marius peladeau (13 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Frontis Silhouette (illustrator). 1st Edition. Vermont: Tuttle (1972). First edition, first printing. Hardbound. Fine/fine. Bottom of jacket clipped (not price). A nice clean copy. Comes with mylar dust jacket protector. Shipped in well padded box. Smoke-free shop. SALE.

Paperback. Zustand: Good. Ex-library copy, with usual markings/stickers/stamping present, including a slip insert attached to the preliminary pages. Book shows general shelf & handling wear. Pages are lightly worn on their edges, interiors remain intact with unmarked text/pictures. Good reading copy.

Paperback. Zustand: Very Good+. Spine Is slightly sunned - all text is legible. ; This work is of importance to the historian and the art lover as well. In terms of content and design, it is an unusually beautiful book which boasts an introduction by Bernice Abbott and a solid text by Marius B. Peladeau. Born at Kingheld, Maine, in 1858, "Netta" was the only daughter of Solomon and Apphia Stanley. Among her six brothers, Francis E. And Freelan O. Stanley were to achieve fortune and prominence through the development of the Stanley Steamer automobile and the patent photographic dry-plate. ; Small 4to 9" - 11" tall; 96 pages.

Wraps. Zustand: Good. Illustrated wraps. Oblong format. 96 pp. Black and white photographs throughout. A monograph on the life and photography of Chansonetta Stanley Emmons, who worked in the late 19th to the mid-20th century. Her work focused on the domestic vernacular of New England life. GOOD condition. Minor fading, scuffing and edgewear. Some spotting and staining to the rear cover. Light toning in the interior.

Paperback. Zustand: Very Good +. 9 x 10 in. Paper wraps. Condition is VERY GOOD+ ; minor edge wear, very clean. Binding tight and text unmarked. Art. Stax.

Paperback. Zustand: Very Good +. 11 x 9 in. Paper wraps. Numerous B&W photos. Condition is VERY GOOD+ ; covers clean, stapled binding tight, text unmarked. Maine. Stax.

Soft Cover. Zustand: Very Good. This is a very good softcover copy with almost no wear. One small circular blindstamp to the title-page, from the Paul Kasmin Gallery. Otherwise completely clean. This catalog was prepared to accompany the exhibition in 1982. Preface by Marius Peladeau. Introduction by Martin Dibner. Illustrated in color and black & white. 9" square, 23 pages. This book will be securely wrapped and shipped with tracking.

First Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved; tight, bright, clean and sharp-cornered. ; 269 pages; Description: xlv, 269 p. Illus. , facsims. , port. 24 cm. Portrait frontis illustrated. Bibliography: p. [249]-258 3 Kg.

Zustand: Good. 1968. No Edition Remarks. 269 pages. No dust jacket. Blue cloth boards with gilt lettering. Black and white illustrated frontispiece. Clean pages with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Binding remains firm. Boards have mild edge wear with slight rubbing to surfaces and bumping to corners. Minor sunning to spine and edges with crushing to spine ends. Gilt lettering is darkened. Visible wear marks to boards.

Soft cover. Zustand: Very Good. COURT, Lee Winslow (illustrator). Limited Edition. Limited edition. Very good condition, horizontal quarto, embossed blue card covers with fold overs, full colour representations of the artist's work, 54 pages. [QP].

Hardcover. Zustand: Near Fine. First edition thus. This first appeared in *Publications of the Colonial Society of Massachusetts Transactions, Vol. 44.* 269pp. Blue cloth with gilt-stamped spine title. Modest edgewear, a near fine copy lacking the glassine dustwrapper.

Zustand: Very Good. 'From the estate of publisher Ben Raeburn, with his discreet editorial ticks; warmly inscribed on the title page by Berenice Abbott, who contributes the introduction.' The bindings are tight and square. Text is clean; light, even age-toning. Minimal shelf handling wear; typical of softcover format. Internally bright, with several discreet pencil checkmarks in Raeburn's hand, as seen in other copies from his library. Overall, a very well-preserved association copy. Previous bookseller 'autographed sticker' on the front. Oblong; 96 pages; b;ack-and-white photography. This work reintroduced the rediscovered glass-plate photography of Chansonetta Stanley Emmons (18581937), sister of the Stanley Steamer inventors, whose rural Maine and New England scenes captured early 20th-century domestic life with artistic sensitivity. Berenice Abbott, a major figure of American modernist photography, contributed the introduction and inscribed this copy. Her inscription to Ben Raeburn (19011997)publisher and editor of Horizon Pressreflects a close professional relationship. Raeburn's pencil notations suggest he was reviewing or marking passages for possible reference or publicity. Emmons's work, long neglected, was contextualized here within early women's photography alongside contemporaries like Gertrude Käsebier and Alice Austen. Abbott's introduction situates Emmons as a pioneer of vernacular realism, a sensibility Abbott herself advanced in her documentation of American life. No later editions were issued after this 1977 publication. Note for collectors: The inscription hand reads as 'Berenice'consistent with Berenice Abbott's habit of signing her first name in a slanted, looping script with a prominent initial 'B' and trailing flourish. Context supports this: Abbott wrote the book's introduction and knew Raeburn professionally and socially. The content ('with love') fits an inscription to a close publishing friend rather than an author. Many books from Raeburn's estate commonly show light editorial checkmarks or marginal ticks. These are typical publisher's/reader's marks used while reviewing text layout and photo captions or when preparing press/marketing notes. This copy's ticks match that pattern and appear to be in Raeburn's hand. Page 7 penciled change to the subject's namewhat is it? It looks like an informal correction calling attention to Chansonetta's maiden name, 'Stanley' (she became Chansonetta Stanley Emmons after marriage). The author uses the full compound name throughout; Raeburn's note likely flags emphasis rather than a true textual error. (See institutional descriptions that style her name with maiden and married forms.) Subjects: Chansonetta Stanley Emmons, Berenice Abbott, American photography, Maine, Rural life, Women photographers, Association copy, Photographic monograph, Women in photography, Art biography.

in: Historic Preservation, Febraury, p. 12 - 16. (The whole magazine 96 p.). Article on Robert Indiana's home, the "Star of Hope Lodge", a 1880 reconverted lodge house of the Odd Fellows in Vinalhaven, Maine. With hand written dedication of Robert Indiana. With original package and hand written address of the addressee as well as the sender from Indiana himself, with different seals and the "Love" stamp of the artist. Artikel über den Wohnsitz von Robert Indiana, die "Star of Hope Lodge" einem 1880 umbauten Logenhaus der Odd Fellows in Vinalhaven, Maine. - Mit handschriftlicher Widmung von Robert Indiana und der Originalverpackung mit handschriftlicher Adresse des Empfängers und Absenders von Indiana und diversen Stempeln so wie der "Love" Briefmarke des Künstlers. Sprache: englisch.