martin benjamin e (18 Ergebnisse)

Zustand: Good. 2nd Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 2nd Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

gebundene Ausgabe. Zustand: Gut. 391 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 695.

Hardcover. xi, 211 p.: folding color map, Ranking Christian denominations by counties in the United States, loose at end; 22.5 cm. VG orig. green cloth in chipped green dj.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: New. In.

Zustand: New. Idioma/Language: Español. Este libro responde a la necesidad de interpretar socialmente la problemática ecológica a la que se enfrentan quienes se dedican a la gestión, estudio e intervención medioambiental. Para ello se muestra el amplio abanico metodológico e instrumental de la investigación sociológica. El texto es un recorrido plural sobre qué hace la sociología para interpretar el medio ambiente y los procesos ecológicos, poniendo sus instrumentos al alcance de todos aquellos que desde distintos ámbitos se enfrentan con el medio ambiente como problema social. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Hard Cover. Zustand: Near Fine. 1st Edition. First Printing. Publisher's full green cloth, gilt lettering on cover and spine. Illustrated with B&W frontispiece and several B&W photographs. A collection of articles relating to the identity of the author of Shakespeare's works. . Volume shows only mild shelf-wear, front and rear endpapers tanned, else fine; tight, square, and clean. NEAR FINE. . B&W Illustrations. Large 8vo 9" - 10" tall. viii, 125 pp.

Zustand: New. Railton, Herbert; Fulleylove, John (illustrator). KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Hardcover. Zustand: Very Good. Herbert Railton and John Fulleylove (illustrator). 1st Edition. In the Footprints of Charles Lamb, by Benjamin Ellis Martin, is a richly illustrated literary topography tracing the life and world of Charles Lamb through the places associated with him. First published in 1891, the work combines biography, travel, and literary appreciation, guiding the reader through London and beyond while evoking the atmosphere of Lamb's circle and the enduring charm of his essays. Enhanced by illustrations from Herbert Railton and John Fulleylove, and with a bibliography by E. D. North, the volume reflects the late Victorian enthusiasm for literary pilgrimage and offers an engaging visual and textual tribute to one of England's most beloved essayists. In the Footprints of Charles Lamb, by Benjamin Ellis Martin. Illustrated by Herbert Railton and John Fulleylove. With a Bibliography by E.D. North. Published by Richard Bentley and Son, London. 1891 first edition. A handsome volume bound with deep teal leather spine and corners. With ruled gilt  decoration, and raised bands to spine with gilt tooling. With marbled paper over boards with some scuffing. Soundly bound. Covers with some wear and mild bumping. Joints are a little rubbed. Leather to spine is slightly darkened. Provenance: Attractive bookplate to first pastedown from George G Stevenson depicting a maritime scene. With marbled endpapers. Shiny gilt top edge. Text is good throughout - bright and clean with all illustrations present as called for. Text in English. Prelims + 193pp + Plates.  Dimensions: approx 233mm high x 175mm wide x 27mm deep.  Weight: approximately 900g (unpacked).

Zustand: NEW.

