Proceedings of the 1st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010. Frankfurt, Peter Lang 2012. 234 S., OPappband. Rücken mit minimaler Läsur, sonst neuwertig.
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Zustand: Wie Neu. Zustandsbeschreibung: ungelesen, leicht bestoßen/unused, slightly bumped. Transnational and Transdisciplinary Perspectives. Edited by Mario Dunkel & Sina A. Nitzsche. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. With contributions by Klaus Nathaus, Alessandro Mazzola, Nevin Sahin, Rüdiger Ritter, Maristella Feustle, Ádám Ignácz, Martha Bayles, Nicholas Alexander Brown, Sven Kube, Carlos Sanz Diaz and José Manuel Morales Tamaral, Kendra Salois, James R. Ball III, Gesa zur Nieden, Dean Vuletic, Mario Dunkel & Sina A. Nitzsche. 328 Seiten mit 12 Abb., broschiert (Studien zur Popularmusik/transcript Verlag 2018). Statt EUR 44,99. Gewicht: 523 g - Softcover/Taschenbuch.
Originalhardcover. Zustand: Wie neu. 234 S., graph. Darst., Noten. Ein tadelloses Exemplar. - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a forms own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies. - Content: Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce's Pomes Penyeach -- John McGrath: Musical Repetition in Samuel Beckett's Ill Seen Ill Said -- Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces: Gert Jonke's Self-Reflexive Soundscapes -- Emily Petermann: The Concept of Time Implied by the Theme and Variations Form: Novels Based on Bach's Goldberg Variations -- Markus Huss: The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works -- Christin Hoene: Sounding Through Time and Space: Music in Postcolonial South-Asian Literature -- Sarah Fekadu: Ezra Pound's Spatial Aesthetics of Music -- Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality: Gunter Grass's Novel Ein weites Feld (1995) -- Hannah Ianniello: Violence in Narratives about Jazz Musicians: Performance in Michael Ondaatje's Coming Through Slaughter -- Helen Abbott: Poetic Time and Space, or What Faure Leams from Baudelaire -- Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect: "Der gute Kamerad" by Ludwig Uhland and Friedrich Silcher -- Diana Kupfer: A Cycle of Songs, Sorrow and Citations: Earl Kim's Now and Then (1981) -- Maria Ristani: Carving Time in Rhythm: Samuel Beckett and Minimalist Music -- Judith Crispin: The Transcendence of Musical Time: Text and Temporality in Busoni's Doktor Faust and Messiaen's Saint Francois d'Assise -- Tyler Cassidy-Heacock: Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux's Voi(rex). ISBN 9783631606988 Sprache: Englisch Gewicht in Gramm: 405.
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Verlag: transcript Verlag., Bielefeld., 2019
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Sprache: Englisch
Verlag: transcript|transcript Verlag, 2018
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In den WarenkorbZustand: New. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw .
Zustand: New. Mario Dunkel is Professor for Music Education with a focus on transcultural music mediation at the Carl von Ossietzky University of Oldenburg.Melanie Schiller is Professor of Contemporary Media Cultures at Radboud.
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Taschenbuch. Zustand: Neu. Popular Music and the Rise of Populism in Europe | Mario Dunkel (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032275239 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a form's own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies.
Sprache: Englisch
Verlag: Hollitzer Verlag Sep 2021, 2021
ISBN 10: 3990128949 ISBN 13: 9783990128947
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Taschenbuch. Zustand: Neu. Neuware - New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a 'tradition' consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge What were the alternative perspectives And why did the narrative of a fixed tradition catch on In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.
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Taschenbuch. Zustand: Neu. The Stories of Jazz | Narrating a Musical Tradition, Jazzforschung / Jazz Research 48 | Mario Dunkel | Taschenbuch | 404 S. | Englisch | 2021 | Hollitzer Verlag | EAN 9783990128947 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu.
Sprache: Deutsch
Verlag: Bielefeld : transcript [2019]., 2019
ISBN 10: 3837650588 ISBN 13: 9783837650587
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Erstausgabe
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