong stride or his ability to send up human interplay and its twisted use of language. Perlat Tile, Pablo Pablon, Ms. Jasmine, Naj, Dr. Enver Harmoni and the rest of the characters of Art, Mystery are sketched definitively, but with an eye on their ambiguous, unknowable depths - the darkness of which only emerges once in a rare while. The rest of the time, Thompson's deft strokes tell us what we need to know as the stakes multiply. Art, Mystery is a strikingly breezy read and a delightful introduction to the literary voice of Mayo Thompson.

Köln; Galerie Gisela Capitain, 1989. 26,5x20 cm. (57, 3 blanks) pp. Original blank wrappers with printed dustjacket. A fine copy. Exhibition catalogue with photos by Friedrich Rosenstiel. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Zustand: New. Edited byJohn K. DiBaise, MD, professor, Mayo Clinic, Scottsdale, Arizona, USACarol Rees Parrish, MS, RD, University of Virginia Health System, Charlottesville, USA.

Hardcover. Zustand: Brand New. reprint edition. 194 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 194 pages. Features text and black and white photographs by Frederick Barthelme. Includes numerous illustrations by Mayo Thompson. A near fine copy in cloth boards and in an about very good dust jacket with toning to the edges and spine, light soiling and some edge wear. Still, a solid copy of this experimental collection of short stories.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

6 vol. : 4 45-RPM vinyl records ; 2 single-sided posters; 6 vol. : 17.4 x 17.8 cm. (records) ; 18.7 x 18.2 cm. (slipcase) 85.7 x 59.6 (poster) ; 59.6 x 84.8 cm. (poster); slipcase; black-and-white & color; edition size unknown; unsigned and unnumbered; screenprint; A boxed set of four 45-RPM records: The Alma Band: "The Way" / "The Way Out" (Kippenberger / Oehlen); The Knowhow Knockers: "Knocking for Jazz" / "Scheiß Schuhe" (Kippenberger / Oehlen); Weiß und Doof: "Rio Clamoso Part I" / "Rio Clamoso Part II" (Kippenberger / Oehlen); and Jörg Schlick and Megabody: "Farbenlehre III" (Oehlen) backed with Megabody (Live): "F.K.P." (A. Dorau). Packaged together with two folded posters: "The Alma Band," 1988 (see "Kippenberger: Die gesamten Plakate 1977-1997" #107) and "Jörg Schlick and Megabody" (unattributed poster for Albert Oehlen, Mayo Thompson, Andreas Dorau, Rüdiger Carl). Reference : No. 107 in "Martin Kippenberger : Die gesamten Plakate 1977 - 1997" by Bice Curiger. Cologne / Zurich -/ Zurich, Germany / Switzerland / Switzerland : Verlag der Buchhandlung Walther König / Offizin Verlag / Kunsthaus Zürich, 1998. Very Good / Fine. 4.5 x 1.3 cm. area of discoloration on slipcase from removed sticker, otherwise Fine.

Bedruckte Plattentasche. Eine Seite der Plattentasche mit der Abbildung von Skulpturen, die mit Tafel und Symbol der Lord Jim Loge versehen sind, die Schlick mit Wolfgang Bauer und Martin Kippenberger gegründet hat. Unter den Mitwirkenden befand sich Peter Wilbert, der auch bei anderen Klangproduktionen der Loge tätig war. Das Lied 'Wild Thing' von Chip Taylor (The Troggs) war ein hochbeliebter Schlager, als Peter Handke noch in Graz studiert hat (1966). - Frisches, ungespieltes Exemplar, selten.