Taschenbuch. Zustand: Neu. The Stones of Paris | In history and letters - Volume I | Benjamin E. Martin | Taschenbuch | Englisch | 2023 | hansebooks | EAN 9783348102650 | Verantwortliche Person für die EU: Hansebooks GmbH, Trakehner Weg 52, 22844 Norderstedt, gb[at]hansebooks[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Railton, Herbert; Fulleylove, John (illustrator). Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Hardcover. Zustand: Fair. No Jacket. xii, 404 pages : illustrations ; 19 cm ; OCLC 793852836; art nouveau design with thistles and in green and brown on brown cloth ; no dustjacket ; missing first four pages (replacements provided); "Reading with appreciation is a fine art. This volume contains some of the gems of literature which the race has learned to love. Some of the 'old fashioned selections' and some of the most charming new short classics, are offered as a basis for study and appreciation. The average pupil will study his reading lesson with zest if he is given some definite work to do. In these studies, the brief introduction to each selection is intended to whet the pupil's appetite.The exercises following each study make his study definite and to the point. Helpful notes are added wherever necessary, and additional readings are given. ; Contents: America -- Our native land -- The young witness -- Your first duty -- The blind men and the elephant -- Washington's rules of conduct -- The captain's daughter -- What do they say? -- The whistle -- My dog Blanco -- None of the beauty is wasted -- Arthur's prayer at Rugby -- All is beauty -- Life -- Woodman! Spare that tree! -- Why do bells for Christians ring? -- Expert dervice -- The Three Graces -- Professor Frog's lecture -- Flower in the crannied wall -- The High Court of Inquiry -- A prayer -- To a waterfowl -- The mystery of life -- Song -- Santa Filomena -- The country's call -- How t he crickets brought good fortune -- The flag -- In school days -- Four things -- The flag goes by -- A message to Garcia -- The Brook -- The barefoot boy -- The old Puritan lawmaker -- Work done squarely -- Is there a Santa Claus? -- Nathan Hale -- Kind hearts and simple faith -- De. John Goodfellow-Office Upstairs -- The procrustean bed -- The book our mothers read -- Horatius at the bridge -- True courage -- The house by the side of the road -- The eagle -- The name of Old Glory -- The North American Indian -- The glove and the lion -- How sleep the brave? -- The bloodless sportsman -- An old Armenian gate -- Press onward -- A defense of teh crow -- Our national banner -- The builders -- Nature's song -- Hail to the harvest -- The wonderful one-hoss seat -- Portia's plea -- The sport of my life -- The ship of state -- The landing of the Pilgrims -- Courage -- A psalm of life -- My mind to me a kingdom is -- The barmicide feast -- The man that wins -- Books -- Leonainie -- A parable on brotherly love -- A thing of beauty -- A boy's song -- The legend of St. Christopher -- The sandpiper -- The man wihtout a country -- The seed growing secretly -- Spartacus to the gladiators -- On his blindness -- The rising in 1776 -- We seek for beauty -- Somewhere -- A call to arms -- Dare to do right -- The burial of Moses -- Service -- Think for thyself -- Truth -- The prodigal sopn -- We thank Thee -- The bishop and the convict -- A call to courage -- The Christ of the Andes -- Dear land of all my love -- Antony's oration -- Three gates of gold -- True dignity -- Lincoln, the great commoner -- Oh, why should the spirit of mortal be proud? -- Unweaponed peace -- For a that and a that -- Lo, the poor Indian! -- The vision of Sir Launfel -- My symphony -- The great stone face -- The shepherd psalm -- The Lord's prayer. ; authors: Samuel Francis Smith, C T Brooks, S H Hammond, David Starr Jordan, John G. Saze, George Washington, James T. Fields, Benjamin Franklin, J G Holland, William A McKeever, Thomas Hughes, Robert Browning, James Russell Lowell, George P Morris, Lydia Atery Coonley Ward, Ralph Waldo Emerson, Sait Paul, MAL Lane, Alfred Tennyson, Samuel Wilberforce, William Cullen Bryant, John Ruskin, Henry Ladsworth Longfellow, Thmpson, PJ Stahl, George Hoar, Jphn greenleaf Whittier, Henry Van Dyke, Henry Holcomb Bennett, Elbert Hubbard, Robert E Lee, Charles A Dana, Francis Miles Finch, James Ball Naylor, Charles Kingsley, Thomas Babington Macaulay, Sam Walter Foss, James Whitcomb Riley, ;scarce ; FAIR. Book.

