indiana robert (160 Ergebnisse)

Paperback. Zustand: Very Good. The third edition builds on the success of previous editions whilst also addressing critical topics such as corporate responsibility and social entrepreneurship. Developments in relationship and public sector marketing, for example the increasing emphasis on partnerships, as well as in fundraising media such as the Internet and SMS messaging, are reflected in the new edition. The text is divided into three parts, beginning with an introduction to the nonprofit sector and the topic of marketing. It then moves on to develop a framework for marketing planning, including a detailed consideration of topics such as overall direction, market segmentation, branding, and positioning. The text concludes with a series of chapters that explore the application of marketing in a number of specific contexts. The new edition will be accompanied by an online resource centre for the first time, comprising the following features: Student resources: Web links to other websites of value to students specialising in the field Self test quizzes (MCQs) Details of new research work of relevance to students Practitioner Insights boxes (boxed examples from industry) Further reading list Podcasts from practitioners and from own lectures and presentations Lecturer resources: A Lecturer's Manual comprising: PowerPoint slides of the diagrams in the book Additional case studies of approximately 500 words (2-3 per sector specific chapter) Guidance on how to use the case studies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear. Some light scuffing to jacket. Else a bright, clean copy.

No Binding. Zustand: Good. Large folded map; several nicks along edges of map, o/w in good condition. Map.

0 Includes illustrations. Very good. light shelf wear, ex museum stamp.

Hardcover. Zustand: As New. First Edition. Stated First Edition, with "1" in number line present. First in-depth analysis of Robert Indiana's early career, and sumptuously illustrated in black-and-white and full color. Special attention paid to his maturation as an artist in the 1950s and development as a Pop artist (his popular LOVE paintings). Ryan highlights his links to American literature and poetry, too. Superior copy, gift-quality condition, inside and out, no discernible wear to handsomely bound gray cloth covers, copper lettering to spine, bright and shiny dust jacket, little worn. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. viii 1-303 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Zustand: Good. Good condition. (Sculpture, Art, Exhibition Catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.

Hardcover. Zustand: Very Good.

Paperback. Zustand: Very Good. 0954812603. 2004 Waddington Galleries, bright clean copy.

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran November through December 1972. Brief essay by Sam Hunter. Includes 5 color and 2 black and white illustrations along with a black and white photograph of the artist. A very good copy in stapled wrappers with a very faint stamp to the front cover and some other light wear.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Near Fine. 1st Edition. First Edition thus, 1998. English/French text. Clean and tightly bound with fine contents and plates. Very slight edge wear, almost fine. International shipping may require added postage charges.

Zustand: Very Good. Very Good condition. (Wood Sculpture, Art, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Zustand: Very Good. No Jacket. Very good copy. (see picture) 64 pages.Published on the occasion of an exhibition at the National Museum of American Arts,Washington May1-September 3,1984.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Illustrated. Cloth, dj., Large 4to. Very good, clean copy in very good dj. The popularity of Robert Indiana's LOVE works made the Pop artist a household name--and torpedoed his reputation, precipitating his self-imposed exile from the New York art world that had once acclaimed him and eclipsing the breadth and emotionally powerful content of the rest of his dynamic, conceptually charged work. Robert Indiana: Beyond LOVE is a compelling reassessment of the artist's contributions to American art during his long and prolific career. Indiana (b. 1928) has explored the power of language, American identity, and personal history for five decades. Although his imagery, suggestive of highway signs and roadside attractions, is visually dazzling on its surface and seems to reflect a native spirit of optimism, it contains a multilayered conceptual intricacy and darkness that draw on his own biography as well as on the myths, history, and literature of the United States. As chronicled in this landmark reappraisal, Indiana was a seminal figure of the 1960s and 1970s, whose artistic genius combined Pop art, hard-edged abstraction, and language-based conceptualism. With a generous illustration program, an appendix of the artist's interviews and statements, and contributions by leading experts, this book provides a long overdue analysis of the development of Indiana's career, his relationship to early-20th-century American painters, and his influence on contemporary language-based artists. In addition to an illustrated chronology, selected exhibition history, and selected bibliography, Robert Indiana: Beyond LOVE includes transcripts from roundtable discussions with key Indiana experts, such as Thomas Crow, Bill Katz, Robert Pincus-Witten, Susan Elizabeth Ryan, Robert Storr, Allison Unruh, and John Wilmerding, who offer compelling insights on the significance of Indiana and his art. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art (09/26/13-01/05/14) McNay Art Museum (02/05/14-05/25/14) .

Taschenbuch / geringe Gebrauchsspuren Zustand gut.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. First printing. 303 pages. A scholarly examination of the works of this important American artist. Includes a number of color and black and white illustrations. A fine copy in a very near fine dust jacket with some very faint sunning to the spine.

Zustand: New. Editor(s): Dyrness, William; Johnston, Robert (Assistant Professor of Optometry Indiana School of Optometry Bloomington in USA). Series: Engaging Culture. Num Pages: black & white illustrations. BIC Classification: HRCX4; HRLP1. Category: (G) General (US: Trade). Dimension: 238 x 178 x 18. Weight in Grams: 330. . 2016. 2nd Edition. Paperback. . . . . Books ship from the US and Ireland.

Soft Cover. Zustand: Very Good. This is a very good softcover copy with almost no wear. One small circular blindstamp to the title-page, from the Paul Kasmin Gallery. Otherwise completely clean. This catalog was prepared to accompany the exhibition in 1982. Preface by Marius Peladeau. Introduction by Martin Dibner. Illustrated in color and black & white. 9" square, 23 pages. This book will be securely wrapped and shipped with tracking.

Zustand: Fair. Acceptable condition. (robert indiana, exhibitions) A reading only copy. Boards/spine/hinges may be broken, detached, or missing. All pages of text are present, but they may include extensive notes/highlighting, be heavily stained, or detached. May be missing non-text pages (e.g. end pages, half title, title, frontispiece.).

Self wrappers. First edition. 1 sheet with 6 two-sided panels. Illus. with b/w plates and photos. 12mo. folded. "Love-O-Rama", mini-muliple no. 6 published by the ARTgallery magazine, October, 1970 commemorating the opening of the Indianapolis Museum of Art. A very good copy, not mailed, inked numeral on mail section, some soiling.

First Edition. First edition. Softcover. [16 pages.] Exhibition catalog for a show that ran October 22 through November 24, 1963 at the Walker Art Center and then December 14, 1963 through January 26, 1964 at the Institute of Contemporary Art in Boston. Features a preface by Jan Van der Marck. Includes black and white illustrations of works by both Stankiewicz and Indiana, along with lists of their previous exhibitions, a checklist and an artist statement by Indiana. A near fine copy in stapled wrappers.

78 pp.; 21.6 x 13.6 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 25-26 of Top Stories, a prose periodical. Edited by Anne Turyn and Brian Wallis. Contents includes: "Excerpt from 'Home Sick,'" by Lynne Tillman; "Gran Turismo," by Glenn O'Brien; "Tex," by Caryl Jones-Sylvester; "Friendly Fires," by Judy Linn; "I know the climate's wonderful, but how's the Truth?," by Robert Fiengo; "To Japan and Back," by Linda L. Cathcart; "Sanjiro's, Thumb's and Apple Pie," by Micki McGee; "gothic tourism," by Cheryl Clarke; "Driftings," by Douglas Blau; "Incunabula #3," by Susan Daitch; "Foreign in Life," by Jane Warrick; "Leaving Quito," by Gary Indiana; "Painted Desert," by Suzanne Jackson; "Pop Life," by Sekou Sundiata and "Legend 1 inch: 1 Hour," by Constance DeJong. Cover design by Nancy Linn. Very Good. Yellowing and light rubbing of covers and light edge wear. Contents clean and unmarked.

78 pp.; 21.6 x 13.6 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 25-26 of Top Stories, a prose periodical. Edited by Anne Turyn and Brian Wallis. Contents includes: "Excerpt from 'Home Sick,'" by Lynne Tillman; "Gran Turismo," by Glenn O'Brien; "Tex," by Caryl Jones-Sylvester; "Friendly Fires," by Judy Linn; "I know the climate's wonderful, but how's the Truth?," by Robert Fiengo; "To Japan and Back," by Linda L. Cathcart; "Sanjiro's, Thumb's and Apple Pie," by Micki McGee; "gothic tourism," by Cheryl Clarke; "Driftings," by Douglas Blau; "Incunabula #3," by Susan Daitch; "Foreign in Life," by Jane Warrick; "Leaving Quito," by Gary Indiana; "Painted Desert," by Suzanne Jackson; "Pop Life," by Sekou Sundiata and "Legend 1 inch: 1 Hour," by Constance DeJong. Cover design by Nancy Linn. Very Good / Fine. Light yellowing of covers and bumping of top right corner, otherwise Fine. Contents clean and unmarked.

Zustand: Good. Good condition. (robert indiana, exhibitions ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Zustand: Near Fine. Exhibition catalog. Text by Sam Hunter. Small quarto. 45, [9] pp. Illustrated. Pictorial wrappers. Faint wear on the wraps, near fine. Published on the occasion of the exhibition held in New York at the Marisa Del Re Gallery from November to December, 1984, featuring work by Roy Lichtenstein, Andy Warhol, Jasper Johns, Robert indiana, Ed Ruscha, and others.

Softcover. Zustand: Near Fine. First edition. Small quarto. Illustrated in both color and black and white recreations of fifty-nine works. Pictorial wrappers. The wraps with light wear, near fine. Published on occasion of the exhibition held at the Susan Sheehan Gallery, New York, November - December, 1989.