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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 320 | Sprache: Englisch | Produktart: Bücher | The Stones of Paris - In history and letters - Volume I is an unchanged, high-quality reprint of the original edition of 1899.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Thirty-two cdvs (27 by Whitney, 4 by James Martin, 2 by Benjamin Upton and 2 on unidentified mounts), plus three albumen photographs, one mounted on card stock measuring 5¼ x 4¼ inches, and two mounted on card stock measuring 6 x 4 inches. A striking and important group of Indian portraits taken by Joel Whitney in St. Paul, Minnesota, around the time of the Sioux Uprising of 1862. The Dakota War, or Sioux Uprising, was one of the last large scale attempts by Native Americans to expel white settlers from their territory. Denied rations and annuities promised by treaty in return for the forfeiture of the majority of their land, the Sioux decided that an armed revolt was the only option to save their people. Dakota warriors in Minnesota felt the time was ripe for victory, as more and more American men joined the Union during the Civil War, leaving Minnesota largely unprotected by the American military. U.S. Army regiments recalled from the battlefields of the Civil War defeated the Sioux at Wood Lake on September 23, 1862. In the weeks following, U.S. Army Colonel Henry Hastings Sibley arrested more than 2,000 Santee Sioux and instituted a military commission that found 303 guilty of capital crimes under legally circumspect proceedings. President Lincoln upheld the convictions of thirty-eight Sioux and ordered their execution by hanging at Mankato, Minnesota, on December 26, 1862, the largest mass execution in U.S. history. The present group of photographs includes portraits of five men who are identified as having participated in the massacre: Thaóyate Dúta (Little Crow), the Chief of the Santee Sioux who led his people into battle; PaHa Uza Tanka (The Great Scalp Taker), Te-He-Do-Ne-Cha (One Who Forbids His House), Marpiya Okinajin (Cut Nose) and Do-Wan-Sa (The Singer) - all of whom were executed. Also pictured are Ta-Tanka-Nazin (Chief Standing Buffalo), who argued for peace, and "Old Bets," a Sioux squaw reputed to be 120 years old, who was kind to white captives in her village and is arguably one of the most identifiable and most photographed Sioux from this period. Other identified persons in the group include: Ma-Za-Oo-Nie (The Little Bird Hunter); Can-Ku Was-Te-Win (Good Road Woman) and Anpetu-Sapa-Win (Black Day Woman); Winnesheik and other Winnebago chiefs in the prison at Fort Snelling (who, although non-combatant, were forced into the camp at Fort Snelling with their people and ultimately exiled to the Dakotas). In addition to the portraits of the Santee Sioux, there are thirteen additional portraits of representatives from various bands of the Chippewa people. Joel Emmons Whitney (1822-86) was a pioneering Minnesota photographer and businessman. Whitney learned the art of daguerreotyping from Alexander Hesler, and opened a studio in St. Paul in 1851. He continuously updated his techniques, innovating and offering new products. By 1855, he was advertising paper photographs, which were touted as significantly cheaper than daguerreotypes. In 1860 he introduced the public to the carte-de-visite, which was an incredibly popular format throughout the decade. Whitney produced views of the area, portraits upon request, and - perhaps most notably - portraits and images of the local Native Americans. Whitney had been photographing Native Americans in the area and those who came through the town on their way to Washington for treaty talks. In the summer of 1862, however, the Sioux Uprising spurred new interest in Native American photographs and gave Whitney a unique opportunity for his enterprise. After the Sioux Uprising, Whitney became the principal portrait photographer of those captured and held at Ft. Snelling. Other photographers represented include James Martin and Benjamin Franklin Upton. Little is known about James E. Martin. He is first listed as a photographer in St. Paul's business directory in 1858. He issued cartes-de-visite and stereoscopic photographs, including subjects related to the 1862 Sioux Uprising. Martin's Gallery is listed at two or three different locations until 1870, at which time the business directory shows the gallery under different ownership. Martin remained active after the sale of his studio in partnership with B. F. Upton of St. Paul. Benjamin Franklin Upton (1818-1901) was born in Dixmont, Maine and began his photography career as a daguerreotypist. In 1856, he started working in St. Anthony, Minnesota, where he established a reputation as a photographer of the Sioux and Chippewa Indians. Upton did not make studio photographs; instead, he preferred to work in the out of doors, and develop his photographs out of a wagon-based studio. As Upton did not have the ability to publishing his photographs for a wider audience, there was a period during which Whitney published Upton's photographs on his own studio mounts. The photographs included in the present collection are as follows (captions are within quotes). References are to the Minnesota Historical Photo Collectors Group (MHPCG) catalog list of Whitney cartes-de-visite and to Riggs' numerical list of Sioux executed in Mankato, Minnesota on December 26, 1862. Three albumen photographs mounted on card stock are loose and not within the album; these portraits are untitled but and bear manuscript identification and are noted below: 1) "Winnesheik and Friends. Winnebagos." This photograph is an enlarged version of MHPCG 93. According to the Minnesota Historical Society, Winneshiek appears second from left with other Winnebago (Ho-Chunk) leaders likely at Fort Snelling in 1862 or 1863. Note: Following the Sioux Uprising, all Indian tribes from southwestern Minnesota, which included non-combatant Winnebago bands, were held captive in Fort Snelling and ultimately exiled from Minnesota. MHPCG 93. 2) "Te he si pa Sioux Dandy." Misidentification of MHPCG 19, "Te-Na-Se-Pa A Sioux Dandy." Also known as Do-wan-sa (The Singer). Do-wan-sa was executed in Mankato, MN on December 26, 1862 with thirty-seven other Sioux f.